Telefunken C-12 Condenser Microphone If there were ever a microphone that was the epitome of classic, hi-fidelity sound, it would be the AKG C-12. The first of the AKG line of selectable pattern condenser mics, the C-12 is revered for its smooth, airy response. Considered by many to be the finest sounding microphone ever produced, original C-12 microphones are still in use in recording studios throughout the world.TELEFUNKEN Elektroakustik is proud to manufacture the C-12 once again. Our new CK12 capsule is built from the original manufacturers technical specifications, and utilizes a Haufe (manufacturer of the original) output transformer built to match the original, and a microphone grade 6072a tube just like the original system.Our new C-12 is incredibly detailed, capturing all the subtle nuances of a performance and transferring them back to the listener in a manner that is so realistic; you'll think you're listening to the source directly. Its silky smooth top end provides plenty of air without sounding harsh or artificial. Its midrange speaks clearly and articulately, capturing the source with a natural presence. Its low end is tight and focused, perfectly balanced with the rest of the frequency range. These qualities make the C-12 a fantastic choice for all types of instruments, lending itself especially well to drum overheads, acoustic guitar, and vocals.Coveted by an extensive list of professional recording engineers, theTELEFUNKEN Elektroakustik C-12 historic reissue is an exceptional microphone that will be a treasured addition to your microphone collection for many decades to come. For more information, please visit this products webpage
Telefunken freut sich, Ihnen die Ela M 251E, Gewinner des 2003 TEC Award für Studio- Mikrofon vorzustellen. Bereits anerkannt von führenden Ingenieuren als identisch mit den ursprünglichen historischen Spezifikationen. Telefunken scheute keine Kosten in der sorgfältigen Reproduktion. Vollständig von Hand gebaut in Connecticut (USA), ist das Ela M 251E Mikrofon System eines von vier Versionen. Es kommt komplett mit einer NOS GE JAN 6072a Röhre, einer neu hergestellten CK12 Doppelmembran Kapsel, einem benutzerdefinierten Haufe Transformator, vom ursprünglichen europäischen Lieferanten, 'Vintage' Ela M 950 Netzteil, 10 Meter Gotham Audiokabel, hölzernen Mikrofonkasten, einem aus Leder gebundenem 'Flightcase', Bedienungsanleitung und einer voll übertragbaren lebenslangen Garantie. Review auf ProAudio Review (auf Englisch) Type Condenser Pressure Gradient Capsule CK12 1' dual sided gold sputtered membrane Frequency Range 20Hz / 20kHz Polar Pattern Cardioid, Omni and Figure 8 Sensitivity approx 1.2 mvolts per dyne / cm sq Impedance 200 ohms stock / 50 ohms switchable SPL 138 dB Non Linear Distortion Less than or equal to 0.5% at 100 dyne / cm sq Equivalent Noise 16 dB (aweighted) Tube Type 6072a General Electric JAN twin triode Power Requirments Dedicated Power Supply Weight 20oz (567g), 34oz (960g) with swivel Size 8 1/2' (216mm) length x 2' (51mm) diameter
The small diaphragm ELA M 260 has become a staple for use in a multitude of recording applications due to its natural presence and high level of detail and clarity, especially in acoustic and classical applications. Keeping this in mind, TELEFUNKEN Elektroakustik is now offering the ELA M 260 Stereo Set.
The matched Stereo Set comes in a custom locking flight case that carries both M801 cables, M761 shock mounts, microphones, wooden boxes, and an American-made dual-channel M960S power supply unit. This newly designed power supply is fully regulated and will power one or both microphones simultaneously, and features a slow-ramping heater voltage to ensure vacuum tube longevity. The ELA M 260 Stereo Set also features two sets of 3 interchangeable capsules: the TK60 cardioid, TK61 omni, and TK62 hypercardioid, so the user can have the flexibility to record their source material in any way they wish.
The microphones will also feature the same flint gray finish made popular by the R-F-T AR-51, so you will be able to know in an instant, which microphones are from your Stereo Set, and which are your individual ELA M 260 systems.
The ELA M 260 features an amplifier circuit based around a New Old Stock (NOS) EF-732 / 5840W vacuum tube and a custom output transformer that is wound to exacting specification in the United States. Each of these components is rigorously tested in our laboratory prior to installation, and hand-selected for matched pairs. The capsules have matched frequency responses, the tubes have matched gain and noise specs, and the amplifier circuits have matched gain and frequency response.
Stereo recording techniques include X/Y coincidental pairs with the microphones in cardioid, and A/B spaced pairs with either cardioid or omni-directional patterns. Using these techniques, or others, in conjunction with a pair of ELA M 260's will result in an ideal recording set up for string sections, acoustic guitar, drum overheads, or as room microphones.
