Broadcast Production CollectionDas SONNOX Broadcast Bundle enthält eine Zusammenstellung an fünf hochwertigen Plugins, die speziell für Broadcast Anwendungen zusammengestellt wurde. Die enthaltenen Plugins des SONNOX Broadcast Bundles:Oxford EQOxford DynamicsOxford InflatorOxford Limiter Oxford SuprEsser
Broadcast Production CollectionDas SONNOX Broadcast Bundle enthält eine Zusammenstellung an fünf hochwertigen Plugins, die speziell für Broadcast Anwendungen zusammengestellt wurde. Die enthaltenen Plugins des SONNOX Broadcast Bundles:Oxford EQOxford DynamicsOxford InflatorOxford Limiter Oxford SuprEsser
The Oxford DeBuzzer is divided into two stages: Detection and Removal.
Buzz removal is usually accomplished using a comb filter. The comb filter has many tight notches that eliminate the fundamental frequency and associated harmonics of the buzz. For this process to work well, the fundamental frequency must be very accurately determined.
The DeBuzzer has several ways of helping isolate the fundamental frequency.
First is the Peak Profile that is displayed above the central rotary control, which shows the strength of a given nominal frequency in the input signal. Second is the large FFT display which accentuates any frequency components that are consistently present, making them stand out in the plot. It will automatically mark the three highest peaks found, and you can set the nominal frequency by clicking one of the peaks on the graph.The third method of isolating the fundamental frequency is a tone generator. In the same way as you can tune a guitar, as you home into the fundamental, the beat frequency between the tone and the fundamental will become slower and slower the closer you get.
Three Tracking Modes
The DeBuzzer has three modes, Fast, Auto and Freeze. By default the plug-in assumes Auto mode, continuously hunting either side of the nominal frequency for a peak profile. Once the lock strength rises to be above a certain level, the plug-in automatically sets the nominal frequency to the frequency of the peak found. If the hum is wandering in frequency, the detector will follow. Auto Mode is suitable for tracking a weak, slowly wandering fundamental and operates over all three frequency bands. Fast tracking mode allows the removal filters to automatically follow a quickly wandering fundamental.In Auto Mode the nominal frequency is set with the large central rotary to within about 5Hz of a 50Hz or 60Hz hum frequency, the plug-in will automatically move towards the detected frequency and set itself up to remove it. Once the hum has disappeared, Freeze mode can be selected to set the nominal to this exact frequency and stop the detector from hunting.
The large central rotary control can be setup to control three frequency ranges, determined by the LF, MF and HF buttons, and can be set with a very fine resolution of 1/10,000Hz
For removing whines and whistles it is best to set Freeze Mode, and then use the FFT to find the frequency of the whines. These show up as peaks on the plot, and then you can click on a peak to set up the plug-in to remove that frequency.
Filter Choice
In terms of the removal filters, the default is a comb filter. However, you can override this by selecting Para-EQ mode, which means using parametric EQ sections to remove the fundamental and harmonics. If the buzz contains many harmonics, or if the frequency of the buzz is wandering, it is best to use the Comb filter. If there are only one or two harmonics to remove, then you may find that you prefer the sound of the parametric EQ filters.In Para-EQ mode you can reduce attenuation as you increase in frequency, with the Slope control, and you can choose to notch out odd and even harmonics, as opposed to only odd harmonics.
Output
The listen section of the Output Panel contains an option to listen to the difference between the input and the processed output. This is labeled 'Diff' and is particularly useful for hearing what has been repaired, and for listening to the quality of the repairs without being distracted by the audio material.
