Authentic Transparency for Unrestricted Creativity
Eight channels of A/D Conversion
24-bit 96 kHz eight-channel AES format converter
Internal/External Clocking with AES or Wordclock in/out on BNC connectors
Millennia’s proprietary True-Lock-Clock for outstanding performance with an external clock
DB25 I/O Connectors that conform to the Tascam wiring standard
-20dBFS reference level
API 500 series compatible format
Millennia AD-D96 Analog-to-Digital Converter Option for HV-3DFeaturesThe AD-D96 from Millennia is an analog-to-digital converter option designed for the HV-3D 8-channel preamp upgrade. This option provides a DB25 AES digital output that supports rates up to 24-bit/96kHz.Provides 8 channels of analog to digital conversion24-bit/96kHz AES digital audioInternal and external clocking with BNC wordclock in/out connectorsDB25 connector conforms to Tascam's wiring standardReference level of -18dBFSCan be added to all HV-3D unitsFor more information, please visit this products webpage
Millennia AD-R96 Analog-to-Digital Converter Option for HV-3RFeaturesThe AD-R96 from Millennia is an analog-to-digital converter option designed for the HV-3R 8-channel preamp upgrade. This option provides a DB25 AES digital output that supports rates up to 24-bit/96kHz.For more information, please visit this products webpage
The AOO Analog Output Option card provides 8 channels of HV-3 balanced output stages, effectively identical to HV-3C, HV-3D, etc.
The AOO takes a direct balanced signal feed from the analog gain stage of each HV-316 mic preamp -- there is no ADC or DAC in the analog output path.
Analog outputs are terminated on a 25-pin sub-D connector using the AES59/Tascam balanced format standard.
The AOO card is a factory-installed option.
MILLENNIA BK, 130 V input option (DPA) for Millennia HV-3DFeaturesThe BK from Millennia is a 130V optional 4-pin XLR mic input add-on for Millennia preamplifiers that allows you to connect high-voltage microphones, such as the DPA 4000-series.For more information, please visit this products webpage
Dante Network Options
Works with Audinate's Dante and RedNet Ethernet networks
24-bit 96 kHz eight-channel capability
Primary and Secondary connections for redundant networks
All HV-3D/HV-3R units with and AD converter can have the option installed
Dante Network Options
Works with Audinate's Dante and RedNet Ethernet networks
24-bit 96 kHz eight-channel capability
Primary and Secondary connections for redundant networks
All HV-3D/HV-3R units with and AD converter can have the option installed
Millennia DC Input Option for PreamplifiersFeaturesThe DC from Millennia is a DC input option for all Millennia preamplifiers. It adds a direct DC-coupled input for using dynamic and ribbon microphones, and improves sonic performance with all dynamic mics.For more information, please visit this products webpage
Millennia EQB Balanced Input Option for NSEQ-2FeaturesThe EQB from Millennia is a balanced input option designed for use with the NSEQ-2 parametric equalizer.For more information, please visit this products webpage
Millennia HDOE Output Expansion Card for HV-3DFeaturesThe HDOE from Millennia is an output expansion card designed for the HV-3D. It adds 2 outputs for every input, for a total of 3 outputs per input. The new outputs provide 8 channels each on DB-25 connectors.For more information, please visit this products webpage
High Resolution Gain for HV-3BFeatures
The HR from Millennia is an optional add-on for the HV-3B preamp that adds a high-resolution gain switch. The switch increases gain to 1.5dB per step, with a total of 36 steps.
Millennia HROE Output Expansion Card for HV-3RFeaturesThe HROE from Millennia is an output expansion card designed for the HV-3R. It adds 2 outputs for every input, for a total of 3 outputs per input. The new outputs provide 8 channels each on DB-25 connectors.For more information, please visit this products webpage
Unrestricted Capacity, Uncomprimised Clarity
16 channels of pristine Millennia HV-3 microphone preamplifiers in a road-hardened 1U chassis
Effortless, vividly realistic, dynamically uniform HV-3 musical performance
Dante network output standard -- MADI and analog output options.
