RME’s first preamp for audio networks
The RME 12Mic features twelve microphone and line level inputs with digital, no-compromise, studio-quality conversion; remote controllable gains; integrated MADI and AVB connectivity; plus a multitude of additional functionality, designed to make it the perfect companion for any professional recording setup.
Twelve transparent mic preamps for exceptional conversion performance
The PAD-free microphone input stages have a 75 dB gain range and accept signals of up to +18 dBu. On the conversion side, the extraordinary SNR values show anastonishing 121.2 dB(A) on all channels. All twelve front-facing XLR connections accept microphone and line level signals, whilst the first four connections also accept TRS connectors, with switchable high impedance (Hi-Z) for instruments.
MADI & ADAT for maximum flexibility
Both coaxial and optical (via an SFP module) MADI I/O is available for independent or redundant operation, and can be used for daisy chaining, merging and converting MADI signals at incredibly low latency. Three optical ADAT outputs provide up to 24 channels of audio at single speed (for example, a combination of microphone inputs, MADI signals and AVB signals), or 12 output channels at 96 kHz sampling rate, ensuring compatibility with a wide range of audio interfaces. Additionally, the ADAT ports can also be used to send monitor mixes from the AVB or MADI inputs to existing DACs/headphone amps.
Two fully redundant network ports
For the first time, RME offers an AVB device with two fully redundant network ports, based on the recommendations of MILAN. The RME AVB Core has meticulously implemented the IEEE standards for audio- streaming, discovery and control, allowing RME devices to be both discovered and fully controlled by any AVB controller, and making vendor-specific control protocols a thing of the past. Any signal reaching the 12Mic can be routed and streamed over a network with fixed latency and guaranteed bandwidth - no switch configuration is required!
Plug’n’play - rapid user interaction
Control all device states directly from the front panel for convenient, direct access to all features. RME AVB devices can also be fully remote controlled via a web-interface on any network link (including wirelessly over Wi-Fi), allowing for the rapid creation of gain groups, phantom power switching, and routing of signals to headphones for monitoring. The integrated routing matrix allows for quick routing of any analog inputs straight to the headphone output, as well as all digital signals and AVB streams. As such, problem-solving of signals, clocking, connectivity or other issues is both simple and straight-forward!
SteadyClock FS
In digital audio, the clock frequency is an essential factor, as it creates the correlation between the audio bits and the time reference. Unfortunately, the clock frequency is not always as stable as desired. The 12Mic offers full SteadyClock FS performance for lowest jitter and highest jitter immunity. Excellent performance in all clock modes and High Quality Analog Conversion to hear your mix as it is. Digital format conversion in RME products are done without any loss or degredation,and SteadyClock FS ensures your sonic image will never experience degredation. This helps to optimize recordings and mixes because the soundstage has more depth and clarity.
1 x Phones Output
4 x XLR/TRS Mic/Inst/Line
8 x XLR Mic/Line
1 x Redundant power supplies
1 x Word Clock I/O
1 x MADI I/O coaxial
3 x ADAT Out
1 x MADI Optical SFP (optional)
2 x Gigabit Ethernet (802.3 compliant)
USB for firmware & remote control
Mit dem ADI-2 DAC schuf RME einen so hochwertigen wie flexiblen Stereo Digital-Analog-Wandler, der die Herzen der Heimanwender aber auch der HiFi-Szene im Sturm eroberte. Das Gerät ist nun in einer leicht überarbeiteten Version erhältlich. Die Verwendung eines AK4493 (bisher 4490) verbessert den Rauschabstand von 117 dB auf 120 db (123 dBA). Gleichzeitig sinkt der Klirr um circa 10 dB, auf phantastische -120 dB bei digitalem Vollpegel. Die sensationellen -118 dBu, die völlige Rauschfreiheit am IEMAusgang ergaben, liegen nun bei noch besseren -120 dBu. Außerdem verfügen die Ausgänge XLR, Cinch und IEM nun über 2,5 dB zusätzliche Pegelreserve. Damit steigt auch die Übersteuerungsgrenze durch Intersample Peaks (ISP) auf großzügige +4 dBFS. Während sich an den grundelegenden Merkmalen und Funktionen des ADI-2 DAC nichts ändert (daher bleibt auch der Name gleich), befindet sich im Lieferumfang des Gerätes eine erweiterte Infrarot-Fernbedienung, die MRC (Multi-Remote-Control). Diese kann bis zu 4 verschiedene, zukünftige Geräte von RME fernsteuern. Aktuell wird