Eventide Audio has pioneered audio hardware and software, developing legendary sound processing tools while constantly innovating and pushing the boundaries of technology. With the introduction of the new Anthology XII plug-in bundle, Eventide draws on that rich legacy of award-winning and groundbreaking effects to combine 33 essential music production mainstays in one package for DAW users, inspiring creativity and providing problem-solving solutions to ubiquitous sound production problems.The 33 included plug-ins make common tasks more streamlined while stimulating your inspiration. The bundle features groundbreaking Structural Effects like SplitEQ and Physion, the otherworldly sounds of Blackhole and Undulator, authentic emulations of Eventide studio mainstays such as the iconic H910, H949 and H3000 Harmonizers, Instant Phaser, Instant Flanger, Omnipressor® and the legendary reverbs of the SP2016. Also included are other one-of-a-kind tools like Tony Visconti's Tverb and Octavox. Anthology XII adds 10 plugins to the previous Anthology bundle with 3 new reverbs, 3 new mod effects, 2 pitch effects, a cool distortion effect, and a next-generation EQ:
SplitEQ — Groundbreaking EQ with transient/tonal splitting technology
SP2016 Reverb —The legendary Room, Stereo Room, and Hi-Density Plate from the rackmount SP2016
Spring — The dreamy flutters of the classic spring reverb
ShimmerVerb — Massive ethereal reverb with parallel pitch shifters
TriceraChorus — Syrupy smooth Tri-Stereo chorus with MicroPitch & Psychedelic Swirl
CrushStation® —Distortion/Overdrive Command Central
Rotary Mod — Whirly Leslie Cab Modulation
Undulator —Magical H3000 Modulated Tremolo
MicroPitch —Iconic H3000 Dual Voice Pitch Shift + Delay
Crystals —Signature reverse pitch shift/delay effect
Features
33 Plug-in flagship collection delivers 50 years of Eventide effects to your DAW
4,500+ presets across all plugins, including artist presets
Modernize your workflow using SplitEQ, a groundbreaking EQ with Transient/ Tonal splitting technology
Authentic emulations of classic Eventide Harmonizers®, modulation effects, and more
Lush spaces from the iconic Blackhole® and SP2016 Reverb among other dreamy and musical reverbs
Thicken and layer sounds with signature pitch effects like Crystals, MicroPitch, and Octavox
Create depth with unique delay multi-effects like UltraTap, Undulator, and H3000 Band Delays
Sweeten tracks with the smooth sounds of TriceraChorus, Instant Phaser MkII, and Instant Flanger MkII
Inject heft and grit with distortion multi-effects CrushStation® and MangledVerb
Design sweepable transition effects with the H9 series plug-ins RIBBON slider
Plenty of ways to morph, mangle, pitch-shift, reshape, and define your sound
A comprehensive and creative toolkit for producers, mixers, and artists alike
The Anthology XII bundle spans five decades of Eventide innovation, from their latest, the revolutionary Structural Effects plug-ins, SplitEQ and Physion, which can modernize workflows through the application of transient/tonal splitting technology to authentic emulations of Eventide processing mainstays such as the iconic H910, H949 and H3000 Harmonizer®, Instant Phaser, Instant Flanger, Omnipressor®¬¬ and the legendary reverbs of the SP2016. Also included are other one-of-a-kind tools like Tony Visconti's Tverb, the powerful CrushStation® overdrive/distortion command center, and the unique Octavox eight-voice diatonic pitch shift Harmonizer and the radical sound manipulation of Blackhole® and Undulator.The meticulously curated flagship Anthology XII invites the exploration of sonic spaces “from rooms to eternity” with the inclusion of seven distinct and versatile reverbs. Sounds can be thickened and layered with signature pitch effects like Crystals and MicroPitch, whil¬e singular delay multi-effects like UltraTap and Undulator provide creative depth control. Smooth track sweetening is offered through TriceraChorus and Quadravox, while the distortion multi-effects CrushStation and MangledVerb promise sonic “heft and grit.”
Blackhole is a massive reverberator that has evolved over the years by pulling in mass quantities of time and energy (of the development persuasion, of course). In its earliest incarnation – first in the DSP4000 and later in the H8000 flagship processors - it was regarded, by some, as a secret weapon. Recently it was tuned, expanded and enhanced and then unleashed in the Eventide Space stompbox. Now, it's available as a Native plug-in.
Blackhole may not be your first choice to simulate an enclosure on the surface of the earth but, if you’re at all interested in ‘sculpting sound', Blackhole just might pull you in. From our vantage point, its possibilities appear to be endless but, of course, we can’t see beyond its event horizon.
