From naturally extracted and expanded soundscapes to full cinematic big-stage enhancement, Halo upmix delivers with intuitive ease, all the control you need to fine-tune your surround mix to perfection. With unique centre channel management, including switchable dialog extraction, Halo is perfect for all types of production from archive restoration and TV through to the full 7.1 Feature Film experience.
Natural Extension
Powerful real-time analysis of the original stereo material identifies and extracts locational cues, to naturally extend the panorama - without the introduction of any artificial reverberation, chorusing or delay into the downmix - leaving the inherent character of the original source intact.
Downmix Compatibility
Because Halo generates a coherent spatial sound, you can be assured of a high-quality downmix. The 'exact' mode function ensures ultimate downmix performance where, as in TV re-purposing for instance, maintaining the relationship between the original, upmixed and downmixed versions is imperative.
Big sound
For those situations that require an immersive cinematic dynamic, full control is available of all the relative surround balances, allowing any surround upmix to be crafted for a perfect blend into the complete 7.1 panorama.
Detailed Centre Channel Control
Centre channel extraction and control is provided for in a separate 'advanced' panel for use when dealing with intricate mixes, where no access to the original stems is available, offering unparalleled control - including neural network based dialogue extraction.
Powerful Spatial Analysis
Halo also includes a powerful spatial analysis view, intuitively showing the energy distribution of the upmixed panorama. Colour can additionally be used to indicate the speaker source for audio in any position, clearly indicating cases including phantom vs hard centre predominance etc.
Applications
Stem and group upmixing
7.1 cinematic sound stage enhancement
TV stereo to surround upmixing with hard centre
Re-purposing of original stereo for cinematic release
TV archive enhancement for 5.1 broadcast
Natural extension of original stereo panoramas and atmospheres
Summary
The 3D Immersive Extension introduces additional vertical controls via an expanded user interface including control over Ltm and Rtm placement for Dolby Atmos compatible placement. An additional real-time analysis view is also included for the vertical dimension, showing energy distribution of the output audio.
The enhanced upmix algorithm allows for simultaneous use of all the original features including dialog isolation and individual channel output control.
The Halo 3D option is suitable for numerous applications including sound design, film score, restoration & archive, music and atmospheric soundscape production.
The Halo Upmix 3D Immersive Extension currently supports Avid Protools (AAX) & Steinberg Nuendo (VST3) for Windows and OSX.
Features
Applications
Stem and group upmixing
7.1 cinematic sound stage enhancement
TV stereo to surround upmixing with hard centre
Re-purposing of original stereo for cinematic release
TV archive enhancement for 5.1 broadcast
Natural extension of original stereo panoramas and atmospheres
Upmix to Dolby Atmos compatible 7.1.2 bed tack (3D extension required)
Umpix to 1st order Ambisonic (AmbiX format) for VR applications (3D extension required)
Comprehensive analysis for 3D and immersive audio; Halo Vision is a customizable, real-time visual analysis suite. A variety of modules provide audio professionals with a clearer understanding of every aspect of their audio, allowing for precise and confident decision making and troubleshooting, and pinpointing problem areas which might be missed using ears alone.
Surround and immersive mix analysis up to 7.1.2
Checking phase correlation
Visualising spatial information
Ensuring mixes translate to different channel layouts
Mixing in unfamiliar or badly treated rooms
Powerful, transparent True-Peak limiting you can 'set and forget', with the assurance of True-Peak compliance at all times.
World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards.
No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest.
Pristine quality true-peak limiting
ISL is a transparent look-ahead limiter designed to allow you to get on with creative audio production while it takes care of true-peak compliance for you.
ISL uses the standardised true-peak algorithms of ITU-R B.S. 1770 and related standards (including Apple ‘Mastered for iTunes’ true-peak detection), and is suitable for the control of audio for Post Production and Broadcast applications. True-peak limiting can also be used to ensure that down-stream Codecs (mp3, AAC etc.) do not introduce distortion into the signal.