Both 12VDC (battery) and 80-264VAC worldwide powering
Redundant power supply for fail-safe, glitch-free operation
Paralleled next-generation AKM A-to-D conversion
Designed for ultra-high-temperature continuous operation (65C / 150F)
RF “pi filter” shielding provided on analog and digital feeds, destroys mobile interference
Control up to 256 channels at once via conventional Ethernet
+34dBu input headroom for use in the most extreme audio environments
Matched discrete-octet transistor gain topology, the classic Millennia HV-3 double-balanced circuit
Ælogic Mac & Windows third-generation software offers total control for both HV-316 and HV-3R on the same network
High-definition meters, grouping, linking, scene management, temperature monitoring
Entirely balanced audio path with precision components maintains signal integrity: THD under 10 PPM (< .001%)
Laser-trimmed FET-based output stage (analog output option) drives 1000-foot (300m) cable runs with ease
All channels matched to 0.08 dB
Advanced power supply rated for 650,000 hours MTBF operation
Aluminum 16-gauge rack chassis, ultra-lightweight, just 10 pounds
Billet aluminum laser etched front-panel
Lovingly hand-built and quality-assured in Northern California USA
Unrestricted Capacity, Uncomprimised Clarity
8 channels of pristine Millennia HV-3 microphone preamplifiers in a road-hardened 1U chassis
Effortless, vividly realistic, dynamically uniform HV-3 musical performance
Dante network output standard -- MADI and analog output options.
Both 12VDC (battery) and 80-264VAC worldwide powering
Redundant power supply for fail-safe, glitch-free operation
Paralleled next-generation AKM A-to-D conversion
Designed for ultra-high-temperature continuous operation (65C / 150F)
RF “pi filter” shielding provided on analog and digital feeds, destroys mobile interference
Control up to 256 channels at once via conventional Ethernet
+34dBu input headroom for use in the most extreme audio environments
Matched discrete-octet transistor gain topology, the classic Millennia HV-3 double-balanced circuit
Ælogic Mac & Windows third-generation software offers total control for both HV-316 and HV-3R on the same network
High-definition meters, grouping, linking, scene management, temperature monitoring
Entirely balanced audio path with precision components maintains signal integrity: THD under 10 PPM (< .001%)
Laser-trimmed FET-based output stage (analog output option) drives 1000-foot (300m) cable runs with ease
All channels matched to 0.08 dB
Advanced power supply rated for 650,000 hours MTBF operation
Aluminum 16-gauge rack chassis, ultra-lightweight, just 10 pounds
Billet aluminum laser etched front-panel
Lovingly hand-built and quality-assured in Northern California USA
Der Millennia HV-32P ist ein portabler 2-Kanal Mikrofonvorverstärker. Er ist eine Batterie gespeiste Adaption des Mikrofon-Preamp-Klassikers HV-3 von Millennia. Er beherbergt zwei Module des 200er Moduls HV32. Der HV-32P bietet standardmäßig bis zu 60dB Gain und im schaltbaren Ribbon-Mic-Modus bis zu 70dB. An weiteren schaltbaren Optionen ist der HV-32P mit einem 15dB-Pad und 48V Phantomspeisung ausgestattet. Der HV-32P kommt im stabilen Aluminiumgehäuse und wird via Batterie mit Spannung versorgt. Features: Mikrofonvorverstärker Gain: 60dB bzw. 70dB im Ribbon-Modus 15dB Pad Phantomspeisung +48V Frequenzgang: 10Hz bis 200kHz Abmessungen (BxHxT): 14,4 cm x 4,29cm x 20,8cm Gewicht: 0,9kg
Authentic Transparency for Unrestricted Creativity
Continuously variable gain control
Front panel instrument input
DC coupled ribbon mic with 10dB gain boost setting
80 Hz rolloff filter
48V phantom power
15 dB Pad
Polarity flip
API 500 series compatible format
Specification
Minimum Gain
8.5 dB
Maximum Gain
(continuously variable)
60 dB (70 dB in Ribbon Mode)
Frequency Response
+0 / -3 dB
sub 3 Hz to beyond 300 kHz
Noise
60 dB Gain, 10 Hz - 30 kHz, Inputs common
-133 dB EIN
Total Harmonic Distortion + Noise
35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out
< .001%, Typ. < .0005% (< 5 ppm)
Intermodulation Distortion
(50 Hz & 7 kHz) 35 dB Gain, +27 dBu Out
< .0009%
Phase Response
35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out
< 2 degrees deviation
Common Mode Rejection Ratio
35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M.
> 65 dB, Typ > 85 dB
Slew Rate
35 dB Gain, +27 dBu Out
> 25 Volts per microsecond
Maximum Input Level
20 Hz - 40 kHz
+20 dBu (no attenuator pads required)
Maximum Output Level
20 Hz - 40 kHz
+28 dBu
Phantom Input Impedance
1 kHz
6,750 ohms
Output Impedance
24.3 Ohms (x2)
Phantom Powering
+48 V dc, +/- 2 V dc
Dimensions/Shipping Weight
1.5” W x 5.25” H x 6” D, 3 lbs..