The ELA M 260 Stereo Set offers the user the knowledge and comfort that the tools they are using will give identical responses for their most important stereo recording.
The small diaphragm ELA M 260 is arguably one of the industry's finest acoustic and classical recording tube mics, offering plenty of tone with excellent detail and clarity.
The small diaphragm ELA M 260 is arguably one of the industry's finest acoustic and classical recording tube microphones, offering plenty of tone with excellent detail and clarity.
Prior to 1959, TELEFUNKEN GmbH distributed Neumann GmbH microphones throughout the world. When Neumann GmbH decided to take their distribution direct, TELEFUNKEN GmbH commissioned Austrian company AKG Acoustics GmbH to produce a series of 5 microphones. This series of microphones was comprised of the famous ELA M 251, the ELA M 250, the stereo ELA M 270, and two small capsule microphones, the ELA M 260 and the ELA M 261.
TELEFUNKEN Elektroakustik is pleased to offer its first small diaphragm tube condenser, the ELA M 260. While not a historically accurate reproduction of the original ELA M 260 like the Diamond Series microphones, TELEFUNKEN Elektroakustik's version of the ELA M 260 is still built with the same attention to detail and level of quality that would be expected from a TELEFUNKEN Elektroakustik microphone.
One of the best recording tools for acoustic and classical music, the ELA M 260 system features a new circuit design based around a New Old Stock (NOS) EF-732 / 5840W vacuum tube and a custom output transformer that is wound to exacting specification in the United States. The combination of these features yields a small diaphragm microphone that is unique while also bearing the qualities of the vintage microphones that it was based upon.
In use, the ELA M 260 has plenty of tone with excellent detail and clarity. It captures sources with a natural presence, making it a fantastic tool for recording acoustic instruments of all types. Violin, cello, upright bass, drum overheads, percussion, woodwinds, saxophones, strings, and especially acoustic guitar all shine through the ELA M 260. Also, despite its size, it has also served well on vocal applications. Its unique tonal character is very well suited for a myriad of applications, both traditional and not.
All ELA M 260 system packages are supplied with a set of three interchangeable capsules: the TK60 cardioid, TK61 omni, and TK62 hyper-cardioid. With all three capsules the user can have the flexibility to record their source material in any way they wish. Each system also includes an M960 power supply, M801 25' dual-shielded TX-7 tube microphone cable, M761 elastic shock mount, wooden microphone box and a dedicated power supply.
With over a year and half of development and beta testing with top recording engineers, the newly designed M60 FET (Field Effect Transistor) small diaphragm microphone is TELEFUNKEN Elektroakustik's first non-vacuum tube, FET-based solid-state condenser microphone. The M60 FET Series is designed to utilize the same interchangeable TK6x capsules as the TEC Award-winning ELA M 260 small diaphragm tube microphone.
The M60 FET Cardioid package includes one M60 amplifier paired with a TK60 cardioid polar pattern capsule. The TK60 features a 6-micron gold-sputtered membrane measuring 15mm in diameter, with a surprisingly full low end, and a quick and accurate transient response. The frequency response is flat from 150 Hz to 7 kHz, with a smooth, airy presence peak at 8 kHz making it ideal for drum overheads, hi-hat and ride cymbals, piano, acoustic guitar, and other acoustic instruments.
Utilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +/- 2dB from 20 Hz to 50 kHz. The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications.
The M60 FET's incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources.
The M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone's XLR connector shell complements the look with a matte black nickel-plated finish engraved with the model and serial number. The TK6x capsules feature a bright nickel-plated enclosure with a fine gold mesh pattern.
With over a year and half of development and beta testing with top recording engineers, the newly designed M60 FET (Field Effect Transistor) small diaphragm microphone is TELEFUNKEN Elektroakustik's first non-vacuum tube, FET-based solid-state condenser microphone. The M60 FET Series is designed to utilize the same interchangeable TK6x capsules as the TEC Award-winning ELA M 260 small diaphragm tube microphone.
The M60 FET Cardioid package includes one M60 amplifier paired with a TK60 cardioid polar pattern capsule. The TK60 features a 6-micron gold-sputtered membrane measuring 15mm in diameter, with a surprisingly full low end, and a quick and accurate transient response. The frequency response is flat from 150 Hz to 7 kHz, with a smooth, airy presence peak at 8 kHz making it ideal for drum overheads, hi-hat and ride cymbals, piano, acoustic guitar, and other acoustic instruments.
Utilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +/- 2dB from 20 Hz to 50 kHz. The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications.
The M60 FET's incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources.
The M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone's XLR connector shell complements the look with a matte black nickel-plated finish engraved with the model and serial number. The TK6x capsules feature a bright nickel-plated enclosure with a fine gold mesh pattern.