Powerful Processing and Visualisations
With unique Steering and Ducking meters, ISL2 guides you to the perfect settings. Whether you are preserving directional integrity, atmospheric ambience or taming a surround centre channel, ISL2 gives you the information and control you need to achieve your objective with ease. New processing enhancements assess the incoming audio for frequency content and automatically take care of those minor adjustments required when LF content drives the limiter, delivering increased transparency whilst maintaining our renowned reputation of intuitive operation.
Applications
Post Production & Broadcast audio
Audio Mastering
Loudness compliance
'Mastered for iTunes' intersample clip monitoring
Protection for downstream compression
Preserving quality for streaming/podcast
Inter-sample clip management
Powerful, transparent True-Peak limiting you can 'set and forget', with the assurance of True-Peak compliance at all times.
World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards.
No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest.
Pristine quality true-peak limiting
ISL is a transparent look-ahead limiter designed to allow you to get on with creative audio production while it takes care of true-peak compliance for you.
ISL uses the standardised true-peak algorithms of ITU-R B.S. 1770 and related standards (including Apple ‘Mastered for iTunes’ true-peak detection), and is suitable for the control of audio for Post Production and Broadcast applications. True-peak limiting can also be used to ensure that down-stream Codecs (mp3, AAC etc.) do not introduce distortion into the signal.
Powerful Processing and Visualisations
With unique Steering and Ducking meters, ISL2 guides you to the perfect settings. Whether you are preserving directional integrity, atmospheric ambience or taming a surround centre channel, ISL2 gives you the information and control you need to achieve your objective with ease. New processing enhancements assess the incoming audio for frequency content and automatically take care of those minor adjustments required when LF content drives the limiter, delivering increased transparency whilst maintaining our renowned reputation of intuitive operation.
Applications
Post Production & Broadcast audio
Audio Mastering
Loudness compliance
'Mastered for iTunes' intersample clip monitoring
Protection for downstream compression
Preserving quality for streaming/podcast
Inter-sample clip management
Powerful, transparent True-Peak limiting you can 'set and forget', with the assurance of True-Peak compliance at all times.
World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards.
No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest.
Pristine quality true-peak limiting
ISL is a transparent look-ahead limiter designed to allow you to get on with creative audio production while it takes care of true-peak compliance for you.
ISL uses the standardised true-peak algorithms of ITU-R B.S. 1770 and related standards (including Apple ‘Mastered for iTunes’ true-peak detection), and is suitable for the control of audio for Post Production and Broadcast applications. True-peak limiting can also be used to ensure that down-stream Codecs (mp3, AAC etc.) do not introduce distortion into the signal.
Powerful Processing and Visualisations
With unique Steering and Ducking meters, ISL2 guides you to the perfect settings. Whether you are preserving directional integrity, atmospheric ambience or taming a surround centre channel, ISL2 gives you the information and control you need to achieve your objective with ease. New processing enhancements assess the incoming audio for frequency content and automatically take care of those minor adjustments required when LF content drives the limiter, delivering increased transparency whilst maintaining our renowned reputation of intuitive operation.
Applications
Post Production & Broadcast audio
Audio Mastering
Loudness compliance
'Mastered for iTunes' intersample clip monitoring
Protection for downstream compression
Preserving quality for streaming/podcast
Inter-sample clip management
Powerful, transparent True-Peak limiting you can 'set and forget', with the assurance of True-Peak compliance at all times.
World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards.
No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest.
Pristine quality true-peak limiting
ISL is a transparent look-ahead limiter designed to allow you to get on with creative audio production while it takes care of true-peak compliance for you.
ISL uses the standardised true-peak algorithms of ITU-R B.S. 1770 and related standards (including Apple ‘Mastered for iTunes’ true-peak detection), and is suitable for the control of audio for Post Production and Broadcast applications. True-peak limiting can also be used to ensure that down-stream Codecs (mp3, AAC etc.) do not introduce distortion into the signal.
