The Overstayer M-A-S gives you the harmonic character and peak rounding of classic recording and mixing chains in a simple, highly controllable rack-mount unit.
The limiting nature of the M-A-S stages rounds and bends peaks resulting in increased apparent volume, without the timing artifacts associated with compression. Its integrated pushbutton High and Low EQ presets, High Pass Filter and Emphasis circuits help further shape the harmonic content of source material.
Use it on the individual tracks for cumulative benefits. The M-A-S can add consistency as peaks and harsh transients get smoothed and absorbed into the performance, making balancing tracks in the mix easier, and lessening the need for bus limiting down the line. Used on a full mix, the added harmonic content can energize, and add cohesiveness and detail. The Mix control allows the character to be balanced to taste.
Bring harmonics and tone to your bass, synths, drum machines and samplers with the integrated front panel high impedance input.
Features:
2 channels in a single space 19” rack-mount chassis
Highly controllable, reactive analog chain that bends transient peaks and adds low order harmonics, simply brings analog character and vibe to any source
Increase apparent loudness without timing artifacts
Integrated EQ, filter and emphasis curves to shape harmonic content
Mix control to balance processed to unprocessed signal
High impedance input to bring the analog goodness to bass, synth, and drum machines
Universal power supply included with 5 pin XLR connector and US IEC cable
The 8755D is a stereo channel with filters, eq, compression, and harmonics stages throughout, with sophisticated routing and a series/parallel mixer matrix. High quality components and circuitry are used throughout. Though the unit can get extreme, the design aesthetic is that of a console in that it is capable of handling and maintaining the fidelity of a full mix through the unit.The Modular Channel, and analog gear in general have a bit of chaos in them, which is why we love them and build them! Being a stereo unit, we trim for better than 1dB matching through a wide range of settings, but deviations are inevitable in certain circumstances (high filter resonance for instance). Generally these are more apparent visually on a meter than audibly.The Modular Channel is as much an instrument as a classic channel. It has several gain stages that are collectively capable of massive amounts of gain. High and low frequency instability and noise are possible especially at high gain settings, so be aware to keep headphone and speaker levels in check at all times.
Features:
Stereo signal path
Balanced line inputs and outputs, high impedance unbalanced instrument inputs
Wide ranging high and low pass filters that resonate to full oscillation
EQ featuring high and low shelves with 3 frequencies each and a fully sweepableproportional Q mid range band
VCA compressor with peak and RMS detectors, 3 position attack and release controls, BEHAVIOR control, sidechain high pass filter, and external sidechain input
Independent harmonics stages, engage-able in any combination
Mixer matrix with DRY/EQ, COMPRESSOR, and full wet path SATURATED faders with mute switches allow for series and parallel routing and composited mixing
The Overstayer Modular Channel Stereo 8755DM-LI is a versatile stereo Line and instrument channel strip designed for tracking and mixing and offering anything from subtle layered enhancement to complete sonic destruction.The Overstayer Module Channel Stereo 8755DM-LI includes high-pass and low-pass filters, two-band equalisation, VCA compression, harmonics and a comprehensive mixer matrix for sophisticated series and parallel mixing.The preamp lets you choose between balanced line, microphone and high impedance inputs to accommodate your requirements as a tracking or mixing tool. The Preamp provides more than 40dB of gain using discrete circuitry with independent left and right controls.The balanced line signal can be routed through the preamp to drive the front end. Direct outputs are provided at the preamp stage and can be used independently with Line input selected.The following filter section provides resonant high-pass and low-pass filters, inspired by filters typically found in synthesizers and offer a control over the frequency response and its resonance. This is augmented by a two-band EQ with low and high shelves. Three frequency points for each band are provided to quickly shape the sound. The EQ can be used in the main signal but also in the compression side-chain and the Dry/EQ Feed.The VCA Compressor provides a choice between Peak and RMS. Attack and Release controls are provided with three positions for each