System Requirements
Pro ToolsPro Tools 6, 7, 8 & 9 (Pro Tools 7, 8 & 9 for SuprEsser & Restore Suite)Approved Pro Tools CPU, OS and hardware configuration : avid.comMac OSX 10.3 or later - 10.4 or later for SuprEsser & Restore Suite - Pro-Codec is compatible with Intel Mac onlyWindows XP / Vista - 32 & 64 bit / Windows 7 - 32 & 64 bitRAM 1GB minimumiLok key with latest drivers
Audio UnitsPro-Codec is compatible with Intel Mac onlyAudio Units compatible application (Logic, Digital Performer etc.)Mac OSX 10.4 or laterRAM 1GB minimumiLok key with latest drivers VSTVST compatible application (Cubase, Nuendo, Wavelab, Sequoia etc.)Mac OSX 10.4 or later - Pro-Codec is compatible with Intel Mac onlyWindows XP / Vista - 32 & 64 bit / Windows 7 - 32 & 64 bitSupports DAW's installed in 64-bit mode on 64-bit Windows operating systems*RAM 1GB minimumiLok key with latest drivers PowerCoreTC PowerCore hardwarePowerCore version 2 drivers or laterAU or VST host applicationMac OSX 10.4 or laterWindows XP / Vista32 / Windows 7RAM 1GB minimumiLok key with latest drivers
The Oxford DeClicker has three main sections: DePop, DeClick and DeCrackle. These three sections deal with events that are up to 10ms, 3ms and 0.4ms in duration, respectively. Each of these sections has a threshold and sensitivity control, and an excitation profile which shows the residual signal left after harmonic content is removed. The excitation profile represents how much the signal deviates from the predicted signal.The threshold controls determine how many events are detected, and the sensitivity controls determine how many of those detected events go on to be repaired.
The Events Graph
The events graph is an important visual display, showing events as they are being detected. The events are shown with duration along the X-axis and amplitude/energy along the Y-axis.The graph shows green bubbles (DePop), blue bubbles (DeClick) and white bubbles (DeCrackle). The size of the bubbles indicates how loud they are, as does their height above the horizontal axis. Each section has an IN button, and if you disable a section using the IN button, their bubbles are displayed as Red, meaning these events have been detected but not repaired.
The Exclude Box
One unique feature of the Oxford DeClicker is the Exclude Box, which enables the exclusion of detected events from the repair section. Audio restoration is always about finding the right compromise between removing unwanted noise and leaving the desired remaining audio intact without too much loss of high frequency content.The exclude box aids this process by making exceptions to what is repaired so you don't have to battle with the sensitivity control in finding this compromise. For example, you may be happy with a piece of music and the associated repairs, except for a section with brass instruments - at which point too many high energy events are detected and corrected, resulting in diminished brightness. Similarly you may see a pop on the display that you know is part of your 'wanted audio', but other than that you are happy with your control settings. Simply draw a box around the area on the graph you wish to exclude and any events detected within that area will not be repaired (and will be coloured red).
Dialogue Mode
Another example of the Oxford DeClicker's flexibility is Dialogue Mode, which enables two independent banks of controls to be set up differently for dialogue and background.For example you may want the threshold/sensitivity settings to be quite different during dialogue from the settings you'd want for pauses between speech. Dialogue mode puts you in control by allowing you set a threshold which determines an 'above set' and a 'below set' which can be controlled quite independently. There are even side-chain filters which can further help define the threshold between above and below sets. Output
The listen section of the Output Panel contains an option to listen to the difference between the input and the processed output. This is labeled 'Diff' and is particularly useful for hearing what has been repaired, and for listening to the quality of the repairs without being distracted by the audio material. System RequirementsPro ToolsPro Tools 6, 7, 8 & 9 (Pro Tools 7, 8 & 9 for SuprEsser & Restore Suite)Approved Pro Tools CPU, OS and hardware configuration : avid.comMac OSX 10.3 or later - 10.4 or later for SuprEsser & Restore Suite - Pro-Codec is compatible with Intel Mac onlyWindows XP / Vista - 32 & 64 bit / Windows 7 - 32 & 64 bitRAM 1GB minimumiLok key with latest drivers
Audio UnitsPro-Codec is compatible with Intel Mac onlyAudio Units compatible application (Logic, Digital Performer etc.)Mac OSX 10.4 or laterRAM 1GB minimumiLok key with latest drivers VSTVST compatible application (Cubase, Nuendo, Wavelab, Sequoia etc.)Mac OSX 10.4 or later - Pro-Codec is compatible with Intel Mac onlyWindows XP / Vista - 32 & 64 bit / Windows 7 - 32 & 64 bitSupports DAW's installed in 64-bit mode on 64-bit Windows operating systems*RAM 1GB minimumiLok key with latest drivers PowerCoreTC PowerCore hardwarePowerCore version 2 drivers or laterAU or VST host applicationMac OSX 10.4 or laterWindows XP / Vista32 / Windows 7RAM 1GB minimumiLok key with latest drivers
The Oxford DeNoiser removes wide-band noise from audio material using a variety of sophisticated techniques. The key to good de-noising lies in helping the user produce pleasing and accurate results, rather than encouraging the over-aggressive use of controls.The Oxford DeNoiser is based around the concept of a 'noise profile'. The noise profile is used to gate-out components of the frequency spectrum that are below it, and keep the components that are above it. There are several methods to arrive at an appropriate noise floor.