With over a year and half of development and beta testing with top recording engineers, the newly designed M60 FET (Field Effect Transistor) small diaphragm microphone is TELEFUNKEN Elektroakustik's first non-vacuum tube, FET-based solid-state condenser microphone. The M60 FET Series is designed to utilize the same interchangeable TK6x capsules as the TEC Award-winning ELA M 260 small diaphragm tube microphone.
The M61 FET Omni-Directional package includes one M60 amplifier paired with a TK61 omni-directional polar pattern capsule. The TK61 features a 6-micron gold-sputtered membrane measuring 15mm in diameter, and offers a large, open sound perfect for capturing the ambience and vibe of your instrument or recording environment to breathe life into any recording. The frequency response is flat from 20 Hz to 5 kHz, with a smooth, airy presence peak at 8 kHz.
Utilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +/- 2dB from 20 Hz to 50 kHz. The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications.
The M60 FET's incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources.
The M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone's XLR connector shell complements the look with a matte black nickel plated finish engraved with the model and serial number. The TK6x capsules feature a bright nickel plated enclosure with a fine gold mesh pattern.
The M61 FET Omni-Directional system ships complete with an SGMC-5R 5-meter XLR cable with right angle female connector, M761 elastic shock mount, and a foam windscreen, all packed in an FC61 zipper carrying case.
With over a year and half of development and beta testing with top recording engineers, the newly designed M60 FET (Field Effect Transistor) small diaphragm microphone is TELEFUNKEN Elektroakustik's first non-vacuum tube, FET-based solid-state condenser microphone. The M60 FET Series is designed to utilize the same interchangeable TK6x capsules as the TEC Award-winning ELA M 260 small diaphragm tube microphone.
The M61 FET Omni-Directional Stereo Set comes with two identical M60 FET amplifiers paired with a matched set of TK61 omni-directional polar pattern capsules. The TK61 features a 6-micron gold-sputtered membrane measuring 15mm in diameter, and offers a large, open sound perfect for capturing the ambience and vibe of your instrument or recording environment to breathe life into any recording. The frequency response is flat from 20 Hz to 5 kHz, with a smooth, airy presence peak at 8 kHz.
Utilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +/- 2dB from 20 Hz to 50 kHz. The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications.
The M60 FET's incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources.
The M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone's XLR connector shell complements the look with a matte black nickel plated finish engraved with the model and serial number. The TK6x capsules feature a bright nickel plated enclosure with a fine gold mesh pattern.
The M61 FET Omni-Directional STEREO SET ships complete with (2) SGMC-5R 5-meter XLR cables with right angle female connector, (2) M761 elastic shock mounts, and (2) foam windscreens, all packed in a FC62 dual microphone zipper carrying case.
With over a year and half of development and beta testing with top recording engineers, the newly designed M60 FET (Field Effect Transistor) small diaphragm microphone is TELEFUNKEN Elektroakustik's first non-vacuum tube, FET-based solid-state condenser microphone. The M60 FET Series is designed to utilize the same interchangeable TK6x capsules as the TEC Award-winning ELA M 260 small diaphragm tube microphone.
The M62 FET Hyper-Cardioid package includes one M60 amplifier paired with a TK62 hyper-cardioid polar pattern capsule. The TK62 features a 6-micron gold-sputtered membrane measuring 15mm in diameter, with a surprisingly full low end, and a quick and accurate transient response. The TK62 provides a hyper-cardioid pattern flat in response from 150 Hz to 3 kHz, with a dip at 6 kHz and a smooth, airy presence peak at 8 kHz. This tightened polar pattern is great for use on cymbals, percussion, and as a stereo pair for live performance recording.
Utilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +/- 2dB from 20 Hz to 50 kHz. The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications.
The M60 FET's incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources.
The M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone's XLR connector shell complements the look with a matte black nickel plated finish engraved with the model and serial number. The TK6x capsules feature a bright nickel plated enclosure with a fine gold mesh pattern.
The M62 FET Hyper-Cardioid system ships complete with an SGMC-5R 5-meter XLR cable with right angle female connector, M761 elastic shock mount, and a foam windscreen, all packed in an FC61 zipper carrying case.
With over a year and half of development and beta testing with top recording engineers, the newly designed M60 FET (Field Effect Transistor) small diaphragm microphone is TELEFUNKEN Elektroakustik's first non-vacuum tube, FET-based solid-state condenser microphone. The M60 FET Series is designed to utilize the same interchangeable TK6x capsules as the TEC Award-winning ELA M 260 small diaphragm tube microphone.