Powerful Processing and Visualisations
With unique Steering and Ducking meters, ISL2 guides you to the perfect settings. Whether you are preserving directional integrity, atmospheric ambience or taming a surround centre channel, ISL2 gives you the information and control you need to achieve your objective with ease. New processing enhancements assess the incoming audio for frequency content and automatically take care of those minor adjustments required when LF content drives the limiter, delivering increased transparency whilst maintaining our renowned reputation of intuitive operation.
Applications
Post Production & Broadcast audio
Audio Mastering
Loudness compliance
'Mastered for iTunes' intersample clip monitoring
Protection for downstream compression
Preserving quality for streaming/podcast
Inter-sample clip management
Powerful, transparent True-Peak limiting you can 'set and forget', with the assurance of True-Peak compliance at all times.
World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards.
No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest.
Pristine quality true-peak limiting
ISL is a transparent look-ahead limiter designed to allow you to get on with creative audio production while it takes care of true-peak compliance for you.
ISL uses the standardised true-peak algorithms of ITU-R B.S. 1770 and related standards (including Apple ‘Mastered for iTunes’ true-peak detection), and is suitable for the control of audio for Post Production and Broadcast applications. True-peak limiting can also be used to ensure that down-stream Codecs (mp3, AAC etc.) do not introduce distortion into the signal.
Powerful Processing and Visualisations
With unique Steering and Ducking meters, ISL2 guides you to the perfect settings. Whether you are preserving directional integrity, atmospheric ambience or taming a surround centre channel, ISL2 gives you the information and control you need to achieve your objective with ease. New processing enhancements assess the incoming audio for frequency content and automatically take care of those minor adjustments required when LF content drives the limiter, delivering increased transparency whilst maintaining our renowned reputation of intuitive operation.
Applications
Post Production & Broadcast audio
Audio Mastering
Loudness compliance
'Mastered for iTunes' intersample clip monitoring
Protection for downstream compression
Preserving quality for streaming/podcast
Inter-sample clip management
Powerful, transparent True-Peak limiting you can 'set and forget', with the assurance of True-Peak compliance at all times.
World class, broadcast quality limiting is an essential requirement for any audio production, and the latest standards also demand true-peak compliance. ISL delivers both, giving you superb sound with complete confidence about meeting the standards.
No need to second guess your sample-peak limiter time and again, or deliberately increase headroom to avoid a downstream problem. Just dial in your true-peak limit and let ISL take care of the rest.
Pristine quality true-peak limiting
ISL is a transparent look-ahead limiter designed to allow you to get on with creative audio production while it takes care of true-peak compliance for you.
ISL uses the standardised true-peak algorithms of ITU-R B.S. 1770 and related standards (including Apple ‘Mastered for iTunes’ true-peak detection), and is suitable for the control of audio for Post Production and Broadcast applications. True-peak limiting can also be used to ensure that down-stream Codecs (mp3, AAC etc.) do not introduce distortion into the signal.
Powerful Processing and Visualisations
With unique Steering and Ducking meters, ISL2 guides you to the perfect settings. Whether you are preserving directional integrity, atmospheric ambience or taming a surround centre channel, ISL2 gives you the information and control you need to achieve your objective with ease. New processing enhancements assess the incoming audio for frequency content and automatically take care of those minor adjustments required when LF content drives the limiter, delivering increased transparency whilst maintaining our renowned reputation of intuitive operation.
Applications
Post Production & Broadcast audio
Audio Mastering
Loudness compliance
'Mastered for iTunes' intersample clip monitoring
Protection for downstream compression
Preserving quality for streaming/podcast
Inter-sample clip management
Quick check analysis and correction - one click and you're done. At up to 100x real-time in your NLE/DAW or as a file based application. Save hours and prevent costly mistakes.