Three Detect Modes
AUTO: In Auto mode the frequency spectrum of the signal is examined to automatically acquire the general shape of the noise threshold profile by looking for levels in the frequency spectrum that are consistently there. In this mode, the threshold is relative to the general signal level and therefore noise removal will always be a fixed number of dBs below the actual signal.FREEZE: Another method to arrive at an appropriate noise profile is to use the Freeze button to freeze the automatic noise profile, and use that fixed profile from then on. This is useful for capturing the profile from a section of material containing only background noise, and then applying it to the rest of the material. The advantage of Freeze mode is that the threshold is always set to remove the correct level of noise from the material, meaning that as the level of the programme material climbs, the noise removal is less destructive. MANUAL: In this mode you manually specify a simple coloured noise profile, using the Colour and Air controls. Colour adjusts the shape of the noise-profile from white to red noise, Air modifies the HF shape of the noise-profile.In most cases, Auto mode gives the most sympathetic results, as the level of the threshold will follow the level of the actual signal.
Fine Tune
For additional control, the DeNoiser has the ability to adjust the theshold of the noise-profile at different frequencies by means of a bias curve. There is also a bias curve to adjust the amount of reduction at various frequencies allowing more noise removal at some frequencies while still being gentle at other frequencies. These bias curves work in all three modes - Auto, Freeze or Manual. Further manipulation of the detect threshold and reduction amount is available in the form of the Smooth and Tune controls.
DeHisser Section
The Oxford DeNoiser also contains a dedicated DeHisser section before the broadband noise-removal section. This can be used quite aggressively on audio such as dialogue where there is not a lot of high frequency content that needs preserving, and where the priority is to reduce the hiss to an acceptably clean level.
Mid/Side Mode
There is a Mid/Side operation mode in the DeNoiser, which causes the plugin to de-noise only the Side signal content of the Left-Right signal, leaving the Mid content alone. The Left-Right signal is first converted to Mid-Side, then the Side is de-noised, then the signal is converted back to Left-Right. This is of course particularly useful in broadcast where switching between stereo and mono should not cause a noticeable change in dominant noise content.DeNoising only the Side channel means that mono operation is entirely unaffected while stereo operation produces a cleaner stereo image without affecting the central sound. Secondly, recordings made with the Mid-Side microphone technique often have more noticeable noise in the Side signal because the Side signal is mainly ambiance. If the Mid-Side recording is then converted to Left /Right at some point,the Mid-Side mode of the DeNoiser allows you to de-noise just the Side content.
Sweetening
Having removed the noise, in some circumstances it is desirable to add something back to the signal that has been taken away. For example, the act of de-noising can make the material sound a little flat compared with the original. The Oxford DeNoiser has a 'Warmth' control in the output section that can quickly add some richness back into the material.As with all three plug-ins in the Sonnox Restore suite, there is the option to listen to the 'Diff' signal, which is the difference between the input and the processed output. This is useful for listening to the noise that is being removed, to ensure that 'good' audio is not removed from the output signal
System Requirements
Pro ToolsPro Tools 6, 7, 8 & 9 (Pro Tools 7, 8 & 9 for SuprEsser & Restore Suite)Approved Pro Tools CPU, OS and hardware configuration : avid.comMac OSX 10.3 or later - 10.4 or later for SuprEsser & Restore Suite - Pro-Codec is compatible with Intel Mac onlyWindows XP / Vista - 32 & 64 bit / Windows 7 - 32 & 64 bitRAM 1GB minimumiLok key with latest drivers
Audio UnitsPro-Codec is compatible with Intel Mac onlyAudio Units compatible application (Logic, Digital Performer etc.)Mac OSX 10.4 or laterRAM 1GB minimumiLok key with latest drivers VSTVST compatible application (Cubase, Nuendo, Wavelab, Sequoia etc.)Mac OSX 10.4 or later - Pro-Codec is compatible with Intel Mac onlyWindows XP / Vista - 32 & 64 bit / Windows 7 - 32 & 64 bitSupports DAW's installed in 64-bit mode on 64-bit Windows operating systems*RAM 1GB minimumiLok key with latest drivers PowerCoreTC PowerCore hardwarePowerCore version 2 drivers or laterAU or VST host applicationMac OSX 10.4 or laterWindows XP / Vista32 / Windows 7RAM 1GB minimumiLok key with latest drivers
FEATURES
5 bands of the Oxford Type-3 EQ curve which offer proportional-Q, often considered the most musical EQ curve-type
All bands can overlap fluidly without the static phase distortion or low frequency artefacts associated with multiband compressors
Each band can process and/or detect from mono, stereo, mid or side channels
Flexible per-band internal/external side chain controls
A clear and informative GUI simplifies the often-complex workflows associated with multiband dynamic plug-ins
Flexible upwards/downwards compression and upwards/downwards expansion
Engage the effect either by setting a level threshold or by using the unique onset detection feature for very precise transient processing
The Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.