The M62 FET Hyper-Cardioid STEREO SET includes two identical M60 FET amplifiers paired with a matched set of TK62 hyper-cardioid polar pattern capsules. The TK62 features a 6-micron gold-sputtered membrane measuring 15mm in diameter, with a surprisingly full low end, and a quick and accurate transient response. The TK62 provides a hyper-cardioid pattern flat in response from 150 Hz to 3 kHz, with a dip at 6 kHz and a smooth, airy presence peak at 8 kHz. This tightened polar pattern is great for use on cymbals, percussion, and as a stereo pair for live performance recording.
Utilizing a unique proprietary circuit topology, this re-interpretation of the classic FET mic amplifier produces an exceptional transient response and SPL handling capabilities. Carefully selected and tested components are hand-plugged into gold-plated circuit board traces to provide an ultra-clean true Class A discrete amplifier with a frequency response of +/- 2dB from 20 Hz to 50 kHz. The output is matched with a custom American-made transformer that offers an especially low self-noise and a typical THD+N of 0.015% or better, making it ideal for critical recording applications.
The M60 FET's incredibly quick transient response captures nuances and subtleties with impressive precision and clarity. This results in an extremely detailed sonic image with definition and presence, perfectly suited for the complex character of stringed instruments and percussive sources.
The M60 FET amplifier body is finished in a durable, lightly textured black powder coat adorned with the historic TELEFUNKEN diamond badge. The microphone's XLR connector shell complements the look with a matte black nickel plated finish engraved with the model and serial number. The TK6x capsules feature a bright nickel plated enclosure with a fine gold mesh pattern.
The M62 FET Hyper-Cardioid STEREO SET ships complete with (2) SGMC-5R 5-meter XLR cables with right angle female connector, (2) M761 elastic shock mounts, (2) foam windscreens all packed in a FC62 dual microphone zipper carrying case.
TELEFUNKEN Elektroakustik has created the M80 to give the user a superior alternative to the midrange-laden character of the "industry standard dynamic microphone." Featuring a wider frequency response and higher SPL capabilities, the M80 delivers condenser-like performance in a rugged dynamic design, producing a microphone equally suitable for voice, instruments or drums on both stage and in the studio. Due to its low mass capsule and super thin (yet surprisingly rugged) capsule membrane the M80 presents a wider range of emotion from a live vocal with an intimacy that has been traditionally reserved for studio quality condenser microphones.
The TELEFUNKEN Elektroakustik M80 Dynamic microphone has rapidly become a new standard for live performance and stage use. The microphone features a low-mass capsule built with a super thin Mylar membrane that is coupled with our propriety step-up transformer to give superior clarity and extended high frequency response (which in many ways is similar to what one might expect from a condenser microphone), in a rugged design meant for daily abuse in touring applications.
In 2008 a band called Green Day tried the M80 and found they liked the tone of the microphone in various applications, but especially on vocals. The only fly in the ointment was that Green Day isn't a club band, they're an internationally prominent act that regularly sells out arena and stadium venues, which in this day and age means that a wired vocal microphone is out of the question.
After a bunch of experimentation and some custom machining the design team at TELEFUNKEN Elektroakustik was able to successfully modify Green Day's current Shure® wireless mics to feature an M-80 wireless head, complete with TELEFUNKEN Elektroakustik head grill, capsule, and output transformer.
After giving the modified Shure® mics a try, more than 40 wireless modifications were ordered by Green Day as they embarked on a world tour. From this success "team TELEFUNKEN" developed a standard modification process for Shure® microphones (which made the guys at Shure® a little angry with us!!).
This is an entire M-80 (capsule, head grill, output transformer), neatly packed in a much shorter body with the screw on terminal connections. The result is a whole lot of microphone crammed in a little tiny space that provides 10 pounds of sound in a 6 oz package.
The TELEFUNKEN Elektroakustik M80 Dynamic microphone has rapidly become a new standard for live performance and stage use. The microphone features a low-mass capsule built with a super thin Mylar membrane that is coupled with our propriety step-up transformer to give superior clarity and extended high frequency response (which in many ways is similar to what one might expect from a condenser microphone), in a rugged design meant for daily abuse in touring applications.
In 2008 a band called Green Day tried the M80 and found they liked the tone of the microphone in various applications, but especially on vocals. The only fly in the ointment was that Green Day isn't a club band, they're an internationally prominent act that regularly sells out arena and stadium venues, which in this day and age means that a wired vocal microphone is out of the question.
After a bunch of experimentation and some custom machining the design team at TELEFUNKEN Elektroakustik was able to successfully modify Green Day's current Shure® wireless mics to feature an M-80 wireless head, complete with TELEFUNKEN Elektroakustik head grill, capsule, and output transformer.
After giving the modified Shure® mics a try, more than 40 wireless modifications were ordered by Green Day as they embarked on a world tour. From this success "team TELEFUNKEN" developed a standard modification process for Shure® microphones (which made the guys at Shure® a little angry with us!!).