LM-Correct gives you a unique, immediate and hassle-free route to loudness-compliant audio in your day-to-day loudness workflow, saving you time and preventing costly mistakes.
Either within your NLE/DAW or as a stand-alone application, LM-Correct delivers automated compliance with True-Peak correction, solving your compliance issues on the spot. Used in conjunction with a real-time meter, LM-Correct saves iterative adjustments to the mix as you approach target levels, allowing transparent in-edit 'quick-touch' finishing of your audio. It’s an essential part of your loudness toolkit.
Automated, faster than real-time
For file based-processes (either with the standalone or Avid AudioSuite versions), LM-Correct rapidly assesses and adjusts the entire file much faster than real time. Automatically handling audio files from mono through 5.1, LM-Correct is compliant with all current loudness standards and if you need it you can specify the optional dialog-gated measure.
Automatically re-purpose and re-version
LM-Correct dramatically increases efficiency when delivering multiple versions and re-purposing for different regions and play-out specifications. Transform audio from one specification to the next with a single click, faster than real-time, without the need to manually re-purpose time and again in the editor.
Peace of mind
Our unique look-ahead true-peak limiter also prevents potential compliance failure due to loudness correction. With True-peak, Integrated Program and Short-term Maximum targeting you can be sure your audio is compliant every time. LM-Correct: total control and complete peace of mind in production.
Powerful Processing with a single click
With the introduction of optional dynamic processing in-LM-Correct 2, even complex recommendations like EBU R128 S1 can be met with great sounding algorithms, smooth efficiency. Uniquely, the new DynApt extension powered by technology developed for our server-side solutions also allows immediate correction for LRA and dynamics, whilst preserving dialogue intelligibility and correctly identifying and respecting intentional dramatic transitions. LM-Correct 2 delivers unparalleled power with renowned ease of use.
Quick check analysis and correction - one click and you're done. At up to 100x real-time in your NLE/DAW or as a file based application. Save hours and prevent costly mistakes.
LM-Correct gives you a unique, immediate and hassle-free route to loudness-compliant audio in your day-to-day loudness workflow, saving you time and preventing costly mistakes.
Either within your NLE/DAW or as a stand-alone application, LM-Correct delivers automated compliance with True-Peak correction, solving your compliance issues on the spot. Used in conjunction with a real-time meter, LM-Correct saves iterative adjustments to the mix as you approach target levels, allowing transparent in-edit 'quick-touch' finishing of your audio. It’s an essential part of your loudness toolkit.
Automated, faster than real-time
For file based-processes (either with the standalone or Avid AudioSuite versions), LM-Correct rapidly assesses and adjusts the entire file much faster than real time. Automatically handling audio files from mono through 5.1, LM-Correct is compliant with all current loudness standards and if you need it you can specify the optional dialog-gated measure.
Automatically re-purpose and re-version
LM-Correct dramatically increases efficiency when delivering multiple versions and re-purposing for different regions and play-out specifications. Transform audio from one specification to the next with a single click, faster than real-time, without the need to manually re-purpose time and again in the editor.
Peace of mind
Our unique look-ahead true-peak limiter also prevents potential compliance failure due to loudness correction. With True-peak, Integrated Program and Short-term Maximum targeting you can be sure your audio is compliant every time. LM-Correct: total control and complete peace of mind in production.
Powerful Processing with a single click
With the introduction of optional dynamic processing in-LM-Correct 2, even complex recommendations like EBU R128 S1 can be met with great sounding algorithms, smooth efficiency. Uniquely, the new DynApt extension powered by technology developed for our server-side solutions also allows immediate correction for LRA and dynamics, whilst preserving dialogue intelligibility and correctly identifying and respecting intentional dramatic transitions. LM-Correct 2 delivers unparalleled power with renowned ease of use.
Quick check analysis and correction - one click and you're done. At up to 100x real-time in your NLE/DAW or as a file based application. Save hours and prevent costly mistakes.