Features:
The dynamics section from Sony OXF-R3 console
Separate sections for Compressor, Gate, Expander, Limiter
2-Band side chain EQ (with audition function)
Warmth control for extra presence and tube-like warmth
Three different compressor types (linear and exponential curves)
Variable soft knee compressor
Separate 5.1 bus compressor (where supported)
Ultra low noise and distortion
Platforms Supported
Pro Tools HD (TDM), Pro Tools LE (RTAS), M-Powered (RTAS), PowerCore, AU, VST
For more information, please visit this products webpage.
Overview The Oxford Dynamics plug-in is modeled on the extremely flexible and capable unit used in the OXF-R3 professional mixing console. Resulting from many years research into professional dynamics applications, it offers separate Compress, Limit, Expand, Gate and side chain EQ functions, with full independent control of all parameters. Features such as selectable time constant curves and variable soft compress functions allow the user to confidently tackle all common uses of compression, from subtle unobtrusive level control and mastering functions to the production of great artistic effects. The use of a feed-forward architecture with logarithmic side chain processing, making use of look-ahead techniques, ensures exemplary sonic characteristics and dynamic accuracy, with an artistic capability simply unavailable from other single units, analogue or digital. This highly sophisticated and professional product has the power and flexibility to obviate the need for many of the separate applications most users keep for specific uses.
Channel Dynamics with separately controlled sections for Compressor, Limiter, Gate and Expander.
Channel Dynamics includes fully featured 2 Band side chain EQ which can also be used in signal path.
Separate Bus Compressor / Limiter with surround multiformat support and selectable Sub channel filtering and gain contribution control.
Selectable linear and exponential time constant curves.
Highly accurate logarithmic side chain processing.
Fully variable soft ratio function for extreme programme tolerance and highly musical compression.
Variable harmonic enhancement for extra loudness, presence and 'punch'.
Selectable redithering function for word length reduction in mastering situations.
Extremely low signal path noise and distortion, below 130dBr.
All functions are fully automated.
Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
Sonnox 'Oxford Elite Bundle Native' alle 7 Oxford Plug-InsOxford EQDynamicsInflatorTransModLimiterOxford ReverbOxford SuprEsserinklusive Installer für Digidesign RTAS, Audio Unit und VSTMac/PCbenötigt den iLok Dongle! Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
This ENHANCE Bundle features the HD / TDM versions of Sonnox's Inflator, Transient Modulator, and Limiter plug-ins. These three simple-to-use, yet incredibly powerful digital signal processing plug-ins will enhance your mix and your audio editing process to give it the sound it needs to be heard above the rest. When you buy it in this bundle, you pump up your Pro Tools set and save cash too.Sonnox Oxford Inflator Plug-In The Inflator HD/TDM plug-in features a unique process that can provide an increase in the apparent loudness of almost any program, without obvious loss of quality or audible reduction of dynamic range, yet avoiding damaging increases in the peak level of the signal. The inflator process can also bring power, presence and warmth to program material and even provide headroom overload margin above digital maximum with a subtlety and musical character reminiscent of tube systems.Use the Inflator plug-in to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes.Sonnox Oxford Transient Modulator Plug-In The Oxford Transient Modulator HD / TDM Plug-in is an application that allows dynamic level of signals to be modified by the transients in the program material over time. The effect is to bring transient events in the program to the front of the mix, or push them into the background, such that the attacks of instruments can be accentuated or softened depending on settings.Sonnox Oxford Limiter Plug-In The Oxford Limiter HD / TDM plug-in has been developed from decades of professional audio experience to provide a very high degree of quality and flexibility in loudness control and limiting functions. By employing highly accurate logarithmic sidechain processing, along with innovative, adaptive timing functionality with look ahead signal acquisition, the limiter provides exemplary performance. Whether one is seeking general transparent level control, program loudness maximization, or heavily applied artistic sound effects, the Oxford Limiter is one digital dynamical processor that gets the job done. Unique processing in the form of the Enhance function provides the sample value limiting needed to reliably avoid overloads in digital workstation environments and allows unprecedented volume and punch to be applied beyond what is available