Throughout the years and many thousands of track recordings, the CL 1B has proven its value by adding it's famous, clean musical compression without any negative sideeffects at all.The CL1B is since John G. Petersen designed it in 1987, gaining more popularity evry single day.Not many days passes without a CL1B shipment from our factory in DenmarkThe CL1B compressor is by far our best selling unit, and this is not without a reason: For vocals and instruments like bass, guitar and keys( regardless of musical genre ) the CL1B delivers the most musical and smooth compression, just what's needed to make the track glue to your mix without ant mudiness or distortion, just clean musical compression.The number of hit records featuring the CL1B is countless and the number of stars demanding the CL1B for their recording and mixing is extreme!The CL1B is VERY easy to use; just dial in what you need! You'll hear and feel the action clearly and don't have to doubt wether the setting works. It does!There's a reason, we have more than 16000 Cl1B's hard working all over the world. Features:
A display of the features of TUBE-TECH CL1B Tube Compressor
HLT2A description
The midrange T-Filter "tilts" the entire spectrum around a selectable midrange frequency point. Frequencies above that point increase (or decrease) while frequencies below that point decrease (or increase). This unique topology, provides a powerful and uniquely efficient way to get beautiful-sounding overall equalization. As such, the Tube-Tech HLT-2A is destined to become a "go-to" equalizer in high-end mastering houses,smaller project studios, and everything in between. Like all Tube-Tech processors, the stereo HLT-2A possesses a warmth and character that breathes life into a track and gives it an organic body that somehow manages to occupy real physical space inside a stereo mix, However, the functionality of the HLT-2A is unique in the Tube-Tech line - and indeed in the world of analog processing. Users will find that the HLT-2A generates quick, intuitive results that can range from mild to extreme, and it sounds great on individual tracks or strapped across the drum bus or the mix bus."
HLT2A Technical Description
TUBE-TECH HLT 2A is a stereo unit, featuring low and high cut filters, low and high shelving filters and a T-filter. The shelving filters are designed around a high gain tube amplifier. The T-filter is a passive filter placed between the shelving filters and the output amplifier. All three sections are supplied with a in/out switch. The low and high cut filters are also passive with a slope of 6dB/octave. A bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa. When the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated The unit is all tube based except for the power supply. Input and output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage.
Mastering Version
A mastering version of the HLT2A with stepped pots and a smaller and more detailed range for the shelf and T- filter EQ
HLT2A description
The midrange T-Filter "tilts" the entire spectrum around a selectable midrange frequency point. Frequencies above that point increase (or decrease) while frequencies below that point decrease (or increase). This unique topology, provides a powerful and uniquely efficient way to get beautiful-sounding overall equalization. As such, the Tube-Tech HLT-2A is destined to become a "go-to" equalizer in high-end mastering houses,smaller project studios, and everything in between. Like all Tube-Tech processors, the stereo HLT-2A possesses a warmth and character that breathes life into a track and gives it an organic body that somehow manages to occupy real physical space inside a stereo mix, However, the functionality of the HLT-2A is unique in the Tube-Tech line - and indeed in the world of analog processing. Users will find that the HLT-2A generates quick, intuitive results that can range from mild to extreme, and it sounds great on individual tracks or strapped across the drum bus or the mix bus."
HLT2A Technical Description
TUBE-TECH HLT 2A is a stereo unit, featuring low and high cut filters, low and high shelving filters and a T-filter. The shelving filters are designed around a high gain tube amplifier. The T-filter is a passive filter placed between the shelving filters and the output amplifier. All three sections are supplied with a in/out switch. The low and high cut filters are also passive with a slope of 6dB/octave. A bypass switches the whole filter section out of the amplifier circuit, keeping the output stage in the circuit. The T-filter is like a seesaw. When the low end goes up, the high end goes down and visa versa. When the potentiometer is turned clockwise, the high frequencies are boosted and the low frequencies are attenuated. When the potentiometer is turned counter clockwise, the low frequencies are boosted and the high frequencies are attenuated The unit is all tube based except for the power supply. Input and output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage.
Tube-Tech LCA-2BThe LCA 2B is a two channel, all tube unit (except the power supply and sidechain circuit) with an independent compressor and limiter per channel. The VCA (1 dual triode) is placed between the input transformer and the output stage (2 dual triodes.)The compressor has six attack/release presets, based on the Fairchild 670, in addition to manual control. The audio path of the LCA 2B is fully symmetrical from input to output, and both input and output have fully floating transformers. All DC voltages are stabilized except the anode voltage for the output stage.Features:Dual channel all tube compressor/limiter Fairchild 670 attack/release presets as well as manual control Multiple interconnection of several compressors is possible via two busses Clickless IN/OUT key LED display for gain reduction Technical Specifications:Function Compressor/LimiterNumber of Channels 2Inputs 2 x XLROutput 2 x XLR Compression Threshold -10dBU to offCompression Ratio 1.6:1 to 20:1Attack Time 3mSec to 70mSecRelease Time 0.07 to 2 Sec Maximum Output Level +26dBUMake-up Gain -6dB to -10dBFrequency Response 5Hz to 50kHz Noise <-80dBUDimensions 2U rack mountSpecialties Very low noise
The Tube-Tech ME 1B is Tube-Tech's unique take on the classic Pultec MEQ-5 midrange equalizer. There's a lot of mojo going on in the Pultec designs, but the biggest mojo of it is that it is so well-designed that almost whatever setting you use, it will sound good.