This is an entire M-80 (capsule, head grill, output transformer), neatly packed in a much shorter body with the screw on terminal connections. The result is a whole lot of microphone crammed in a little tiny space that provides 10 pounds of sound in a 6 oz package.
The M81 is the second installment in TELEFUNKEN Elektroakustik's dynamic microphone range. Designed with the goal to develop a microphone that would not only complement the M80, TELEFUNKEN Elektroakustik's first dynamic offering, but to also stand out in a universe filled with dynamic microphone options.
When the M80 was first introduced in 2008, it quickly became a favorite in both live and studio environments. Its clear and detailed top end, articulate mid-range, and minimal proximity effect won the hearts (and ears) of thousands of new users, making it a staple for vocal and snare drum applications, as well as the most popular microphone in the TELEFUNKEN product line.
Building off many of the strengths of the M80, the TELEFUNKEN M81 retains the same minimal proximity effect, superior feedback rejection, and articulate mid-range. However, with the M81, the top end is pulled back a bit, yielding a flatter overall frequency response. This combination results in a microphone with a wealth of body and clarity, making it a great tool for taming brighter vocals and guitar tones and for fattening up percussion, horns and thinner sounding sources.
The TELEFUNKEN M81's tailored frequency response makes the microphone exceptional on electric guitars, percussion, rack and floor toms, and brass instruments. This microphone's wide range of uses and rugged reliability make it the workhorse for the new generation.
Finished in the same flint gray body tube and tri-chrome head grill styling as the R-F-T AR-51, the M81 is readily identifiable when reaching for the microphone. The M81 was very much designed with the AR-51 in mind. Great care was taken to tune the M81's overall response to be complimentary to the AR-51 when recording electric guitars.
Basically, the TELEFUNKEN M81 is designed to be used on... well, anything and everything! It truly is a "Universal Dynamic Microphone."
The TELEFUNKEN Elektroaukustik M81-WH is a wireless capsule head featuring the same physical and sonic characteristics as the M81 Universal Dynamic.
In comparison to the M80, the TELEFUNKEN M81 retains the same minimal proximity effect, superior feedback rejection, and articulate mid-range, however, the top end is pulled back a bit, yielding a flatter overall frequency response. This combination results in a microphone with a wealth of body and clarity, making it a great tool for taming brighter vocals and guitar tones and for fattening up percussion, horns and thinner sounding sources.
The M80-WH, M80-WHB and M81-WH are designed to mate with Shure ULX2, SLX2, UR2 and PG2 wireless transmitters. In addition, they are also interchangeable with the Lectrosonic and Sony brand wireless transmitters. The M80-WH, M80-WHB and M81-WH do NOT mate with the Shure PGX2.
Following the same design approach as our other Dynamic Series microphones, the TELEFUNKEN Elektroakustik M82 was created to cut through the crowded market competition to provide users with the superior alternative to the industry-standard kick drum and large diaphragm dynamic microphones. Hand-assembled and tested in our facility in CT, USA, the M82 is a robust dynamic microphone that features a large 35mm diaphragm with superb low frequency capabilities. Like the M81 Universal Dynamic before it, the M82 derives its name from a series of astronomical galaxies first cataloged by the French astronomer Charles Messier.
The M82 is an end-address microphone, meaning that you point the top portion of the headgrille at your source, and features two separate EQ switches: KICK EQ and HIGH BOOST. These two switches function independently of each other, which yields four unique settings. This gives the user the ability to tailor the microphone's response to the source with ease.
The M82's KICK EQ switch engages a passive filter that reduces some of the lower mid-range frequencies (centered around 350Hz) commonly cut when processing a kick drum. This helps to keep your kick drum from sounding "boxy" and allows the low end to remain strong. This setting is tailored specifically for kick drum use.
The HIGH BOOST switch tilts the upper mid-range and high frequencies (starting around 2kHz with a 6dB boost by 10kHz). For kick drum use, this allows for more beater attack when placed inside a kick drum. This gives you the option to have either a vintage-style kick drum sound, or a more modern sound. For a source such as vocals or guitar amps, the high boost provides further articulation and airiness in the upper register.
Though it was designed with the kick drum as a primary application, the two EQ switches make the M82 equally suited for a multitude of sources such as vocals, percussion, broadcast voice, guitar and bass amplifiers, organ, and brass instruments.
On kick drum, the M82 is both fat and punchy. When placed just inside the hole of the resonant head, the M82's tailored frequency response captures both the beater attack and shell resonance without the need for multiple microphones.
Construction wise, the M82 borrows heavily from the U47 body style by employing a headgrille of similar architecture. Finished in a durable smooth black finish on the headgrille and body, the M82 was rigorously tested to ensure it could handle the rugged role of a kick drum microphone for both studio and live environments.