from conventional limiting functions. Comprehensive metering is provided which displays not only conventional peak sample value, but additionally allows the user to monitor the true validity of your mix in order to avoid the generation of damaging reconstruction overloads in the target equipment which are often invisible during production (sometimes termed 'inter sample peaks'). A further function allows you to dynamically correct for reconstruction overloads in real time, thereby achieving maximum possible modulation levels without the risks of producing janky signals often associated with compression and limiting.The software plug-in has comprehensive dithering functionality with selectable and variable depth noise shaping ensures first-class mastering output quality in either 24-bit or 16-bit modes.Sonnox ENHANCE Bundle HD / TDM Plug-Ins Features:Oxford Inflator5-band fully parametric EQVariable HF & LF filters up to 36dB/OctaveAlgorithm taken directly from the Sony OXF-R3Four different EQ types in one plug-inFully de-cramped HF responseA/B switches (automatable)Ultra low noise and distortionOxford Transient ModulatorAccentuates or softens attacks and transientsBrings instruments forwards or pushes them back in the mixRadically changes the dynamics of instrumentsVariable harmonic enhancement for extra punchCan have the effect of increasing or decreasing room ambianceGives life to dull sounding recordings without the artifacts of compressionOxford LimiterEnhance section to increase perceived loudnessReconstruction meter shows 'actual' signal rather than sampled signalAuto compensate feature corrects recon errors without losing overall programme loudnessAttack, release, and variable soft knee controlsComprehensive dither and noise shapingComplete with many factory presetsFor more information, please visit this products webpage.
Take advantage of the Sonnox Enhance bundle when you need to add that extra loudness, presence, or punch to your mix! You'll save an incredible 25% while getting three of the best plug-ins on the planet, sure to fill out your mixes. The Sonnox Enhance bundle includes the Oxford Inflator, Oxford Transient Modulator, and the Oxford Limiter - three simple-to-use, but incredibly powerful and loud plug-ins. Does your mix need more energy, or just that extra "something"? Now you can save big with the professional Sonnox Enhance bundle.Oxford InflatorNo matter how limited, compressed and crushed your program may already be the Inflator will provide even more loudness, it will even add volume to a full-scale white noise signal or add musicality to previously clipped signals! The Oxford Inflator was developed in response to requests from mixing and mastering engineers who are required to compete on the basis of the overall apparent loudness of their final results.U se the Oxford Inflator to produce louder mixes than you thought possible without overloads or compression pumping, or use it to add natural warmth and character to acoustic or jazz mixes. Use it on single instruments to add presence, softness and depth, or use it on percussion and drum tracks to produce amazing dynamic presence, tightness and volume.Oxford Transient ModulatorThe Oxford Transient Modulator allows dynamic level of signals to be modified by the transients in the program material over time. You can bring transient events in the program forward, or push them into to the background, so the attacks of instruments can be accentuated or softened depending on settings. The Oxford Transient Modulator was developed to address the common situation where there is a need to selectively tighten up percussive instruments or soften the unwanted percussive effects of acoustic musical instruments. These effects are easily achieved with the Transient Modulator, making it a true "secret weapon."Oxford LimiterThe Oxford Limiter has been developed from decades of professional audio experience to provide a very high degree of quality and facility in program limiting functions. By employing highly accurate logarithmic sidechain processing, along with innovative adaptive timing functionality using look-ahead signal acquisition, the Oxford Limiter provides exemplary performance, whether seeking general transparent level control, program loudness maximization or heavily applied artistic sound effects.The Oxford Limiter provides additional processing in the form of its unique Enhance function, which allows unprecedented volume and punch to be applied to your program beyond that available from conventional limiting functions, without incurring the risk of producing either peak sample overloads or reconstructed errors in end-user equipment.Sonnox Enhance Native Plug-in Bundle Features: * Native - RTAS, VST, AU * 25% off what you'd pay for each individually * Oxford Inflator * Oxford Transient Modulator * Oxford LimiterNote: An ilok key is required for software authorization. For more information, please visit this products webpage.