LM-Correct gives you a unique, immediate and hassle-free route to loudness-compliant audio in your day-to-day loudness workflow, saving you time and preventing costly mistakes.
Either within your NLE/DAW or as a stand-alone application, LM-Correct delivers automated compliance with True-Peak correction, solving your compliance issues on the spot. Used in conjunction with a real-time meter, LM-Correct saves iterative adjustments to the mix as you approach target levels, allowing transparent in-edit 'quick-touch' finishing of your audio. It’s an essential part of your loudness toolkit.
Automated, faster than real-time
For file based-processes (either with the standalone or Avid AudioSuite versions), LM-Correct rapidly assesses and adjusts the entire file much faster than real time. Automatically handling audio files from mono through 5.1, LM-Correct is compliant with all current loudness standards and if you need it you can specify the optional dialog-gated measure.
Automatically re-purpose and re-version
LM-Correct dramatically increases efficiency when delivering multiple versions and re-purposing for different regions and play-out specifications. Transform audio from one specification to the next with a single click, faster than real-time, without the need to manually re-purpose time and again in the editor.
Peace of mind
Our unique look-ahead true-peak limiter also prevents potential compliance failure due to loudness correction. With True-peak, Integrated Program and Short-term Maximum targeting you can be sure your audio is compliant every time. LM-Correct: total control and complete peace of mind in production.
Powerful Processing with a single click
With the introduction of optional dynamic processing in-LM-Correct 2, even complex recommendations like EBU R128 S1 can be met with great sounding algorithms, smooth efficiency. Uniquely, the new DynApt extension powered by technology developed for our server-side solutions also allows immediate correction for LRA and dynamics, whilst preserving dialogue intelligibility and correctly identifying and respecting intentional dramatic transitions. LM-Correct 2 delivers unparalleled power with renowned ease of use.
LMB takes care of your checking and compliance simply and effectively, with high-speed automated loudness measurement and correction. Supporting 'hot-folder', batch scripting and drag & drop, LMB batch processes at 100x real-time or faster, with detailed logs and/or corrected files to multiple, complex loudness criteria.
Native MXF handling
With the Native MXF expansion option, LMB can even assess and correct the audio within an MXF container, leaving other data intact and writing corrected audio back into the same file, saving time and avoiding potential file conversion errors.
DynApt loudness compliant dynamic adaptation
The DynApt options addresses the challenges of re-purposing Film for TV, or TV/Radio for streaming, while respecting dialog level in the full context of loudness compliance. Providing a new option for adapting content in a fast and efficient manner, DynApt automatically adapts dynamic audio appropriately for different listening environments and playout systems.
Features like comprehensive batch-file automation, network hot folders and XML log files make LMB an ideal workgroup solution and allow for easy integration into existing asset management workflows.
Applications
Loudness normalisation introduces a common reference point for all stages of audio production, allowing audio professionals to remain in control of audio quality and meet the requirements of current and proposed legislation.
QA and compliance
Verify out-sourced material
Meet loudness delivery specifications
Streamline in-house editing
Avoid non-conformance penalties
Command-line integration for automated workflow
Overview and detailed logging for post-mortem analysis
Enhance workflow
Automate loudness normalisation
Prepare archives automatically
Pre-conform libraries for immediate use
Balance without resorting to automation
Re-align automatically after editing
Establish multiple presets for several clients/broadcast chains
LMB takes care of your checking and compliance simply and effectively, with high-speed automated loudness measurement and correction. Supporting 'hot-folder', batch scripting and drag & drop, LMB batch processes at 100x real-time or faster, with detailed logs and/or corrected files to multiple, complex loudness criteria.
Native MXF handling
With the Native MXF expansion option, LMB can even assess and correct the audio within an MXF container, leaving other data intact and writing corrected audio back into the same file, saving time and avoiding potential file conversion errors.
