All Features
Five bands, each providing a full dynamics section with; Compressor, De-Compressor, Expander, De-Expander, the BitterSweet Transient Designer and M/S Width Control
Infinite Impulse Response (IIR) crossovers with selectable slopes from 18 dB/oct to 54 dB/oct
Input/Output gain controls for adjusting the levels before and after processing
Generous -/+ 48 dB input/output gain range
Phase invert of the processed signal
Dry/wet control offering true parallel dynamics processing
Discrete peak-limiter rounding peaks off in a smooth and musically fashion
True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal
Preset and Parameter Handling
Preset/Parameter slots
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.
Parameter Morphing Slider with Automation
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.
Open Sound Control Support
Multiband Crossovers
Alchemists five bands are divided using carefully tuned state-of-the-art IIR (Infinite Impulse Response) crossovers with selectable slopes (from 18 dB per octave to 54 dB per octave) and variable corner frequencies.
Multiband Features
Alchemist operates as a single broadband processor or as a full-scale multiband processor offering up to five individual bands, each band provides:
Compressor
De-Compressor
Expander
De-Expander
BitterSweet Transient Designer
MS (mid/side) Control
Auto Delay (Introducing a delay line into to signal for zero attack time)
Selectable level detection mode and dynamics detection profile
Processing envelope control (Attack, Hold, Release with optional Auto mode)
Input / Output gain control
Full control over the processing
In addition to the common controls on a dynamics processor; ratio, attack, release, Alchemist offers control over the fundamental characteristics of the dynamics processing on each band, all in order to provide full control over the processing even in the most demanding situations.
Envelope, Time and Detection Settings
Extended envelope settings with full control of Attack, Hold and Release with Manual, Auto and Advanced release modes.
Zero attack time for the dynamics processing by introducing a delay reflecting the attack time into the signal path.
Eight different detection modes interacting with the time and envelope settings as well as with the integration times for the RMS detection. Includes specific “Feed Backward” modes inspired by vintage hardware architectures for producing a naturally “beefy” sound.
Dynamic Factor – Amplifies or diminishes the extracted real-time dynamics information.
Dynamic Velocity – Controls the speed of variation on the extracted dynamics information.
Individual Multichannel Processing
Up to eight channels of simultaneous processing for multichannel surround configuration is provided. The processing can be disengaged on any of the channels leaving the material unprocessed, bypassing the original sound.
When operating on a multi-channel bus all, up to eight in total, channels are processed by default, though the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound.
By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.
Dual Preset Slots and Parameter Morphing
The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.
The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.
All Features
Up to 8 channels Input/Output
Output Gain -24.00 dB / +24.00 dB gain range (applied to the processing output before the soft clipper)
Soft clipper at the very last stage of the processing path carefully rounding the edges of the clipped peaks for a smoother clipping.
Detector sidechain filtered in accordance with the frequency range setting and its low cut, high cut and band pass filter, the filtered sidechain extraction can be audited with a simple button click.
External side-chain available in AU (Mac OS X) and AAX Native & DSP (Mac OS X & Windows) only.
True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal
Frequency Range sets the actual frequency range to be processed (20 Hz / 20,0 kHz – Lower / 40 Hz / 20,0 kHz – Upper). The frequency extraction can be audited with a simple button click.
Speed, alters the mode for the processing of the transients, controlling the envelope smoothing and generating a natural attack (Fast/Medium/Slow).
Dynamic gain adjusting the gain of the transients and/or the sustain (-100,00% – Sweet / 100,00% – Bitter)
Static Gain controls the actual gain of the Frequency Range filter envelope ( -24.00 dB / +24.00 dB).
Geek pane (advanced settings) with an additional range of parameters providing extended control of the transient processing envelope.
Attack, Hold, Release, adjusting the attack, hold and release times for the transient processing.
Preset and Parameter Handling
Preset and Parameter Handling
Preset/Parameter slots
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.
Parameter Morphing Slider with Automation
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.
Frequency Dependent Transient Processing
The Frequency Dependent Transient Processing provides the option to process only a certain part of the frequency spectrum, making BitterSweet Pro act like a dynamic equalizer driven by Transients and/or Sustain.