The renowned Oxford EQ is based on the original EQ section of the Sony OXF-R3 large format digital mixing console. It is a 5-band EQ with selectable shelf settings on LF and HF sections. Additionally, separate variable slope low pass and high pass filters are provided. The Oxford EQ also features four different EQ curves that cover a broad array of styles, including some legacy styles which are renowned for their artistic capability. The use of novel coefficient generation and intelligent processing design provides unparalleled performance that surpasses analogue EQ in both sound quality and artistic freedom. The Oxford EQ truly is four equalisers in one plug-in and will provide all the EQ you’ll ever need!
Features
64-bit compliant (AAX / AU / VST)
5 band fully parametric EQ
Variable HF & LF filters up to 36dB/Octave
Algorithm taken directly from the Sony OXF-R3
Four different EQ types in one plug-in
Fully de-cramped HF response
A / B switches (automatable)
Ultra low noise and distortion
Formats
HD-HDX: Pro Tools AAX DSP, TDM, Native
Native: AAX Native, RTAS, Audio Units and VST
If you want to mix with the same high-end plug-ins used on countless hit records all over the world - the Sonnox Essential Collection has all the essential ingredients to polish your mix. Four essential Oxford plug-ins at 30% off individual prices ! Contains: Oxford EQ*, Oxford Dynamics, Oxford Reverb†, and Oxford SuprEsser**
If you want to mix with the same high-end plug-ins used on countless hit records all over the world - the Sonnox Essential Collection has all the essential ingredients to polish your mix. Four essential Oxford plug-ins at 30% off individual prices ! Contains: Oxford EQ*, Oxford Dynamics, Oxford Reverb†, and Oxford SuprEsser**
Aus der Zusammenarbeit zwischen dem deutschen Fraunhofer IIS und dem britischen Plug-In Hersteller Sonnox Ltd. ist ein neuartiges Plug-In hervorgegangen, welches das Audio-Mastering für die Online-Distribution von Musik revolutionieren wird.Das Fraunhofer Sonnox Pro-Codec Plug-In ermöglicht es Codecs in Echtzeit vorzuhören, ohne das Projekt im jeweiligen Codec-Format kodieren, prüfen, anpassen und schließlich erneut rendern zu müssen.Der gesamte Prozess wird vollständig „on the fly“ durchgeführt und stellt Mix- und Mastering-Ingenieuren die Technologie zu Verfügung bis zu fünf verschiedene Codecs in Echtzeit innerhalb ihrer bevorzugten DAW vorzuhören, den Mix entsprechend zu justieren und simultan mittels Batch-Processing in mehreren Formaten auszuspielen.Als Codecs werden mp3, mp3 Surround, AAC-LC und HE-AAC sowie die verlustfreien Formate MP3-HD und HD-AAC unterstützt. Ein intuitives FFT-Display visualisiert das Eingangssignal, das Differenzsignal und mittels einer neu entwickelten Analyse auch Codec-Artefakte.Eine Over-Anzeige warnt vor Decoderclipping und mit verzögerungs- sowie nebengeräuschfreier A-B Umschaltung kann der Anwender verschiedene Codec-Formate vergleichen, was zusätzlich durch den ABX-Modus für Doppelblindtests ergänzt wird. Das Sonnox Fraunhofer Pro-Codec Plug-In unterstützt alle gängigen DAWs für PC und Mac (Pro Tools, Logic, Cubase, Nuendo, Sonar, Sequoia und Wavelab) und wird ab Frühjahr 2011 im Handel verfügbar sein.
Overview The Oxford Limiter has been developed from decades of professional audio experience to provide a very high degree of quality and facility in programme loudness control and limiting functions. By employing highly accurate logarithmic side chain processing, along with innovative adaptive timing functionality using look ahead signal acquisition, the limiter provides exemplary performance, whether one is seeking general transparent level control, programme loudness maximisation or heavily applied artistic sound effects. Unique processing in the form of the Enhance function provides the sample value limiting needed to reliably avoid overloads in digital workstation environments and allows unprecedented volume and punch to be applied to programme beyond that available from conventional limiting functions. Comprehensive metering is provided which displays not only conventional peak sample value, but additionally allows the user to monitor the true validity of the programme in order to avoid the generation of damaging reconstruction overloads in the target equipment which are often invisible during production (sometimes termed ‘inter sample peaks’). A further function allows the user to dynamically correct for reconstruction overloads in real time, thereby achieving maximum possible modulation levels without the risks of producing illegal signals often associated with compression and limiting. Comprehensive dithering functionality with selectable and variable depth noise shaping ensures first class mastering output quality in either 24 bit or 16 bit modes. Unique Enhance section – provides sample value limiting and enhances perceived loudness Ability to add harmonic distortion, where artistic style requires Variable soft knee contzol Attack and Release controls Reconstruction Meter shows ‘actual’ signal rather than sampled signal Auto compensate feature – corrects recon errors without losing overall programme loudness 16 and 24 bit dithering with 5 selectable types User has control over variable depth noise shaping 16 presets – some quite extreme ! Für weitere Informationen, besuchen Sie bitte die Homepage zu diesem Produkt.