DynApt loudness compliant dynamic adaptation
The DynApt options addresses the challenges of re-purposing Film for TV, or TV/Radio for streaming, while respecting dialog level in the full context of loudness compliance. Providing a new option for adapting content in a fast and efficient manner, DynApt automatically adapts dynamic audio appropriately for different listening environments and playout systems.
Features like comprehensive batch-file automation, network hot folders and XML log files make LMB an ideal workgroup solution and allow for easy integration into existing asset management workflows.
Applications
Loudness normalisation introduces a common reference point for all stages of audio production, allowing audio professionals to remain in control of audio quality and meet the requirements of current and proposed legislation.
QA and compliance
Verify out-sourced material
Meet loudness delivery specifications
Streamline in-house editing
Avoid non-conformance penalties
Command-line integration for automated workflow
Overview and detailed logging for post-mortem analysis
Enhance workflow
Automate loudness normalisation
Prepare archives automatically
Pre-conform libraries for immediate use
Balance without resorting to automation
Re-align automatically after editing
Establish multiple presets for several clients/broadcast chains
LMB takes care of your checking and compliance simply and effectively, with high-speed automated loudness measurement and correction. Supporting 'hot-folder', batch scripting and drag & drop, LMB batch processes at 100x real-time or faster, with detailed logs and/or corrected files to multiple, complex loudness criteria.
Native MXF handling
With the Native MXF expansion option, LMB can even assess and correct the audio within an MXF container, leaving other data intact and writing corrected audio back into the same file, saving time and avoiding potential file conversion errors.
DynApt loudness compliant dynamic adaptation
The DynApt options addresses the challenges of re-purposing Film for TV, or TV/Radio for streaming, while respecting dialog level in the full context of loudness compliance. Providing a new option for adapting content in a fast and efficient manner, DynApt automatically adapts dynamic audio appropriately for different listening environments and playout systems.
Features like comprehensive batch-file automation, network hot folders and XML log files make LMB an ideal workgroup solution and allow for easy integration into existing asset management workflows.
Applications
Loudness normalisation introduces a common reference point for all stages of audio production, allowing audio professionals to remain in control of audio quality and meet the requirements of current and proposed legislation.
QA and compliance
Verify out-sourced material
Meet loudness delivery specifications
Streamline in-house editing
Avoid non-conformance penalties
Command-line integration for automated workflow
Overview and detailed logging for post-mortem analysis
Enhance workflow
Automate loudness normalisation
Prepare archives automatically
Pre-conform libraries for immediate use
Balance without resorting to automation
Re-align automatically after editing
Establish multiple presets for several clients/broadcast chains
The leading workstation solution for loudness compliant delivery. Everything you need to intuitively produce loudness-normalised audio, seamlessly integrated into your audio production workflow.
With VisLM’s clear loudness metering it’s so easy to mix towards compliance without breaking the creative flow.
With ISL on the master bus you can listen to true-peak compliant audio ‘in-place’, without needing to check louder sections separately for traditional limiter artefacts and true-peak compliance.
The leading workstation solution for loudness compliant delivery. Everything you need to intuitively produce loudness-normalised audio, seamlessly integrated into your audio production workflow.
With VisLM’s clear loudness metering it’s so easy to mix towards compliance without breaking the creative flow.
With ISL on the master bus you can listen to true-peak compliant audio ‘in-place’, without needing to check louder sections separately for traditional limiter artefacts and true-peak compliance.
A Professional Grade Mastering Package, these award winning plug-ins are designed to allow you to master effortlessly, with confidence and precision. Master Pack delivers ground breaking functionality - low frequency management, stereo correction, pristine limiting, a full suite of audio analysis tools & play-out delivery measures - all built with a level of usability not available anywhere else.