Designed from the ground up for immersive, Dolby Atmos, and surround workflows, Blackhole Immersive expands the signature sound of Eventide’s stereo version across your entire immersive mix. Used as a send or insert, Blackhole Immersive remains respectful yet reactive to your carefully chosen track positioning. From delicate ambience to massive decays, you create and shape the listener's immersed experience – what, when, and where they feel it. Warning: taking the controls of this cosmic beast of a reverb is just plain fun. The vast range of the original fit perfectly in your mix, but now it's everywhere!
Workflow Evolved
The clean and intuitive interface seamlessly fits into your projects - whether it be mixing music, post-production for film, or sound design for games. This enhanced workflow gives you full control over the reverb across channels, for an evolving immersive experience - from subtle to radical.
Workflow Examples
Tilt the Gravity, Size, and Feedback parameters to quickly and easily tailor the immersive experience
EQ the Front, Top, and Rear speakers separately to sculpt the reverb around the listener
Use Crossfeed to blend the reverb between speakers - make a mono source truly immersive in one simple gesture
Morph between two distinct settings smoothly and seamlessly - great for sound design
The Universe is Expanding
An immersive ecosystem awaits you, your creations, and your clients, and Blackhole Immersive gets you in. The list of platforms supporting immersive is substantial, and growing:
Music: Amazon Music Unlimited, Apple Music, and Tidal.
Film and Television: Amazon Prime, AppleTV+, Disney+, Kaleidescape, Max, Netflix, and Vudu.
Games: Xbox X|S. PS5
Feature List
Powerful and flexible reverberation algorithm - create spaces from subtle ambience all the way up to supernatural decays and drones
Supports LCR, Quadraphonic, 5.0 - 5.1.4, and 7.0 - 7.1.4 channel layouts
Easy-to-use UI optimized for immersive workflows - same core controls for all channel layouts, with no menu diving required
Transparent signal processing - effect always sounds the same across all immersive formats, and always maintains incoming spatial image integrity
Quickly set individual speaker levels using the integrated Levels section
Kill Dry, Kill Wet, and Freeze controls are great for creating drastic effects
Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant
Resizable GUI with Undo/Redo and A/B comparison
Comprehensive Presets Library includes over 150 presets
Eventide Clockworks BundleRewind TimeIn 1971, in a New York City basement, Eventide Clockworks revolutionized the audio industry by creating the world’s first studio effects processor--the Instant Phaser and pro audio's first digital device, the Digital Delay Line. Over the course of the following decade, Eventide would release the world's first Harmonizer®, the H910, along with the other industry firsts: Omnipressor®, Instant Flanger, H949, and SP2016. Now, producers and engineers can evoke the classic effects heard on countless records from the last 50 years with the Clockworks Bundle. Painstakingly modeling every aspect of these hardware units was neither quick nor easy but now the must-have sonic beauty of these classic boxes is available for use with your favorite D.A.W. live or in the studio.8 Iconic Plug-insThe Instant Phaser was the world's first studio phaser and the first rack mount effects unit, period. Originally intended to make the painstaking task of tape flanging quick and easy, engineers and producers would use it for smooth, transparent modulation and pleasing stereo decorrelation. It used analog all pass filters to mimic the effect achieved by time delay resulting in a modulation effect all its own. Experience all of its analog charm with the Instant Phaser Mk II plugin and add “Age” to taste.The Omnipressor, released in 1974, set the stage as the first dynamics effects processor, introducing the concepts of infinite compression, dynamic reversal, and side-chaining. The flexible nature makes the Omnipressor plugin a must-have, with options to control all aspects of dynamic modification.The H910 Harmonizer was the world's first digital effects unit. With its unique combinations of pitch shifting, feedback, modulation and delay, it was a huge hit across studios worldwide. Thickening snares, guitars and vocals are H910’s bread and butter, but robot sounds and gritty octaves are just as easily dialed in. Bundle includes H910 Dual.The Instant Flanger utilized newfangled bucket brigade ICs for swept delay resulting in a 'true', time-based, emulation of tape flanging. Whereas the Instant Phaser offered several methods of controlling modulation, the Instant Flanger allowed engineers to combine these controls. The result, more control layers and less predictable sweeps. Explore vintage modulation sweetness with the Instant Flanger Mk II.In 1977, Eventide released the H949, standing on the shoulders of the H910 as the second in Eventide's family of Harmonizers. It introduced a formal micro pitch-shifting mode, which is a great sound for lead guitar virtuosos. It also had the first Reverse delays and introduced a Random pitch mode, which works great as an automatic double-track for guitars and vocals. And, the H949 conquered the 'glitch' by using advanced autocorrelation techniques. Bundle includes H949 Dual.In 1981, the SP2016 was released and was the world's first programmable effects processor featuring ROM chips that “plugged in” under the hood making it possible to add new effects in the field. While it was not a Clockworks effects unit, the SP2016 earned its spot on this roster as it marks the opening chapter of modern Eventide effects processors, with the H9000 its current incarnation. The SP2016 Reverb plug-in includes modern and vintage versions of its signature Stereo Room, Room, and Hi-Density Plate.