Post Production Super BundleDas SONNOX Post Bundle enthält alle Plugins des SONNOX Restore Bundles, ergänzt um fünf weitere SONNOX Klassiker zu einer ultimativen Lösung für Post-Production Anwendungen.Die enthaltenen Plugins des SONNOX Post Bundles:Oxford DeClickerDeBuzzerDeNoiserOxford EQDynamicsReverbLimiter SuprEsser
Post Production Super BundleDas SONNOX Post Bundle enthält alle Plugins des SONNOX Restore Bundles, ergänzt um fünf weitere SONNOX Klassiker zu einer ultimativen Lösung für Post-Production Anwendungen.Die enthaltenen Plugins des SONNOX Post Bundles:Oxford DeClickerDeBuzzerDeNoiserOxford EQDynamicsReverbLimiter SuprEsser
Sonnox Restore is a suite of three plug-ins - Oxford DeClicker, Oxford DeBuzzer and Oxford DeNoiser - designed to accurately restore audio recordings that are impaired. Restore represents a quantum leap beyond previous restoration plug-in technology with its advanced algorithms and novel features that allow fast and extremely effective removal of pops, clicks, crackles, scratches, hum, buzzes and extraneous background noise from virtually any recording.
Capable of exceptionally high quality audio repairs, the three plug-ins are intuitive and easy to use, with each interface providing detailed graphical feedback, benefiting the user by saving time which of course is critical in the post-production process.
Key Features
DeClicker
Three sections with individual thresholds and controls: DePop, DeClick and DeCrackle
Event display gives intuitive visual feedback of energy and duration of detected events
'Exclude Box' to select events that should not be repaired
Dialogue Mode that allows two separate sets of control settings distinguished by input level
Excitation displays to aid accurate setting of threshold controls
Three audition modes, including option to listen to only removed events
Advanced algorithms for accurate detection and high quality repair
DeBuzzer
High performance hum and buzz removal using advanced algorithms
Separate Detect and Remove Sections for intuitive workflow
Scalable high resolution FFT of input signal shows strongest harmonics and removal filter
Very accurate setting of fundamental over 3 frequency ranges
Integrating frequency display shows strength of fundamental
Tracking mode can be set to Automatic or Fast to follow fundamentals that wander in frequency, or to Freeze for fundamentals that vary in amplitude
Choice of removal filters: Comb for general purpose narrow removal over many harmonics, or Parametric EQ for a more musical removal over a small set of harmonics
Two audition modes, including option to listen to the removed buzz
DeNoiser
High performance noise removal using advanced algorithms
Separate DeHisser, Detect and Remove Sections for intuitive workflow
High resolution FFT of input signal showing noise profile
Efficient DeHisser for preparation before wide-band noise reduction
Detector noise profile can be set to automatic, freeze or manual
Noise threshold and reduction are controllable in frequency bands using adjustable bias curve
Two audition modes, including the option to listen to the removed noise
Warmth control for sweetening after noise removal
Make-up gain for true A/B comparisons
Formats
Native: RTAS, Audio Units and VST (AAX Native coming soon)
iLok2 required.