Master Pack is a professional-grade mastering package with five award-winning plug-ins assembled specifically for the needs of mastering engineers, enabling effortless, confident finishing with unparalleled precision. Master Pack brings groundbreaking functionality including low frequency management, stereo correction, pristine limiting, and a full suite of audio analysis tools and playout delivery measures, with a level of usability not found in any other toolset. Master Pack plugins include Visualizer, ISL, MasterCheck, Stereoplacer, and Monofilter.
Mix and Master for the listener directly to Apple, Spotify, DAB Radio and TV specifications, MasterCheck will immediately reveal how your audio is going to sound to the listener, allowing you to produce with confidence and certainty.
MasterCheck immediately reveals how the consumer will hear your productions on todays music platforms. Mix and master to target and the quality of your audio will be assured all the way to the consumer with no nasty surprises after release.
Compare and contrast your productions with reference works and learn from the best. MasterCheck gives you the tools to evaluate your work and seize the competitive advantage by producing directly for the playout environment, allowing you to effectively utilise maximum dynamic range without compromising on loudness or risking distortion introduced by mp3 or AAC compression.
MasterCheck instantly de-mystifies loudness normalised playout systems, showing you the effect of compression on your audio so you can immediately determine how much is enough and by using loudness matching, exactly what is happening to the transients etc. as the compression increases. Now you can quickly find the point beyond which playout systems kick into effect, putting you back in control of how your productions will sound.
Applications
Audio production to loudness target
Measuring dynamic content
Avoiding downstream clipping introduced by compression codecs
Compare your loudness and dynamics with reference material
Audition Loudness matched FX chains
Objectively evaluate compression settings with PLR & loudness matching
An essential tool-set for use in the mix, including stereo image enhancement, bass management and comprehensive audio analysis. Mix Tools offers you deeper control, sonic enhancement and diagnostic support at any stage of the production process leading to increased quality and efficiency in any project.
The NUGEN Audio mix tools deliver immediate enhancements to the sense of space and low frequency solidity in your mix, and a standardised set of analysis reference tools. Each Mix Tools plugin integrates advanced audio analysis feedback directly into the user interface, delivering intuitive control of all the main parameters with clear and immediate dynamic response.
Used and trusted by producers the world over, MONOFILTER grabs hold of your bass and secures it solidly within your mix. Intuitive controls allow you to quickly anchor the power, whilst retaining the essential character and perceived spatial characteristics.MONOFILTER brings back the centre of your bass, so easily lost through stereo effects processing, synth sound generation, unwanted phase inconsistencies and live recording mic. bleed. Our market leading features now give you clear control over stereo spread, transition and phase alignment, and the unique interface gives you clear and exacting visual feedback.
sharper bass
anchor low end power
eliminate weak|hollow|flat bass
fix samples
restore old recordings
master with confidence
If solid or natural sounding bass is a requirement in your recording projects, Monofilter provides the foundation for real power and definition.The ear finds it difficult, if not impossible to determine the direction of low frequencies. This can often contribute to a lack of clarity and focus in the mix.In general, natural sounding audio is phase coherent in the lower frequencies, and as a result, we tend to perceive phase inconsistencies as ‘weak’, ‘hollow’ or ‘flat’. As soon as recorded audio is in the studio however, the chances of introducing such artifacts are high. Adding stereo FX processing and using multiple mic. set-ups - the staples of modern recording - immediately bring the issue into play.Many modern playback systems benefit from separate low frequency handling (Club PA, live rig, Home Cinema, HiFi, 2.1 Gaming systems etc.). Low frequency phase consistency balanced power distribution ensures optimal playback performance.Features
Mastering Quality Processing
Linear phase Monofiltering
Precise low end phase alignment
'Auto' level trim and phase control
Linear phase High Pass filter
Multiple output modes
Clear band limited operation
Advanced intuitive GUI
Stereo real-time audio analysis
Real-time correlation by frequency analysis
Click-and-drag stereo width envelope
Workflow enhancements
In-place bypass
pre/post metering
quick-start presets
unlimited session undo/redo
A|B comparison memories
MultiMonitor gives you a powerful multi-channel loudness and true-peak monitoring system available as a stand alone product or as the part of the SSL LMS-16 turnkey solution.