Explained:
When Frequency Range is set from 20 Hz to 20 KHz the processing is performed on the full band, now changing the value of the low cut off frequency turns it into a High shelve dynamic eq and setting the high cut off frequency turns it into a Low shelve dynamic eq, when setting both, it turns it into a peak dynamic eq.
On any case the gain can be adjusted with the Static Gain parameter, and the slope can be set with the Frequency Order parameter, from 6dB per octave to 12, 18 and 24 dB, the higher the Frequency Order is the steeper the slope of the frequency response becomes.
M/S Stereo Processing Modes
Transients and Sustain can be amplified or attenuated simultaneously or individually, and using a built in M/S Encoder/Decoder the Mid (Center) or the Side (Stereo) parts of the sound can be processed independently.
Main - processes using regular stereo signal scheme and it's the only available mode for multichannel operations
Center - engages the internal MS encoder and processes only the Mid channel. After processing, the sound is decoded back to stereo (useful for snare/kick drums)
Stereo - engages the internal MS encoder and processes only the Side channel. After processing the sound is decoded back to stereo. (Efficient for panned rhythmic instruments)
Geek Pane
The Geek Pane, an ”advanced settings” option, provides extended control of the transient processing envelope as well as different options for monitoring of the signal within the plugin.
Dual Preset Slots and Parameter Morphing
The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.
The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.
See all specs here
All Features
True Peak level metering and limiting – ITU-R BS.1770 / EBU R128 Compliant
Up to 8 channels Input/Output
Input / Output Gain (-12/+12 dB) applied to the limiter input and to the output stage of the limiter
Multistage processing, providing the option to set the algorithm to perform the limiting processing in multi-stages, in order to achieve even more precise and natural sounding results.
True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal.
Preset and Parameter Handling
Preset/Parameter slots
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.
Parameter Morphing Slider with Automation
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.
Quick and easy setup
Elixir’s straightforward user interface makes it exceptionally easy to achieve great results, even under a tight deadline.
Simply set the input level, adjust the Threshold according to the amount of limiting desired, and finally enable Make Up for gain compensation and loudness addition – That’s it!
Stage Processing
For truly delicate and fine processing tasks, Elixir v3 presents a new innovative concept called Stages, providing the option to set the algorithm to perform the limiting processing in multi-stages, in order to achieve even more precise and natural sounding results.
Example: If the threshold is set to -3 dB and the ‘Stages’ parameter set to 3, the first stage will limit at -1dB, the second stage will limit at -2dB and the third will limit at -3dB, with analyzing performed in each of the three stages.
Dual Preset Slots and Parameter Morphing
The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.
Details
The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.
See all Specs here
State-of-the-art five-band equalizer with the absolute finest audio quality, sharp-edged precision tool created to meet the demands of the professional audio industry.
All Features
Five EQ bands with hands on editing of the band curves on the display
Filter types, on each band; low cut, low shelving, peak, hi shelving, hi cut
Frequency range covering the whole bandwidth
Q factor adjustable (from 1.00 to 100.00
Gain control (ranged -24 dB to +24 dB)
True Bypass routing the incoming signal direct to the output
Multiply gain (x2) affecting the gain value of the band-section
Divide gain (/2) affecting the gain value of the band-section.
Invert, converting the band-section positive values to negative and vice versa.
Master gain control
Audio I/O routing matrix
Up to 4 MS encoders / decoders
Up to 8 band groups
Preset and Parameter Handling
Preset/Parameter slots
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.
Parameter Morphing Slider with Automation
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.
Open Sound Control Support
Instant and precise operation
The logical and comprehensive user interface contains instant shortcut functions to enhance and simplify the user workflow.
Each of the five color coded band sections is covering the complete frequency range and offers -/+ 24 dB gain with dynamic instant gain controls allowing you to:
– Multiply the gain by 2 (x2) affecting the gain value of the band-section.
– Divide the gain by 2 (/2) affecting the gain value of the band-section.
– Invert the gain with just the flip of a switch, converting the band-section positive values to negative and vice versa.
Multichannel, M/S and routable processing groups
Eight channels of simultaneous processing for L-R, M-S or surround operations with 4 MS decoders/encoders and up to 8 internally routable processing groups to process multiple explicit tiers from within one single plug-in instance.