Der Millennia HV-35P ist ein portabler Mikrofon- und Instrumentenvorverstärker. Er ist eine Batterie gespeiste Adaption des Mikrofon-Preamp-Klassikers HV-3 von Millennia, die gleichzeitig um einige nützliche Features erweitert wurde. Er bietet alle Features, die bereits vom 500er Modul HV-35 bekannt sind - nur eben im portablen Format. Der HV-35P bietet standardmäßig bis zu 60dB Gain und im schaltbaren Ribbon-Mic-Modus bis zu 70dB. An weiteren schaltbaren Optionen ist der HV-35P mit einem 15dB-Pad, Phasenumkehr, 48V Phantomspeisung sowie einem 80Hz LoCut ausgestattet. Der HV-35P kommt im stabilen Aluminiumgehäuse und wird via Batterie mit Spannung versorgt. Features: Mikrofonvorverstärker mit frontseitig angebrachtem Instrumenteneingang Gain: 60dB bzw. 70dB im Ribbon-Modus 15dB Pad Phasenumkehrschalter Phantomspeisung +48V LoCut bei 80Hz Abmessungen (BxHxT): 14,4 cm x 4,29cm x 20,8cm Gewicht: 0,9kg
Authentic Transparency for Unrestricted Creativity
Unsurpassed ambience retrieval
Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no attenuator “pads” needed
Uncolored timbral accuracy at all dynamic levels
Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)
Effortless, vividly realistic, musical performance
Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300 m) cable runs with ease
Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB
Ultra-clean toroid power supply
Gold audio connectors and switches
Mogami Neglex OFC audio wiring
Silver Teflon power wiring
Welded 16 gauge steel rack chassis
Options
DPA (B&K) +130 V mic inputs
DC inputs for ideal performance with dynamic and ribbon microphones
Authentic Transparency for Unrestricted Creativity
Unsurpassed ambience retrieval
Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no attenuator “pads” needed
Uncolored timbral accuracy at all dynamic levels
Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)
Effortless, vividly realistic, musical performance
Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300 m) cable runs with ease
Standard 36-step gain controls (1.5 dB per step) are stereo matched to .08 dB
Ultra-clean toroid power supply
Gold audio connectors and switches
Mogami Neglex OFC audio wiring
Silver Teflon power wiring
Welded 16 gauge steel rack chassis
Options
DPA (B&K) +130 V mic inputs
DC inputs for ideal performance with dynamic and ribbon microphones
HDOE Output expansion option for three outs per channel
AD-D96 analog to digital converter card
8-Channel Solid State Mic Preamp
The Millennia HV-3D is an 8-channel version of the very successful and popular HV-3C stereo preamp. The HV-3D combines multiple channels to minimize redundant mechanical and electrical parts. This is a tool you can build a career around: it will remain valuable and useful no matter how far your sonic explorations take you. Acquiring an HV-3D is a step off the upgrade treadmill, a step that will ultimately save you much more than your initial investment. For pristine audio capture on location and in the studio, Millennia's HV-3D is a great option!Millennia HV-3D at a Glance:
Open, Transparent Sound
Perfect for Location Recording
Pristine Audio Path
Open, Transparent SoundMic preamplifiers magnify the input as much as 1000:1. There's no "Undo" after this point. Coloration or distortion become part of the signal. Lost information can never be recovered. Digital plug-ins can't "uncolor" sound or restore lost upper harmonic partials. Data compression algorithms (MPG, AC3, DTS etc.) are unable to distinguish signal from noise, so preserving signal clarity and integrity throughout the recording and production process is critical to communicating the artist's intention and individuality. No matter how subtle or attractive, a colored "signature" sound destroys options at every link in the chain. The HV-3 Series' open, transparent signal path has defined "high definition" since its introduction.Perfect for Location RecordingLocation recording is a high-wire act, with only one chance to capture the living moment of performance in its original ambience. The HV-3 Series is designed to transmit microphone signals to recording devices unaltered and has proven its ability to drive extremely long cable runs.Pristine Audio PathThere's no such thing as a straight wire with gain. But the HV-3 Series' transformerless input, balanced audio path, minimal amplifier design has brought us closer than any other to our goal of absolute accuracy and uncompromised sonic realism.Millennia HV-3D Features:
Unsurpassed ambience retrieval
Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no attenuator "pads"
needed
Uncolored timbral accuracy at all dynamic levels
Entirely balanced audio path with precision components maintains signal integrity: THD under 5 ppm (.0005%)
Effortless, vividly realistic, musical performance
Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300m) cable runs with ease
Standard 36-step gain controls (1.5 dB per step) are stereo-matched to .08 dB
Ultra-clean toroid power supply
Gold audio connectors and switches
Mogami Neglex OFC audio wiring
Silver Teflon power wiring
Welded 16 gauge steel rack chassis
Minimum Gain 8.5 dB
Maximum Gain (1.5 dB per step, 36 steps) 65 dB (up to 75 dB on request)
Frequency Response +0 / -3 dB sub 3 Hz to beyond 300 kHz
Noise 60 dB Gain, 10 Hz - 30 kHz, Inputs common -133 dB EIN
Total Harmonic Distortion + Noise 35 dB Gain, 10 Hz - 20 kHz bandwidth, +27 dBu Out < .001%, Typ. < .0005% (< 5 ppm)
Intermodulation Distortion (50 Hz & 7 kHz) 35 dB Gain, +27 dBu Out < .0009%
Phase Response 35 dB Gain, 50 Hz - 20 kHz bandwidth, +27 dBu Out < 2 degrees deviation
Common Mode Rejection Ratio 35 dB Gain, 10 Hz - 20 kHz bandwidth, 100 mV C.M. > 65 dB, Typ > 85 dB
Slew Rate 35 dB Gain, +27 dBu Out > 25 volts per microsecond
Maximum Input Level 20 Hz - 40 kHz +23 dBu (no attenuator pads required)
Maximum Output Level 20 Hz - 40 kHz +32 dBu
Phantom Input Impedance 1 kHz 6,750 ohms
Output Impedance 24.3 ohms (x2)
Phantom Powering +48 V dc, +/- 2 V dc
Power Requirements Selectable: 100-120, 200-240 V ac, 50/60 Hz
Unrestricted Capacity, Uncompromised Clarity
Control up to 792 channels (99 units) at once via Ethernet: TCP/IP addressing allows control via the Internet
Plug ‘n play Pro Tools interface via MIDI
AElogic Windows software offers total control
Hi-definition meters, unlimited groups, scene management, voltage/temperature monitoring...
Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no “pads” needed
Entirely balanced audio path with precision components maintains signal integrity: THD under 5 PPM (.0005%)
Effortless, vividly realistic musical performance
Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300m) cable runs with ease
Gain controls (1 dB per step) on all channels are-matched to .08 dB
Ultra-clean toroid power supply
Mogami Neglex OFC audio wiring, silver Teflon power wiring
Aluminum 16 gauge rack chassis
Options
DPA (B&K) +130V and 190V mic inputs
DC inputs for ideal performance with dynamic and ribbon microphones
HROE Output expansion option for three active isolated outs per channel
AD-R96 analog to digital converter card
Unrestricted Capacity, Uncompromised Clarity
Control up to 792 channels (99 units) at once via Ethernet: TCP/IP addressing allows control via the Internet
Plug ‘n play Pro Tools interface via MIDI
AElogic Windows software offers total control
Hi-definition meters, unlimited groups, scene management, voltage/temperature monitoring...
Transformerless design with matched hi-speed discrete transistor octet has 23 dB input headroom: no “pads” needed
Entirely balanced audio path with precision components maintains signal integrity: THD under 5 PPM (.0005%)
Effortless, vividly realistic musical performance
Laser-trimmed FET-based output stage has 32 dB headroom: drives 1000 foot (300m) cable runs with ease
Gain controls (1 dB per step) on all channels are-matched to .08 dB
Ultra-clean toroid power supply
Mogami Neglex OFC audio wiring, silver Teflon power wiring
Aluminum 16 gauge rack chassis
Options
DPA (B&K) +130V and 190V mic inputs
DC inputs for ideal performance with dynamic and ribbon microphones
HROE Output expansion option for three active isolated outs per channel
AD-R96 analog to digital converter card
AD-D96 and AD-R96 Analog to Digital Converter Options
Eight channels of A/D Conversion
24-bit 96 kHz eight-channel AES format converter
Internal/External Clocking with AES or Wordclock in/out on BNC connecters
DB25 Connector that conforms to the Tascam wiring standard
-18dBFS reference level
All HV-3D/HV-3R units can have the option installed
MADI-D and MADI-R Digital Converter Options
Eight channels of A/D Conversion
24-bit 96 kHz eight-channel MADI and AES format converter
External Clocking from MADI stream, defaults to 48kHz
DB25 Connector that conforms to the Tascam AES wiring standard
Optical and BNC MADI input and output connectors
Industry standard i64 MADI card with custom software
-18dBFS reference level
All HV-3D/HV-3R units can have the option installed
€1,799.00*
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