jedoch nur der ADI-2 DAC unterstützt. Die Fernbedienung ist eine erweiterte Version der vorherigen, mit zusätzlichen Tasten, die für die meist genutzten Funktionen entworfen wurden, nämlich das Ein- und Ausschalten von Loudness, des parametrischen EQ, und von Bass/Treble. Zusätzlich gibt es Tasten um zur direkten Kontrolle von Bass, Treble und Balance. Durch diese zusätzlichen Tasten sind nun alle typischerweise genutzten Funktionen des Geräts im direkten Zugriff. Die vier programmierbaren Tasten 1 bis 4, ein einzigartiges Merkmal der ursprünglichen Remote, können weiterhin mit einer persönlichen Auswahl aus 32 Befehlen/Aktionen programmiert werden. Mit den Änderungen am Gerät und der neuen, erweiterten Fernbedienung unterstreicht RME seinen Anspruch, einen nahezu perfekten Wandler noch perfekter zu machen.
New Experience in Sound and Quality
RME’s reference AD/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry’s biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs.
RME's anniversary reference AD/DA converter is:
A high-end AD/DA converter in professional studio quality
A double headphone amplifier in true high-end quality
A USB DAC like no other - the most versatile and capable one
A high-end AD/DA frontend and headphone amp for iPad / iPhone
A multi-format converter (AES, SPDIF, ADAT) with monitoring function
A DSD record and playback solution
An AD/DA frontend for audio measurement at up to 768 kHz sample rate
Ultra-fidelity PCM/DSD 768 kHz AD/DA Converter
As the most flexible converter available, the ADI-2 Pro offers balanced/unbalanced analog I/Os, double Extreme Power headphone outputs, SteadyClock III, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (256 / 11.2 MHz).
Analog or Digital - Options Galore
The ADI-2 Pro includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio.
The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases.
As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance.
Perfect Sound Capture and Reproduction
Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact.
The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate.
For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME’s latest SteadyClock III technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used.
High Resolution Display Operation
RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages.
Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME’s famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display.
Extreme Power Headphone Outputs
There is no use in boasting about -110 dB THD, when such values are not available in real world operation - for example when a 32 ohm headphone is connected. RME's engineers therefore designed a new headphone output stage that brings the full performance of the premium DAC to the phone jack - even when using low impedance headphones. The Extreme Power design excels with 0.1 Ohm output impedance, a maximum output level of +22 dBu, and a maximum output power of 1.5 Watts - per channel! The two, fully separated stereo headphone outputs deliver the same 120 dBA SNR performance as the line outputs, for a full hum and noise free listening experience. THD is far below -100 dB (0.001%) even at full power, for the most clear and detailed soundstage possible. The Extreme Power design also incorporates current limiting, power surveillance, overload detection and DC protection. A low power mode and a high power mode are provided, for a perfect match from IEM up to planar.
Having two stereo outputs, balanced headphone operation is possible. As RME's engineers were not satisfied with the existing techniques they developed a new Advanced Balanced mode for the ADI-2 Pro, that removes most limitations of standard balanced operation, and turns this mode into a a fully new experience. The exclusive Advanced Balanced mode delivers a balanced signal path from the DAC straight to the phone, with 3 dB gain in Signal to Noise Ratio, smoothed out deviations in components, optimized frequency response, super low output impedance (0.2 Ohms), and a maximum output level of +28 (twenty eight) dBu.
The Anniversary Converter
The ADI-2 Pro is RME’s reference AD/DA converter, USB DAC, USB interface and headphone amp. It’s numerous use cases make it an ideal choice in many fields, from the home user appreciating innovative solutions offering highest sound quality, the studio owner asking for reference AD/DA conversion, the Hi-Fi enthusiast demanding a flexible yet high-end headphone amplifier, up to the industry using the portable device as front-end for measurement systems. 20 years of RME - cumulated into a precious unit, that once heard and used one will never give away. Promised.