Using the internal processing groups and the MS option in a multichannel setup, you could have one set of controls grouped together for the front channels, with a different group controlling the rear channels, configuring an MS EQ on the front channels and simultaneously another MS EQ on the rear channels as well, using one single instance of Epure v3 only.
Dual Preset Slots and Parameter Morphing
The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.
The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation
See all Specs here
The Ultimate Channel Strip Redefined, Gain/Drive, Phase, Compressor, EQ, DeEsser, Expander, Transient/Sustain Designer, Hands-on interface, Fast workflow, Adjustable signal flow, Stay in Control of Your sound!
Gain / Drive: Restores the life and vitality
A well-managed Gain structure is paramount for creating an optimized signal-chain. In EVO Channel a signal Drive, designed to add a soft saturation and warmth to the material, is available direct at the input Gain for restoring and maintaining the vitality of the sound.
Phase: Reframes the sound together
One of the most crucial parameters to take into account; Phase, or “The art of using multiple microphones on one and the same sound source”, a classic example is when setting up the sound for a drumkit. Controlling the Phase of microphones is universal and relevant both for studio and live use. In EVO Channel an Arbitrary and Linear Phase Rotation throughout the spectrum is provided, to accomplish the same natural thing as when physically moving a microphone.The Phase is the result of Flux:: proprietary research, this unique algorithm allows linear phase correction* with zero latency.
*By activating the phase module on all of the tracks that were recorded at the same time and in the same room.
EQ / Analyzer: The canvas for painting the colors
One of the corner stones in a Channel Strip is a well-built, efficient and complete Equalizer.The EVO Channel EQ is a straightforward comprehensive 4-band parametric equalizer with an additional low/high shelf and a 6-24 dB low/high cut filter.The graphical interactive EQ curve is layered on top of the built in Spectrum Analyzer for hands-on editing with direct connection to the visual response. The spectrum analyzer origins from the Flux:: Pure Analyzer and has been optimized for the EVO Channel. It gives you an accurate direct view of what’s going on in the different frequency domains of your material.
Compressor: The Sound Attitude Generator
In addition to controlling the signal dynamics, the compressor is often used for shaping the attitude of a sound. To use a compressor in a creative and artistic fashion it’s important that it’s easy to use and has the ability to create an interesting sound.The EVO Channel compressor offers a wide range and variety of sound with nine different compression modes, and a Wet / Dry control for adjusting the level of compression, allowing for parallel compression within the module.
Touch: The icing on the cake that brings out the magic!
The Final Touch module in EVO Channel is a polymorphic section offering a variety of different processors designed to adapt to the requirements of the material, with seven different processing modes including a frequency dependent DeEsser, Expander and a Transient and Sustain Designer.
Multichannel, Dolby Atmos, Ambisonics & High Resolution Support
EVO Channel is designed to support mixing and creation of multichannel surround and immersive audio content. Dolby Atmos with up to 10 channels and the AVID Pro Tools Dolby Atmos 7.1.2 / 7.0.2 Track and Bus is supported. Third order Ambisonics with up to 16 channels and the AVID Pro Tools new bus and track formats for first, second and third order Ambisonics, for creating and manipulating Ambisonic audio and mixes, is supported. High Resolution DXD Audio with sampling rates up to 384 kHz is supported.
Dark Mode for Live and Theater
The visual display mode of the graphical user interface in EVO Channel can be set to a Dark or a Light mode. The Dark mode is created to provide an option for situations like Live and Theater performances where discretion can be of real importance.
See all Specs here!
Stay In Phase – Maintain The Vitality
Unique, Precise, Arbitrary and Linear Phase Rotation, Phase Group to enable and disable Phase for all of the included tracks at the same time. Electrical polarity inverter. Soft saturation to attain roundness and warmth, restoring and maintaining the vitality of the sound!
Phase & Polarity: Stay In Phase
Having full control over the microphone Phase is universal, and one of the most crucial parameters to take into account both for studio and live sound. In addition to the classic electrical polarity inverter ( ∅ ) EVO IN provide a unique precise Arbitrary and Linear Phase Rotation of the signal, to accomplish the very same phenomena as when physically moving the microphone, without adding any latency. This allows for correction of the Phase when recording a sound source using multiple microphones, like a drumkit or a guitar amplifier, eliminating timing problems that could be smearing the clarity of the sound or the mix.