35 PRESETS painstakingly tailored to cover all the bas(s)es
DRIVE from shallow subtle boost to deep overdrive distortion
GRIT and SUSTAIN pushes into fuzz territory
SAG was inspired by our experience of the sound of dying analog gear; the power rail sags and the amp starts sputtering, cutting out and sounding 'broken'
MIX in higher and lower OCTAVES then turn up the DRIVE and SUSTAIN to crush them together to form massive new textures
GRIT for low-end, gritty, chugging sounds
3-Band EQ to shape your tone
GATE your signal to tame an aggressive distortion output, or get aggressive with high threshold gating and dry MIX for parallel gated crunch
RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice
HOTSWITCH allows you to instantly switch between two different distinct settings within the same preset at the push of a button
MIXLOCK keeps MIX control constant as you audition presets
Available for Mac and PC as VST, AAX, and AU plug-in
iOS version works as a standalone app, AudioUnit v3 plug-in, or Inter-App Audio effect
The innovative RIBBON control allows you to modulate many parameters at once. Manipulate the pitches to play it like an instrument or slowly increase feedback to make your signal explode into infinity. Need some extra gusto? Hold down the FLEX button to shift one octave up from the current pitch.
Two pitch-shifters, each with a four-octave range from two octaves down to two octaves up
Two independently adjustable delays, up to 4 seconds each, with their own individual feedback
Reverb with 100 seconds of decay
Make it musical by micro-pitching each voice around the 4th (500 cents), 5th (700 cents), or octave (1200 cents)
Smooth out delay grains by applying up to 4 seconds of delay for each voice
RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice
FLEX shifts both voices up one octave at the push of a button
MIXLOCK keeps MIX control constant as you audition presets
Available for Mac and PC as VST, AAX, and AU plug-in
Available as an Audio Units AUv3 plug-in, Inter-App Audio, and Standalone App
DeBoom: More Thud, Less MudBased on Eventide's patented Structural Split™ technology, DeBoom is a one knob wonder. The secret to this new, powerful approach to corrective low-frequency EQ is its unique signalseparation process.DeBoom represents a new path forward in resolving common low-frequency problems. Eventide's Structural Split technology makes it possible to surgically sculpt low-frequencycontent in ways never before possible.Tame low-frequency muddiness without losing the thump, remove resonance but keep the punch, and enhance your low-end utilizing this new dimension of sonic sculpting. The NEW Approach to Resolving Common Low Frequency Problems DeBoom is a purpose-driven tool for surgically addressing common low frequency equalization problems. Kick drums, bass, and similar sound sources can contribute to low frequency "muddiness."Traditional EQs 'solve' the problem but cause collateral damage - the drum's thump goes out with the boom. The bass attack gets tossed with its resonance. DeBoom solves this problem by using Eventide's patented Structural Split technology to EQ the tonal portion of the sound separately from the transient. Power users have been doing exactly this using the full-featured SplitEQ plug-in. Eventide put the power of SplitEQ in DeBoom and reduced it to a single, powerful, one knob gesture.DeBoom – Applications
Repair: DeBoom quickly and easily removes low-frequency muddiness without sacrificing impact. It's a powerful, yet simple, tool for repairing audio that otherwise require extensive, clumsy traditional tools.
Reshape: DeBoom surgically "shapes" low frequencies without causing collateral damage.
Enhance: DeBoom can be used to tighten up the low frequencies to better refine their balance.
DeBoom – FeaturesStructural SplitThe beating heart of DeBoom is the same groundbreaking technology found in SplitEQ and Physion. Whatever instrument you process, DeBoom analyzes the incoming audio and separates these components into their respective Transient (noise, pops, mic plosives, vocal sibilance, attacks) and Tonal (sustained notes, harmonics, tone, ambiance) elements. DeBoom uses this information to apply specially crafted EQ curves to the tonal layer of the incoming audio, removing boom and reshaping sounds instantly.Just One KnobA straightforward user interface focused specifically on what matters: De-booming without dethuding.Turn the dial, lose the mud and keep the thud. DeBoom's user interface also includesundo/redo, input gain and built-in bypass.
EChannel is a versatile and lightweight channel strip plug-in that includes a routable Gate, Parametric EQ, and Compressor. Its modular design allows for flexible signal processing routing, while its graphical displays enable precise frequency adjustments. With a powerful suite of controls, this plugin offers an extensive range of options to generate the exact tone and frequency characteristics you desire.