Sonnox Oxford Reverb HDThe Oxford Reverb plug-in is a highly flexible stereo reverberation generator, designed to complement existing Sonnox Oxford applications in providing the user with the highest technical and sonic performance coupled with artistic and creative facility. As well as providing stunning presets, the user has full control over all of its many parameters, including a very comprehensive early reflections section, and integrated 5-band EQ. The Sonnox Oxford Reverb allows the powerful facility to create virtual spaces freely, depending on artistic need, ranging from dry reflection ambiences, room and hall simulations, sound effects, all the way to wide open reverberant spaces with a very large range of possible texture and spatial character.By avoiding fixed algorithms and providing user control of all parameters, the Sonnox Oxford Reverb allows the professional engineer the powerful facility to build virtual spaces freely depending on artistic need, ranging from dry reflection ambiences, room and hall simulations, sound effects, all the way to wide open reverberant spaces with a very large range of possible texture and spatial character. Highly flexible reverb generator plug-in with real-time continuous control of virtually all parameters. Dual independent paths for both ‘Early Reflections' and ‘Reverb Tail' function. Each reverb path type can be used independently or in combination. Comprehensive 5 band equalizer (based on the Sonnox Oxford EQ) which includes high and low pass filters.More than 120 snapshots for immediate use under the headings of Dry Spaces, Ambient Effects, Vocal Reverbs, Plates, Rooms, Chambers, Halls, Churches and Foley Effects. Features: Fully 64bit compliant Extremely flexible stereo modelling reverb Full control over all of its many parameters Independent control of early reflections and reverb tail Integrated 5-band EQ Over 100 invaluable presets for music and post-productionTechnical Specifications:Pro Tools Pro Tools 7, 8, 9 & 10 Avid approved Pro Tools CPU, OS and hardware configuration Mac OSX 10.4 or later Pro-Codec is compatible with Intel Mac only Windows XP / Vista - 32 & 64 bit / Windows 7 - 32 & 64 bit RAM 1GB minimum iLok2 key with latest driversAudio Units Pro-Codec is compatible with Intel Mac only Audio Units compatible application (Logic, Digital Performer etc.) Mac OSX 10.4 or later RAM 1GB minimum iLok2 key with latest driversVST VST compatible application (Cubase, Nuendo, Wavelab, Sequoia etc.) Mac OSX 10.4 or later Pro-Codec is compatible with Intel Mac only Windows XP / Vista - 32 & 64 bit / Windows 7 - 32 & 64 bit RAM 1GB minimum iLok2 key with latest drivers
The Oxford SuprEsser DS is designed for the treatment of sibilance and fricatives in vocals, and the treatment of unwanted whistles and 'spirant' artefacts associated with wind instruments. For the most natural sounding results, the SuprEsser de-esses only the frequency band you set - so you won't end up with an over-de-essed lisp-like voice with all the top end gone!
Detailed visual feedback is provided thanks to the highly intuitive graphical display, allowing quick identification of the frequencies that need treatment and where to set the threshold. The threshold level and peak hold levels of the user-definable band are shown on the graph, alongside the FFT display of the narrow band signal, which includes retention of the peak level and the frequency containing the most energy.
At the heart of the Oxford SuprEsser DS is an enhanced version of the compressor section of the Oxford Dynamics plug-in, which is renowned amongst professional users for delivering precise and transparent control of peaks. Around this is built a pair of cross-over filters, modelled on the Oxford EQ, to make the compressor react only to the defined frequency band.
Three listen modes allow the user to listen to the mix, the output of the band-pass filter ('Inside') or the output of the band-reject filter ('Outside').
Careful thought has been put into making the Oxford SuprEsser DS extremely easy and quick to use. Once the frequency band has been defined, simply lower the threshold fader until the gain reduction meter starts to kick in. The plug-in then automatically tracks the general signal level and the threshold follows accordingly so that it gives the same relative amount of gain reduction as the signal level rises or falls. This is perfect for vocals where, for example, a vocalist is louder in the chorus than the verse, but you want to apply the same relative amount of de-essing, and not over de-ess in the chorus. This Auto Level Tracking mode lets the SuprEsser do all the hard work. It can also be switched off for a fixed threshold.
Pressing the 'More' button gives access to ALL the controls.
In its default mode of operation, the Oxford SuprEsser DS feeds the defined 'Band' signal to the compressor to affect only this narrow band signal. The result is that the compressor reacts only to specific frequency components when they reach a specific threshold, and applies compression only to these specific frequency components, leaving the rest of the spectrum untouched. 'Wide' can also be selected to allow wide-band compression reacting to only specfic frequencies or any combination of Band and Wide defining 'when the compressor reacts' and 'what it compresses' (narrow or wide-band).
The Oxford SuprEsser DS comes complete with many presets to act as good starting points, alternatively the advanced section gives full access to all controls for precise correction, or even creative use.
€159.00*
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