Pultec style mid-range equalizer
Classic Tube-Tech sound, created together with the designers at Lydkraft/Tube-Tech.
Each and every component carefully modeled.
Perfect companion to the Tube-Tech PE 1C
Modeled output transformer.
Extremely analog behavior of frequencies, phase, distortion, etc.
CPU friendly.
MEC 1A Mic Preamp Gain +20 db +70 db Phantom Power Phase Reverse 20 db PAD LowCut Filter) Equalizer (Low und High Shelving auf 6 Frequenzen, Band Filter(Bell Type) auf 12 Frequenzen) Compressor Optical Gainreduction Element Variable Attack/Release / Ratio 1,5:1 10:1/ Linkable for StereoApllications) Seperate In/ Out für EQ und Kompressor VU Meter für Gain Reduction o. Output Alle Schalter mit Goldkontakten Ultra Rauscharm < 85 dBU.
The MP 2A is a combined mic preamp/DI, based on a classic TUBE-TECH design, but featuring even higher fidelity and a few new features: An impedance switch to match the input perfectly to all types of microphones, an overload indicator and 2 dB gain steps. The MP 2A is the second in the new range of upgraded microphone preamplifier/DI's (the modular PM1A was the first). These new preamps features even higher headroom and fidelity than the earlier TUBE-TECH micpre''s.
Serious listening tests of the MP 2A have revealed a sound quality second to none, placing it among a handful of the worlds very best designs.
The MP 2A DI continues the TUBE-TECH tradition of extremely good sounding DI's, delivering world class sound for bass and guitar DI recordings. You simply won’t find a better DI than this!
The TUBE-TECH MP 2A is a combined Microphone Preamplifier and Direct Instrument amplifier. The input provides switchable +48 V phantom power, selectable mic. impedance of 600/1200/2400 Ohm, phase reverse switch, low-cut filter (20 Hz/40 Hz/off), as well as a switchable -20 dB pad. Gain is adjustable from +10 dB to +70 dB.( 10db steps, coarse +2 dB steps, fine.) The Direct Instrument Input are unbalanced with a gain ranging from + 10 dB to + 60 dB. The amplifier is all tube. Input transformer is enclosed in a MU-metal can. Input and output transformers come with a static screen between the primary and secondary wirings. The input and output are balanced as well as fully floating.
Features:
All tube based featuring push-pull output amplifier
Frequency Response @ -3 dB: 5 Hz to 60 kHz
CMRR >60 dB @ 10kHz
Typical noise figure: 5 dB @ 200 ohm
Gain from +10 dB to +70 dB in 2 dB increments - DI gain: 0-60dB.
Microphone input impedance selectable: 600 Ohm/ 1,2 kOhm/2,4 kOhm
Selectable pad in front of input transformer (-20 dB)
Selectable +48 V phantom power
Overload indicator
Direct Instrument Jack-socket input for various instruments
DI input impedance > 1 Mohm
Input transformer is enclosed in a MU-metal can
Inputs and outputs are transformer balanced and fully floating
"I absolutely love the TUBE-TECH MP 2A! What a stunning mic amp. Used it on a record for vocal and double bass and then did all my overdubs on it and couldn't have asked for any more from it. As big and beautiful as any of the N**** mic amps (but with less noise) in the studio." - Garry Boyle, Castlesound UK
“I used the new Tube-Tech MP 2A in my current production of the German band Jupiter Jones and I am delighted: This new preamp has a charming but also very classy character which works excellent on various instruments I used it with. Really great (or “really cool”)!” - Wolfgang Stach, Producer and owner of Maarweg Studio 2, Cologne, Germany
"The PM1A for me is probably the best Preamp I ever recorded with. Vocals instantly fall into place and sound just right. Same thing with guitars! It gives me the rich and fat sound I am looking for." - Bassel El Hallak, Producer, Songwriter, Musician,Session Guitar Player, Hamburg , Germany
The TUBE-TECH PE 1C Program Equalizer contains a low frequency boost and attenuation section (shelving), and a high frequency boost section (peaking). The high frequency section has variable bandwidth as well as attenuation (shelving). The filter section is of the the passive type followed by a tube based push-pull amplifier to restore the gain. Input and output are balanced as well as fully floating. Input and output transformers come with a static screen between the primary and secondary wirings.
The world’s only “all tube based” multiband compressor design Three bands per channel with variable crossover frequencies between bands. Stereo sidechain with variable Threshold, Ratio, Attack, Release and Gain controls for all three bands. Master Output Gain (off to +10 dB) Balance Control (+/1,5 dB) LED display showing compression Freq. response @ 3 dB: 5 Hz to 60 kHz Low noise: < 60 dBu @10 dB gain Conductive plastic potentiometers Clickless bypass relay
The world’s only “all tube based” multiband compressor design
Three bands per channel with variable crossover frequencies between bands
Stereo sidechain with variable Threshold, Ratio, Attack, Release and Gain controls for all three bands
Master Output Gain (off to +10 dB)
Balance Control (+/1,5 dB)
LED display showing compression
Freq. response @ 3 dB: 5 Hz to 60 kHz
Low noise:
Potentiometers with 31 detents for Threshold, Ratio, Attach, Release and Balance
Gain controls with 12 positions gold plated switches
Frequency switches with 6 positions gold plated switches
Clickless bypass relay
€6,249.00*
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