Special features
New extended Multi-Remote Support (MRC)
The ADI-2 Pro remote control provides buttons for standby on/off, volume, balance, bass and treble, input selection (optical, coaxial, USB), mute, on/off loudness, bass/treble and EQ. In addition, there are four programmable buttons that provide access to 52 different functions and commands for maximum flexibility. There is no other converter or comparable device with such a sophisticated, easy to use and at the same time versatile remote control!
RME's ADI-8 QS is an 8-Channel hi-end AD/DA converter with an unrivalled bunch of features. The device combines excellent analog circuit design with outstanding low latency AD/DA converter chips of the latest generation. Along with the integrated SteadyClock, the QS offers an AD- and DA-conversion of the highest quality.
Analog and digital limiters, 4 hardware reference levels up to +24 dBu, AES/EBU and ADAT I/O (optional MADI I/O) at up to 192 kHz, remote control via MIDI, digital input and output trimming for full level calibration, volume control for all 8 analog outputs, either separately or globally, digital thru-mode, operation over a wide voltage range and many more features make the QS truely unique.
The ADI-8 QS is RME's reference - highest performance in every detail, at an unbeaten price/performance ratio!
The most important features of the QS:
8-Channel AD converter, fully symmetrical design, 117 dBA
8-Channel DA converter, DC-coupled signal path, double balanced output, 120 dBA
Low latency conversion: only 8 samples of delay!
4 x AES/EBU I/O via D-Sub, 8 channels @ 192 kHz
2 x ADAT I/O, 8 channels @ 96 kHz
Digital input/output trim, range 6 dB per I/O
Analog and digital limiter for AD-conversion
16 LED level meters with 7 LEDs each
included Remote control for store/recall, volume and DIM
SyncCheck, unique technology to check clock synchronisation
All settings are stored permanently
Fully remote controllable
RME Breakout RCABabyface/HDSP 9632/HDSPe AIO: Analog breakout cable, unbalanced15-pin D-sub to 4 x RCA Analog,2 x MIDI, 1 x Phones, for Babyface, HDSP 9632 and HDSPe AIO.
ARC USB Remote Control - Plug’n Play Plus for FireFace UFX+ and TotalMix FX
The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.
The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX+. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX+.
Im neuen Babyface Pro FS wurden jetzt noch weitere Neuerungen implementiert:
Der +19 / +4 dBu-Schalter auf der Unterseite bietet einen direkten Weg zur Reduzierung des Ausgangspegels, verbessert so den SNR für empfindliche Aktivmonitore, senkt das Klick-Rauschen beim Ein- und Ausschalten, vermeidet Verzerrungen / Überlastungen und hilft den TotalMix FX-Fader bei 0 dB statt bei hohen Dämpfungen zu halten.
Volles SteadyClock FS wie im ADI-2 Pro FS für niedrigsten Jitter und höchste Jitterimmunität.
Die Ausgangsleistung der 3,5 mm TRS Kopfhörerausgänge steigt von 70 mW auf 90 mW. THD der beiden Kopfhörerausgänge verbessert sich um bis zu 10 dB. Verwendet jetzt die gleichen Operationsverstärker wie der ADI-2 Pro. Die Ausgangsimpedanz von 3,5 mm TRS wurde von 2 Ohm auf 0,1 Ohm gesenkt.
Mikrofoneingänge SNR wurden von 112,2 dB auf 113,7 dB verbessert, die TRS Line-Eingänge SNR von 114 dB auf 116,3 dB (120 dBA). THD Line-Eingänge wurden um 8 dB verbessert.
6 Samples weniger Latenz auf der AD-Seite durch den neuen ADC (5 Samples AD, 7 Samples DA. Es geht nicht schneller....).
Alle oben genannten Verbesserungen wurden erreicht, ohne den Stromverbrauch des Interfaces zu erhöhen.
K-Slot (Kensington Lock) für den Diebstahlschutz.