and a side-chain HPF is also provided. The Behavior knob transforms the compression curve and gives you a wide range of options from smooth levelling to explosive mayhem thanks to its use of inverted ratios.The Harmonics section comprises of three stages and can be engaged in any combination from the subtle MAS low order harmonics, SAT for a more obvious saturated sound to the Hex mode which provides higher harmonics and layered distortion.Finally, a powerful Mixer Matrix lets you send independent stereo feeds to before the filter or after the EQ, while the Comp Feed lets you send the signal out pre-harmonics while the Sat Feed gives you the full flavour of the entire signal path.Versatile stereo analogue channel strip for tracking and MixingOffers subtle sound sculpting or sonic mayhemWorks with Balanced Line and high Impedance sources.40dB Discrete preamp gainResonant high-pass and Low-pass filterTwo-band Shelving EQPeak/RMS VCA Compressor with Attack and ReleasePowerful Harmonics section with independent modes for subtle enhancement to all-out distortion.Powerful Mixer Matrix for extensive parallel mixing
The Overstayer Saturator is a 100% analog dual channel harmonics and distortion processor, with tone shaping filters and multiple amplifiers for a wide of array of character, from subtle thickening to extreme distortion, balanced to taste with an integrated blend contro
The Overstayer Stereo Field Effect Model 3706 Limiter/Compressor is an evolution of our passion for FET compressors and classic analog recording chains. The Stereo Field Effect, or SFE, is a stereo unit with ganged controls that combines compression and limiting, with analog tone shaping and harmonics stages to evoke the tonality of a classic analog recording and mixing chain.
Classic FET ratios, as well as subtle low and hard limit ratios, allow the balance of compression to harmonics to be tailored, while wide-ranging attack and release options allow the envelope to shape exactly what hits the harmonics stages. The integrated sidechain filter and tone shaping of the discrete harmonics stages allows the signal to remain full even with large amounts of gain reduction. The Nonlinear mode engages an alternate aggressive personality, giving you new and unique dynamic textures.
Features:
Classic FET compression in stereo with single controls
Discrete harmonics circuitry to add rich color and character to the compression, integration that gives you a fluid recording/mix chain
Parallel blend control; adjust compression and harmonics as aggressively as needed and balance to taste
Multiple ratios allow for subtle control to harder limiting, while the external sidechain loop can be used to shape further or bypass compression altogether, driving only the analog harmonics
Nonlinear mode brings creative and extreme punch, and energized compression balanced with additional harmonics
Transformer balanced output
Universal power supply included with 5 pin XLR connector and US IEC cable
The Overstayer Stereo Voltage Control combines the gain control and punch of VCA gain cells, the warmth and character of our discrete analog Harmonics circuitry, and the sculpting power of an ultra-smooth 2-band shelving EQ. The SVC has dynamics control from fast peak limiting to smooth RMS compression, with multiple starting ratios and a Behavior control to create new and unique envelopes. Use the LEVEL control to drive into Harmonics to further bend transient peaks, adding musical harmonic color and cohesiveness as well as increasing apparent volume. The EQ and filters allow you to shape and drive as much low warmth or smooth top presence as desired. Each of its multiple stages can add its character and harmonics, cumulatively transforming the signal in a way not normally possible within a single device.
The integrated blend control allows even aggressive settings to be balanced tastefully. You can further create custom compression shaping by using the sidechain high-pass filter for low end response, or even further by using the external sidechain insert.
Features:
Highly interactive stereo dynamics, tone, and harmonics control
Controllable dynamics from fast peak limiting to smooth RMS compression
VCA gain cell configured to be driven and impart its own harmonic coloration
Wide ranging timing controls combine with behavior for extreme transient and sustain shaping
Dial in presence and restore high end with the stereo high shelf EQ
Interactive low end control with the integrated sidechain filter, low shelf EQ, and 50 Hz low cut filter with resonance peak
10 segment LED Gain Reduction meter
Universal power supply included with 5 pin XLR connector and US IEC cable
€2,799.00*
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