16 dedicated real-time meters
MultiMonitor provides the most powerful multi-channel loudness and true-peak metering available today. 16 meters, each capable of mono, stereo or 5.1 formats (that’s up to 96 simultaneous audio channels) give you individual True Peak and LUFS momentary displays. Every meter has a dedicated numeric Short Term and Integrated LUFS data display and meters can be colour-coded to aid grouping. Meters also feature a minimum and maximum short-term alerts function. MultiMonitor is fully compliant with CALM Act legislation, ITU-R BS1770/1, ATSC A/85, EBU R128 and other specific worldwide localisations.
MultiMonitor is great for monitoring multiple playback sources or audio sub-groups simultaneously with 5.1 and stereo PGM output alongside the console in the audio control room. It’s ideal also in the MCR, monitoring multiple studios and formats simultaneously.
Network data & Logging
MultiMonitor includes network data reset and loudness value acquisition, facilitating integration into an automated playout system. Additionally individual file based logs can be generated for each meter independently.
Applications
Perform station monitoring and historical diagnostic
Manage live broadcast levels rapidly and objectively
Achieve channel loudness consistency
Maintain loudness consistency across channels
Meet recent legislation and adopted standards
Harmonise program content
Consistently balance music/dialog/special effects
Compliance, quality and creativity – audio enhancement and problem-solving tools to help you produce outstanding audio quality on time, every time.
The Post Pack is an uncompromising collection of must-have plug-ins for high quality broadcast, film and game audio production. Containing a complete loudness solution including true-peak limiting, a comprehensive audio analysis suite, transparent auto-match EQ and 3 stereo control plug-ins, the Post Pack delivers the same essential post production tools used by leading facilities the world over.
Key Features
Industry standard loudness metering
Mono, Stereo, 5.1 and 7.1 plug-ins
Faster than real-time options
Corrective & match EQ
Complete stereo enhancement & correction
Comprehensive audio analysis
Cross-platform compatibility
Bundle includes:
VisLM 2
LM-Correct 2
ISL 2
Stereoizer
SEQ-S
Stereoplacer
Monofilter
Visualizer
Producer Pack gives you the essential tools to enhance and expand your production toolkit. With the Producer Pack you gain deeper control over your EQ, Stereo panorama and low frequency content, and with its comprehensive audio analysis suite you can identify and solve a multitude of audio issues.
Ideally suited to both mix and mastering situations, the Producer Pack offers an unequalled collection of highly flexible award-winning cross-platform plug-ins to help you increase the quality and efficiency of your audio production.
Visualizer, providing indispensable audio analysis for quality audio production with a standardized reference set of professional tools managed via a unique, intelligent window.
ISL, a true-peak limiter that enables audio engineers to listen to true-peak-compliant audio "in place" without needing to check louder sections separately for traditional limiter artifacts and true-peak compliance.
SEQ-S, an all-new and uniquely powerful EQ for sonic sculpting and EQ matching up to 7.1, with linear phase technology that delivers transparency without phase smearing and provides sharp transients.
MasterCheck, a new tool from NUGEN Audio that demystifies loudness-normalized playout on streaming services such as iTunes® and Spotify. MasterCheck enables producers to mix and master music utilizing maximum dynamic range for each streaming platform.
Stereoizer, offering a full range of stereo image enhancement capabilities, from gentle width adjustments to huge dynamic ambiences. Stereoizer offers full mono compatibility without unwanted artifacts.
Stereoplacer, delivering pan control for the 21st century. Stereoplacer allows frequency-specific stereo placement using unique stereo-positioning technology, offering precise control that is not available within a traditional mix setup.
Monofilter, a low-frequency management tool that enables producers to sharpen and define their bass to provide the foundation for real power and definition.
€249.00*
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