The TELEFUNKEN Elektroakustik M82 is delivered with a stand mount adapter and protective zipper case. An optional elastic suspension mount is available upon request from your favorite TELEFUNKEN Elektroakustik reseller.
Telefunken TDA-1 (mono) und TDA-2 (dual) sind neue aktive FET-DI-Boxen, die erstklassige Komponenten in einer neu aufgelegten klassischen Schaltung einsetzen, um einen reichen Klangcharakter zu erzielen, der den natürlichen Klang Ihres Instruments erhält. Die TDA-Schaltung setzt auf diskrete Class-A-FET-Technik in Verbindung mit einem hochwertigen Transformator, woraus sich die perfekte Balance zwischen sauberem Klang mit großem Headroom und einem warmen, gesättigten Klang ergibt.
Kern der Schaltung ist ein speziell gewickelter Ausgangstransformator von OEP/Carnhill (Made in UK). Die Schaltung verwendet vergoldete Leiterbahnen und ist vollständig von Hand mit durch Löcher gezogenen Bauteilen (THT) bestückt, die eine sicherere und zuverlässigere Verbindung als oberflächenmontierte Bauteile bieten. Der Frequenzgang der Schaltung liegt bei ± 2dB von 20 Hz bis 70 kHz bei extrem geringen Verzerrungen und Rauschen. Jedes einzelne Exemplar wird von Hand auf die geringstmögliche Verzerrung optimiert. Die hohe Eingangsimpedanz belastet passive Tonabnehmer nicht. Diese Liebe zum Detail und die hochwertigen Komponenten ergeben eine DI-Box, die ein harmonisch reiches Low-End mit detailreichem und klarem High-End verbindet.
Die Schaltung ist in einem extrem stabilen Gehäuse aus gepresstem Aluminium mit vertieften Schalten und Anschlüssen untergebracht. Diese Konstruktion ist praktisch unzerstörbar und ist den täglichen Anforderungen des Konzertbetriebs problemlos gewachsen. Jeder Kanal besitzt zwei stabile Schalter zur Aktivierung einer Dämpfung um 15 dB und des Ground Lift. Die Schaltung wird durch die übliche +48V-Phantomspeisung versorgt, eine LED zeigt den Betriebszustand an. Die TDA-2 bietet zwei unabhängige Kanäle mit separaten Bedienelementen und ermöglicht damit, zwei Instrumente mit nur einer DI-Box auf der Bühne oder im Studio anzuschließen.
Während manche DI-Boxen den Schwerpunkt auf eine sterile, besonders saubere Verstärkung legen, lassen sie oftmals Seele und Charakter des Instruments vermissen. Auf der anderen Seite gibt es DI-Boxen, die zu viel Low End bieten und die harmonischen Verzerrungen übertreiben, was zu einem mulmigen, undefinierten Klang führt. Die aktiven DI-Boxen von Telefunken vermeiden diese typischen Design-Fallen und definieren einen neuen Standard für Zuverlässigkeit und Performance einer DI-Box.
Eigenschaften:
Transformator von OEP/Carnhill, Made in UK
Stabile Konstruktion aus Aluminium
Diskrete Class-A-FET-Schaltung
Vertiefte, geschützte Schalter und Anschlüsse
Stromversorgung über +48 V Phantomspeisung mit LED-Anzeige
Schalter für Dämpfung -15 dB
Schalter für Ground Lift
100% der Komponenten THT (durch Löcher auf der Platine gezogen)
Buchsen von Amphenol
Kondensatoren von WIMA und Nichicon
Metallfilmwiderstände 1% 1/4W
Telefunken TDA-1 (mono) und TDA-2 (dual) sind neue aktive FET-DI-Boxen, die erstklassige Komponenten in einer neu aufgelegten klassischen Schaltung einsetzen, um einen reichen Klangcharakter zu erzielen, der den natürlichen Klang Ihres Instruments erhält. Die TDA-Schaltung setzt auf diskrete Class-A-FET-Technik in Verbindung mit einem hochwertigen Transformator, woraus sich die perfekte Balance zwischen sauberem Klang mit großem Headroom und einem warmen, gesättigten Klang ergibt.
Kern der Schaltung ist ein speziell gewickelter Ausgangstransformator von OEP/Carnhill (Made in UK). Die Schaltung verwendet vergoldete Leiterbahnen und ist vollständig von Hand mit durch Löcher gezogenen Bauteilen (THT) bestückt, die eine sicherere und zuverlässigere Verbindung als oberflächenmontierte Bauteile bieten. Der Frequenzgang der Schaltung liegt bei ± 2dB von 20 Hz bis 70 kHz bei extrem geringen Verzerrungen und Rauschen. Jedes einzelne Exemplar wird von Hand auf die geringstmögliche Verzerrung optimiert. Die hohe Eingangsimpedanz belastet passive Tonabnehmer nicht. Diese Liebe zum Detail und die hochwertigen Komponenten ergeben eine DI-Box, die ein harmonisch reiches Low-End mit detailreichem und klarem High-End verbindet.