Phase Group: Phase Align
“The art of using multiple microphones on one and the same sound source” With EVO IN it’s really easy to Phase Align a multi-microphone or live recording where multiple microphones were used at the same time. Simply insert EVO IN and enable Phase on all of the recorded tracks, then assign the same Group Number on all of the EVO IN instances, which makes it possible to enable and disable Phase for all of the included tracks by simply switching Phase on/off in only one of the tracks in the Group. Now use the Phase slider on each track, listen and verify by switching Phase on and off for the group, and tweak until you have full control over the Phase and everything sounds tight and aligned.
Drive: Maintain The Vitality
The EVO IN Drive adds a soft saturation to attain roundness and warmth, restoring and maintaining the vitality of the sound, by generating harmonics important for the constancy of the sound without any audible distortion, on all types of sounds and instruments.
Night / Day GUI
Dark Mode for Live and Theater. The visual display mode of the graphical user interface in EVO IN can be set to a Dark or a Light mode.. The Dark mode is created to provide an option for situations like Live and Theater performances where discretion can be of real importance.
See all Specs here!
Comprehensive full band dynamics processing, powerful natural dynamics processing, preserve or recover the natural quality of the audio material without adding artifacts.
All Features
Up to 8 channels Input/Output
Generous -/+ 48 dB input/output gain range
Input/Output gain controls for adjusting the levels before and after processing
Dry/wet control offering true parallel dynamics processing and for blending some of the original “peak” into the processed signal
Preset and Parameter Handling
Preset/Parameter slots
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.
Parameter Morphing Slider with Automation
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.
Open Sound Control Support
Advanced detection and analysis
To perform the most detailed analysis of the material possible, a side chain section featuring a three-band equalizer for generating true frequency sensitive processing, as well as input options for an external sidechain signal, is provided.
Side Chain Section Details:
Each of the three eq-bands provides; Gain, Frequency and Q-Factor, as well as five different Filter Types:
- 12 dB per octave high pass filter
- Low shelving
- Parametric
- High shelving
- 12 dB per octave low pass filter
The external side-chain input is available in AU (Mac OS X) and AAX Native & DSP (Mac OS X & Windows) only.
Full control over the processing
In addition to the common controls on a dynamics processor; ratio, attack, release, Solera offers control over the fundamental characteristics of the dynamics processing, all in order to provide full control over the processing even in the most demanding situations.
Details:
Envelope, Time and Detection Settings:
- Extended envelope settings with full control of Attack, Hold and Release with Manual, Auto and Advanced release modes.
- Zero attack time for the dynamics processing by introducing a delay reflecting the attack time into the signal path.
- Eight different detection modes interacting with the time and envelope settings as well as with the integration times for the RMS detection. - Includes specific “Feed Backward” modes inspired by vintage hardware architectures for producing a naturally “beefy” sound.
- Dynamic Factor – Amplifies or diminishes the extracted real-time dynamics information.
- Dynamic Velocity – Controls the speed of variation on the extracted dynamics information.
Open up the sound and increase the dynamic impression
On each of the four dynamics processing sections two parameters are provided that are kind of unique to dynamics processing; Dynamics Ratio and Level Independent Detection (L.I.D), using the dynamic range content of the signal and not just the signal levels as standard processors do.
Details:
- Dynamics Ratio is controlling the amount of auto-ratio determined by the signal dynamics and the manual ratio setting. This literally opens the sound, increases the dynamic impression and keeps some crest by adjusting, in real time, the ratio of every dynamic processing section in regards to both the current ratio settings and the signal content (mainly dynamic range).
- Level Independent Detection (L.I.D) controls the amount of auto-threshold determined by the signal dynamics and the manual threshold value, providing processing of the audio signal independently of the sound level and instead in regards to the signal dynamic range.
- A Maximum mode can be engaged on the L.I.D control, allowing for processing that accounts for the maximum
Control the Stereo width of your mix
To control the actual Stereo width of the mix a built-in MS encoder/decoder is used to split the stereo-signal in its M and S components in order to control the actual stereo width of the mix.