Das neue Digiface AES ist ein professionelles, bus-powered USB 2.0-Interface mit 14 Eingängen und 16 Ausgängen, das zusätzlich zu den digitalen I/Os über 2 analoge Mikrofon-/Line-Universaleingänge und 4 analoge Ausgänge (2 XLR, ein Klinkenstecker) verfügt. Mit seinen hervorragenden digitalen Anschlussmöglichkeiten, SteadyClock FS, vollem Stand-Alone-Betrieb und eingebautem parametrischen EQ ist das Digiface AES die perfekte All-in-One-Lösung für die Aufnahme und Wiedergabe digitaler und analoger Quellen, sowie flexibles Playback/Monitoring über TotalMix FX.
Digiface AVB
Developed by RME, Digiface AVB is a glance into the future of audio network technology.
The device uses AVB to transfer up to 256 channels of audio between PC and audio network. An additional headphone output allows high quality monitoring.
RME’s Digiface AVB showcases how audio can be transferred from the PC into the network and back using the AVB protocol stack and finally brings this capability to Windows based PCs.
Connectivity & Features
256 Channels: 128 in / 128 out
16 Input Streams/ 16 Output Streams
Gigabit Ethernet (802.3 compliant)
Headphone Output
Wordclock I/0
USB 3
Bus-powered
IEEE 802.1 BA compliant AVB Stack
IEEE 1722 AVTP / 1722.1 AVDECC compliant
TotalMix FX
Digiface Dante
A lightweight, portable audio interface, combining Dante network connectivity and features with everything that RME is famous for: USB 3, MADI, TotalMix FX and outstanding options in both USB and stand-alone operation.
Connectivity & Features
256 Channels: 128 in / 128 out
64 Channels Dante / 64 Channels MADI
2 x Gigabit Ethernet (802.3 compliant)
1 x MADI I/O coaxial I/0
Headphone Output
Wordclock I/0
USB 3
Bus-powered
TotalMix FX
Auf der diesjährigen IBC in Amsterdam (09. bis 12. September) präsentieren RME und DirectOut das neueDigiface Ravenna. Das mobile Audio-Interface basiert auf dem bewährten Digiface Dante, besitzt jedoch einvon DirectOut entwickeltes RAVENNA-Modul. Das Gerät ermöglicht die Übertragung von bis zu 128 RAVENNAKanälen sowie 64 MADI-Kanälen über eine einzelne USB 3.0-Verbindung. Damit erweitert RME seine DigifaceSerie um ein leistungsstarkes Ravenna-Modell für den USB- und Standalone-Betrieb.
Anschlussmöglichkeiten:• 128 input / 128 output channels• 64 / 128 Ravenna I/O• 64 MADI I/O or word clock I/O• Analog out (phones)• USB 3
Features
The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME‘s famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.
The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME‘s routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).
Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.
Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.
TotalMix
Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.
Here are some typical applications for TotalMix:
Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.
RME Breakout SPDIF-SSPDIF and ADAT Sync breakout cable with D-sub 9-pin Male to 2 x RCA and D-sub 9-pin connector for the RME Sound cards Digi 9636, Digi HDSP 9652 and 9652nd
8-kanaliges AES42-Interface
mit Controller für digitale Mikrofone integrierter IE64 MADI Karte
24-bit / 192 kHz
Vollständig AES42 kompatibel
8x XLR AES42 Eingänge (AES3 kompatibel)
8x symmetrische XLR Line Ausgänge
24 Bit Sample Rate Conversion pro Eingang zuschaltbar
digital Phantom Power schaltbar pro Eingang
unterstützt Mode 1 und Mode 2
63 dB Gain Range (pro Kanal einstellbar, selbst im asynchronen Mode 1)
LED Pegelanzeige mit 13 LEDs pro Kanal
M/S De-/Encoding
4x AES/EBU Out per D-Sub
8 Kanäle @ 192 kHz
2x ADAT Out (8 Kanäle, 96 kHz)
Optionaler MADI I/O (I64 MADI Card) mit serieller Kaskadierung und digitalem/analogem Rückweg
MIDI I/O
komplett fernbedienbar
Zukunftssicher Update per Flash möglich
Grösse: 19" 2HE