Die Schaltung ist in einem extrem stabilen Gehäuse aus gepresstem Aluminium mit vertieften Schalten und Anschlüssen untergebracht. Diese Konstruktion ist praktisch unzerstörbar und ist den täglichen Anforderungen des Konzertbetriebs problemlos gewachsen. Jeder Kanal besitzt zwei stabile Schalter zur Aktivierung einer Dämpfung um 15 dB und des Ground Lift. Die Schaltung wird durch die übliche +48V-Phantomspeisung versorgt, eine LED zeigt den Betriebszustand an. Die TDA-2 bietet zwei unabhängige Kanäle mit separaten Bedienelementen und ermöglicht damit, zwei Instrumente mit nur einer DI-Box auf der Bühne oder im Studio anzuschließen.
Während manche DI-Boxen den Schwerpunkt auf eine sterile, besonders saubere Verstärkung legen, lassen sie oftmals Seele und Charakter des Instruments vermissen. Auf der anderen Seite gibt es DI-Boxen, die zu viel Low End bieten und die harmonischen Verzerrungen übertreiben, was zu einem mulmigen, undefinierten Klang führt. Die aktiven DI-Boxen von Telefunken vermeiden diese typischen Design-Fallen und definieren einen neuen Standard für Zuverlässigkeit und Performance einer DI-Box.
Eigenschaften:
Transformator von OEP/Carnhill, Made in UK
Stabile Konstruktion aus Aluminium
Diskrete Class-A-FET-Schaltung
Vertiefte, geschützte Schalter und Anschlüsse
Stromversorgung über +48 V Phantomspeisung mit LED-Anzeige
Schalter für Dämpfung -15 dB
Schalter für Ground Lift
100% der Komponenten THT (durch Löcher auf der Platine gezogen)
Buchsen von Amphenol
Kondensatoren von WIMA und Nichicon
Metallfilmwiderstände 1% 1/4W
Telefunken TDP-1 (mono) und TDP-2 (dual) sind neue passive DI-Boxen, die erstklassige Komponenten mit einer stabilen Konstruktion verbinden. Das führt zu zuverlässigen DI-Boxen mit reichem, warmem Ton. Durch die Verwendung eines Transformators von OEP/Carnhill (Made in UK), zusammen mit dem Design-Ansatz „weniger ist mehr“, bieten diese passiven DI-Boxen von Telefunken Atmosphäre und Charakter, passend zum Klang Ihrer Instruments.
Der hochwertige Transformator ist nur eines der wichtigen Design-Elemente der DI-Boxen der TDP-Serie. Die Platinen sind 100 % handbestückt und zwar nur mit durch Löcher gezogenen Bauteilen (THT), die eine sicherere und zuverlässigere Verbindung als oberflächenmontierte Bauteile bieten. Alle Leiterbahnen sind vergoldet, um die maximale Leitfähigkeit über die gesamte Lebensdauer zu gewährleisten. Die hohe Eingangsimpedanz belastet passive Tonabnehmer nicht. Der Frequenzgang der Schaltung liegt bei ± 2dB von 10 Hz bis 40 kHz bei extrem geringer Verzerrung und Eigenrauschen.
Die Schaltung ist in einem extrem stabilen Gehäuse aus gepresstem Aluminium mit vertieften Schalten und Anschlüssen untergebracht. Diese Konstruktion ist praktisch unzerstörbar und ist den täglichen Anforderungen des Konzertbetriebs problemlos gewachsen. Jeder Kanal besitzt zwei stabile Schalter zur Aktivierung einer Dämpfung um 15 dB und des Ground Lift. Die TDP-2 bietet zwei unabhängige Kanäle mit separaten Bedienelementen und ermöglicht damit, zwei Instrumente mit nur einer DI-Box auf der Bühne oder im Studio anzuschließen.
Eigenschaften:
Transformator von OEP/Carnhill, Made in UK
Schalter für Dämpfung -15 dB
Schalter für Ground Lift
Stabile Konstruktion aus Aluminium
Vertiefte, geschützte Schalter und Anschlüsse
100 % der Komponenten THT (durch Löcher auf der Platine gezogen)
Buchsen von Amphenol
Kondensatoren von WIMA und Nichicon
Metallfilmwiderstände 1% 1/4W
Telefunken TDP-1 (mono) und TDP-2 (dual) sind neue passive DI-Boxen, die erstklassige Komponenten mit einer stabilen Konstruktion verbinden. Das führt zu zuverlässigen DI-Boxen mit reichem, warmem Ton. Durch die Verwendung eines Transformators von OEP/Carnhill (Made in UK), zusammen mit dem Design-Ansatz „weniger ist mehr“, bieten diese passiven DI-Boxen von Telefunken Atmosphäre und Charakter, passend zum Klang Ihrer Instruments.