Details:
The MS Width Control – Sets the stereo width of the processed signal. A -6 dB value deceases the stereo width. A +6 dB value increases the wideness of the stereo mix but can produce phase issue.
The MS Mode Control – Enables one MS encoding matrix at the input and one MS decoding matrix at the output of the dynamic processing in order to control the stereo width of the mix. When engaged, the side chain is fed by a MS encoded signal that is reflected in the display section. M channel corresponds to the normal left channel. And the S channel corresponds to the normal right channel.
(This feature is only available when two channels (no more, no less) are processed.)
Dual Preset Slots and Parameter Morphing
The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.
The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.
Individual Multichannel Processing
Up to eight channels of simultaneous processing for multichannel surround configuration is provided. The processing can be disengaged on any of the channels leaving the material unprocessed, bypassing the original sound.
When operating on a multi-channel bus all, up to eight in total, channels are processed by default, though the processing can be disengaged for any number of channels leaving the material unprocessed and bypassing the original sound.
By doing this in combination with serial instances the material on any number of channels can be processed with individual settings.
See all specs here
Today it’s a common thing to record and produce music with a Project Studio setup, and as we think there should never have to be any compromise to the sound quality we introduce the Studio Session Pack, offering some of our finest recording and mixing tools, the Flux:: Essentials, in a comprehensive bundle for the Project Studio.
The Studio Session Pack was created specifically with music production and project studios in mind, and the Studio Session version of the software included in the bundle have been revised to meet these requirements and differs slightly from the standard versions.
The Studio Session Pack bundle contains the following plug-ins:
Pure Compressor Studio Session v3 - AU / VST / AAX Native / AAX AudioSuite
Pure Expander Studio Session v3 - AU / VST / AAX Native / AAX AudioSuite
Pure Limiter Studio Session v3 - AU / VST / AAX Native / AAX AudioSuite
Epure Studio Session v3 - AU / VST / AAX Native / AAX AudioSuite
Syrah Studio Session v3 - AU / VST / AAX Native / AAX AudioSuite
BitterSweet Pro Studio Session v3 - AU / VST / AAX Native / AAX AudioSuite
Verb Studio Session v3 - AU / VST / AAX Native / AAX AudioSuite
Pure Analyzer Studio Session v3 - Stand alone software
Pure Compressor offers everything you would expect from a compressor, ranging from clean transparent subtle processing to classic heavy pumping. In addition to the common standard compressor controls for attack, release, threshold and ratio, Pure Compressor gives you total control of the fundamental characteristics and essential dynamics profile used for the compression, with hands on controls for every parameter, all in order to achieve the ultimate dynamics processing in every situation.
Pure Expander is a powerful versatile processor capable of anything from mild expansion to hard noise gating, perfectly suited for soft downward expansion to clean up spillage on (live) recordings, remove noise, reverberation and leakage from drum sessions. Pure Expander is designed to automatically reduce the gain below the threshold, providing full control over the general behavior, and of the performance characteristics and how it responds to the incoming audio signal.
Pure Limiter makes transparent limiting easy; a dramatic increase of the average audio level can now be accomplished without damaging the perceived audio quality, with the exquisite proprietary Flux:: technology generating a release envelope assuring that no artifacts on the processed sound are produced. Unless you use it as a special effect, Pure Limiter v3 should always be in the very last stage of your audio processing chain.
Epure is a state-of-the-art five-band equalizer designed to provide the absolute finest audio quality within the domain of digital audio processing, carefully tuned with Flux:: proprietary State-Space technology, to preserve the optimal signal to noise ratio independent of the parameter settings, preventing the signal from deteriorating when the gain is reduced. Epure is a powerful go-to processor for your day-to-day session work, as well as an efficient sharp-edged surgical precision tool for the most demanding equalizing and filtering tasks conceivable.
Syrah is a new generation dynamics processor using real-time dynamic detection and level dependent processing, to provide adaptive dynamic capabilities, which mean that Syrah is always trying to adapt its processing to the music and to the beat of the material. Using parts of our exquisite ‘BitterSweet’ technology, our new adaptive-dynamics technology, and our well-recognized level independent dynamics processing, Syrah is well suited as a creative versatile processor for recording and mixing, as well as for delicate and demanding mastering tasks.