Linear Super Low Noise Dual Audio Power Supply with µFilter and Sensor TechnologyThe new DPS-2 is an exceptional linear power supply that boasts not only impressive technical data but also a wide range of unique and highly useful features. For instance, the compact device features two differently filtered outputs. The housing and front panel of the DPS-2 are based on the ADI-2 series, accommodating RME's innovative circuitry design on only half rack width.Two Outputs - HF- and DC-filter on mains sideThe output Linear is a traditional DC output but is equipped with multi-stage passive and active filtering including a 30,000 μF capacitor bank, a ferrite choke as well as an active output filter with a hybrid voltage regulator.The second output is based on RME's proprietary μFilter technology. Here the signal from the pre-filtered Linear output is also processed by highly efficient active filters to achieve an exceptionally clean DC output with just a few µV (micro-volts) noise. In addition the output has sensor technology, which measures and adapts the output voltage directly at the DC connector of the supplied DC cable. Two DC Sensor connection cable with lockable & non-lockable DC plug 2.1 x 5.5 mm, (1 m) are included. As a result the output impedance and load regulation are extremely low, thus ensuring a clean output voltage of +12.0 V at 2.5 A load, completely avoiding any load-dependent voltage drops. Please note: only one output is usable at a time.Hum-free Operation - Optimum Performance without interference NoiseThe additional use of both a 2-stage HF filter and DC filter on the AC mains side enables the DPS-2 to deliver optimum performance without interference noise. This is also ensured by the 60 VA audio toroidal transformer with additional isolation winding and magnetic tape shielding, guaranteeing absolutely hum- and noise-free operation in any situation.If necessary the GND lift switch can be used to disconnect DC ground from PE (protective earth) to eliminate noise caused by ground loops. In this case safety is not affected since the primary part and the housing stay firmly connected to PE of the power inlet. In addition the DPS-2 comes with a ground terminal screw connection to earth other devices or to use an earthing other than PE for the audio power supply.Status display via multicolor front LEDs - LED AutoDark modeThe DPS-2 features two status LEDs on the front to provide a quick overview of the operating modes and error conditions (power, thermal and power overload, undervoltage, short, active output). A recessed push switch on the front panel enables the unique AutoDark mode with LEDs only lit on error states and shortly during power up.Another unique feature is the 24-page manual, which shows the technical data in detail using many measured values, illustrated with measurement diagrams. It also contains background information on linear and switching power supplies.
The RME DTOX-16 I connects 16 XLR inputs with two D-Sub connectors for channels 1-8, respectively 9-16.
With the DTOX series RME presents the successors of the successful BOB Breakout boxes.
It includes four models that convert multi-channel audio from D-Sub to XLR and from XLR to D-Sub. With the three DTOX-16 models and the DTOX-32 console, the perfect device is available for every application.
The DETOX-16 I / O works in both directions, 8 XLR inputs and 8 XLR outputs are each connected to a D-Sub connector With the DTOX series RME presents the successors of the successful BOB Breakout boxes. It includes four models that convert multi-channel audio from D-Sub to XLR and from XLR to D-Sub. With the three DTOX-16 models and the DTOX-32 console, the perfect device is available for every application.
With the DTOX series RME presents the successors of the successful BOB Breakout boxes. It includes four models that convert multi-channel audio from D-Sub to XLR and from XLR to D-Sub. With the three DTOX-16 models and the DTOX-32 console, the perfect device is available for every application.
DTOX-32 connects two D-Sub I/O, each with 4 XLR inputs and 4 XLR outputs. As a result, the breakout console replaces the usual breakout cables from D-Sub to XLR. It offers all the advantages of a professional, stable and reliable rack-mounted system. DTOX-32 is compatible with the formats TASCAM (RME) and Yamaha. The respective pin assignment can be defined by an internal plug-in connection in the housing part with the XLR connectors. For this only a cross-slot screwdriver is required, the format can be changed without any problems by hand.
Features:
12 x Analog I/O
4 x XLR/TRS Mic/Inst/Line
2 x Phones Output
1 x AES/EBU I/O
2 x ADAT I/O
1 x Word Clock I/O
1 x MIDI I/O
FireWire or USB operation
Class Compliant Mode
TotalMix FX
ARC USB
RME USB 2.0
€1,799.00*
Diese Website verwendet Cookies, um eine bestmögliche Erfahrung bieten zu können. Mehr Informationen ...