Der hochwertige Transformator ist nur eines der wichtigen Design-Elemente der DI-Boxen der TDP-Serie. Die Platinen sind 100 % handbestückt und zwar nur mit durch Löcher gezogenen Bauteilen (THT), die eine sicherere und zuverlässigere Verbindung als oberflächenmontierte Bauteile bieten. Alle Leiterbahnen sind vergoldet, um die maximale Leitfähigkeit über die gesamte Lebensdauer zu gewährleisten. Die hohe Eingangsimpedanz belastet passive Tonabnehmer nicht. Der Frequenzgang der Schaltung liegt bei ± 2dB von 10 Hz bis 40 kHz bei extrem geringer Verzerrung und Eigenrauschen.
Die Schaltung ist in einem extrem stabilen Gehäuse aus gepresstem Aluminium mit vertieften Schalten und Anschlüssen untergebracht. Diese Konstruktion ist praktisch unzerstörbar und ist den täglichen Anforderungen des Konzertbetriebs problemlos gewachsen. Jeder Kanal besitzt zwei stabile Schalter zur Aktivierung einer Dämpfung um 15 dB und des Ground Lift. Die TDP-2 bietet zwei unabhängige Kanäle mit separaten Bedienelementen und ermöglicht damit, zwei Instrumente mit nur einer DI-Box auf der Bühne oder im Studio anzuschließen.
Eigenschaften:
Transformator von OEP/Carnhill, Made in UK
Schalter für Dämpfung -15 dB
Schalter für Ground Lift
Stabile Konstruktion aus Aluminium
Vertiefte, geschützte Schalter und Anschlüsse
100 % der Komponenten THT (durch Löcher auf der Platine gezogen)
Buchsen von Amphenol
Kondensatoren von WIMA und Nichicon
Metallfilmwiderstände 1% 1/4W
Blending an Austrian-inspired voicing similar to the legendary C12 with modern FET high performance, the phantom-powered TF11 exhibits a beautifully open and detailed frequency response with exceptionally fast transient response, high SPL handling, and low self-noise. The compact, cardioid only TF11 is versatile, portable, and dependable for all recording environments from home to studio to stage.
Recommended Applications
• Live Sound: Drums, Piano, Acoustic Instruments• Vocals: Pop, Rock• Drums: Overheads• Acoustic Guitar• Cello, Upright Bass• Percussion
Key Features
• Cardioid polar pattern• Open and detailed tone with fast transient response• Designed and assembled by hand in the USA• High SPL handling, low noise phantom-powered FET amplifier• Compact size suitable for all recording environments• CK12-style capsule and UK-made OEP/Carnhill transformer
The Cardioid-only TF29 is known for its natural, non-hyped tonality, and unparalleled “quality for price”. With a reputation of outstanding sonic performance and value, the Copperhead is a workhorse microphone that accurately and honestly captures nearly any source put in front of it.
Recommended Applications
• Natural Vocals: Folk, Americana• Electric Guitar Amps• Drums: Kick Out, Overheads• Saxophone
Key Features
• Designed and hand assembled in the USA• Balanced, natural midrange and high end• Extended low frequency response• Premium Swedish-made Lundahl transformer
The TF39 is an expansion of the “Copperhead” sound with the addition of 3-pattern selection between Cardioid, Omnidirectional, and Figure-8. This added feature set gives the TF39 greater flexibility.
Recommended Applications
• Natural Vocals: Folk, Americana• Electric Guitar Amps• Drums: Kick Out, Overheads• Saxophone
Key Features
• Designed and hand assembled in the USA• Balanced, natural midrange and high end• Extended low frequency response• Premium Swedish-made Lundahl transformer
The TF47 is a new design based on the “German” sound, drawing inspiration from the historic U47 and M49. With a deep low end and a forward midrange, the TF47 is excellent for adding depth and presence to any source. These characteristics make it especially ideal for recording vocals, guitar amps, and drums.
Recommended Applications
• Vocals: R&B, Rap, Rock, Soul• Drums: Toms, Kick Out, Room• Percussion• Upright Bass• Cello• Trombone
Key Features
• 3 polar pattern selection• Designed and hand assembled in the USA• Full low end and forward midrange, reminiscent of the U47• Smooth and detailed top end• Distinct antique nickel finish• K47-style capsule and BV8 transformer
€2,299.00*
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