BitterSweet Pro is built around a new improved design of the algorithm found in our acclaimed freeware transient processor, BitterSweet, used by hundreds of thousands of users all over the world, and the approach we had when designing BitterSweet Pro was to make it just as easy and straightforward to use. One of the main features of BitterSweet Pro is the Frequency Dependent Transient Processing, providing the ability to process only a certain part of the frequency spectrum making it act just like a dynamic equalizer driven by Transients and/or Sustain.
Verb Session based on the same supreme technology used in the acclaimed Ircam Verb, is tailored for simplicity with a fast paced workflow well-suited for situations where the perfect result has to be achieved within seconds.
Pure Analyzer is a stand-alone application providing a comprehensive range of analyzer options for any imaginable audio analysis and measurement applications. A SampleGrabber plug-in available in all standard plug-in formats, inserted into the insert chain on any DAW or Digital Mixing Console supporting standard plug-ins, is used to grab the audio samples and send the signal through the network to the Pure Analyzer stand-alone app for instant real-time analysis. The Studio Session version of Pure Analyzer has no hardware I/O support and can not be expanded with the Pure Analyzer add-on options.
*The Studio Session Pack AAX Native/AudioSuite plug-ins supports 32 bit in Pro Tools 10.3.5 and 64 bit in Pro Tools 11.
All Features
Up to 8 channels Input/Output
Input/Output gain controls for adjusting the levels before and after processing
Dry Mix control (Dry/Wet with optional gain compensation) allowing for parallel processing or for blending some of the original “peak” into the processed signal.
Mode setting to define how the adaptive dynamics algorithm attempts to adapt the processing.
Boost setting for increasing the entire processing intensity, straightforwardly described – More of everything
Thickness fattens up the processed material by enhancing the low level frequencies
Inverse setting which inverts the final gain envelope offering particularly effect-full processing in a true “Dr. Jekyll and Mr. Hyde” kind of way
M/S Width for controlling the stereo width of the processed signal
Discrete peak limiter at the very last stage of the processing chain rounding off the peaks in a smooth and musically fashion
True bypass control routing the incoming signal direct to the output for a smooth transition between clean and processed signal
Preset and Parameter Handling
Preset/Parameter slots
To enhance the workflow the two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time. Apart from saving each preset, a “Global Preset” containing both the A and B settings, and the position of the “Morphing Slider”, can be saved.
Parameter Morphing Slider with Automation
The Morphing Slider provides morphing between the parameter settings of slot A/B allowing for really creative and useful real-time tweaking. Enabling the Automation control button exposes the Morphing Slider to the host automation.
Open Sound Control Support
Adaptive Processing Control
The adaptive processing algorithm in Syrah can be defined by a Mode setting parameter, which his is one of the most significant controls on Syrah defining how the algorithm automatically tries to adapt the processing to the audio material.
Modes:
Dynamic Soft
Dynamic Deep
Static
By selecting one of the two provided dynamic modes, a range of parameters becomes dynamic and will vary in sync according to the audio analysis, aiming at a result that is closer to the original material.
M/S Stereo Operation
Syrah provides an option for individual processing of the M/S components, a well-known technique often used in mastering to process the stereo image or the center impact, and since Syrah adapts the processing to the audio material, the result will generally match the stereo material more accurately, resulting in a larger variety of possible sound modifications, such as; dynamically increasing the space (room) impression, boost the main center components and similar tasks.
LCD Waveform Display
The LCD display shows the actual waveform and offers a variety of settings to customize the display content.
LCD On/Off
Scroll Waveform Speed
Scroll Waveform Freeze
Display Input Waveform
Display Output Waveform
Display Gain Envelope
Dual Preset Slots and Parameter Morphing
The built in preset manager and the preset morphing slider, provides instant and intuitive control of all parameters and controls. In a second, with a simple one-click operation, everything is copied from one of the two preset slots to the other, even during playback.
Details:
The two Preset/Parameter slots, A and B, can be loaded with two full set of parameters at the same time, and except for only A/B comparing two sets of parameters, the morphing slider will allow to mix them, and to record the morph with the host automation.
See all specs here!
€139.00*
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