Intuitive and easy-to-learn
Over 100 presets tailored for various instruments and use cases
FlexiPath™ Routing allows processors to be ordered based on the desired workflow.
Gate module removes signals below the designated threshold; great for multi-miked drum kits or fret noise.
Compressor alters the dynamics of your input signal, with optional soft saturation and de-esser.
Use the side chain to trigger gain reduction for competing instruments.
5-Band Parametric EQ allows for precise frequency manipulation throughout the entire audio spectrum.
Output Transformer emulation adds a subtle yet distinct effect on signals with lots of low-frequency content or can be driven into saturation for analog warmth.
The EQ45 is a lightweight, four-band parametric equalizer plug-in that allows you to gracefully shape the contours of an audio signal by boosting or attenuating its frequency components. Based on the circuit model of the analog Urei 545 parametric EQ, the plug-in features high and low-cut filters along with an elegant and easy-to-use interface. The classic Urei 545 was the ‘go to’ EQ for a generation of engineers favored for its tone and color. The high resolution and flexibility of its filters and the wide number of parameters offered by the user interface enable you to perform subtle or drastic changes to audio material without unpleasant artifacts.
Emulation of the analog Urei 545 EQ
4-band parametric EQ with Gain and Width controls
24 dB/ octave High Cut and Low Cut Butterworth filter sections
EQ In/Out toggle. Disable to use only the High Cut and Low Cut filters
Overload protection mechanism that responds when a signal’s transient extends above -0.1 dB
Instrument-specific presets to help you carve your tone and mix your tracks
The EQ65 is a recreation of a classic audio surgical tool, the Urei 565 filter set, used by generations of engineers to de-emphasize or completely eliminate selected frequencies in an audio recording. Its two-band notch/band pass filter set allows you to quickly find a selected frequency to boost or cut. Target frequencies also may be attenuated in gradations by using the notch filters in conjunction with the depth controls.
Emulation of the analog Urei 565 filter set
Powerful 36 dB/octave High Pass and Low Pass filters
Two switchable Notch/ Band Pass filters
Use Band Pass to identify unwanted frequencies, then switch to Notch to cut them with very narrow Q settings
In/Out switch and indicator
Several instrument and special effect presets
Imagine if you could take any sound, separate it by frequency bands, change the filter type, and then individually process those bands with delays. The H3000 Band Delays plug-in is dereived from the H3000 Harmonizer® studio processor. This unique plug-in is capable of everything from standard delays and filtering, to stereo-widening and killer rhythmic effects. Just feed it any instrument or vocal and instantly manipulate up to 8 voices by frequency, resonance, filter type, delay time, volume and panning. Then easily build complex movement using the H3000 Function Generator. With the H3000 Band Delays you can play an effect like an instrument. Every parameter can be automated or manipulated in real time via MIDI. Play filter with a keyboard controller to get not only rhythmic, but also musical results.Features
8 voices, each of which can be altered by frequency, resonance, filter type, delay time, volume and panning.
Filters assignable as band pass, low pass, high pass, all pass, or notch filter
Assign the H3000 Function Generator to several parameters to create movement and bring life to drums and stringed instruments.
Beat grid gives visual representation for creating unique rhythms from your sound.
Route a MIDI keyboard to the plugin to play the filters as musical notes.
Includes presets from original H3000 hardware in addition to many new inspiring choices.
MixLock keeps the wet/dry mix of the effect static as you scroll through presets or user-defined snapshots
The H3000 Factory combines the pitch, delay, modulation, and filtering that made the original H3000 Ultra-Harmonizer a studio legend.Features
Over 450 presets including over 100 new artist presets and over 100 original presets from the H3000.
Available effects blocks include delays, amplitude modulators, envelope followers, pitch shifters, filters, and low frequency oscillators.
The Function Generator features nineteen waveshapes, a white noise generator, MIDI control, and a sidechain input.
All delays and LFOs can be locked to system tempo. Each delay can be looped and offers a low pass filter.
The filters are selectable band pass, high pass, and low pass with variable Q, and can be swept and modulated without audible artifacts.
Introducing the H9 Plug-in Series Bundle, an iconic collection of powerful effects from the H9 Harmonizer®. Built for the modern producer, the H9 Plug-in Series Bundle has everything you need to reverberate, modulate, delay, crush, pitch shift and saturate your audio. Valued at over $1100 if purchased separately, this collection has some of the most sought-after Eventide effects. It's a must-have toolkit for all producers, engineers, sound designers and musicians who want to add expressive effects to their sound.All H9 Plug-in Series feature the groundbreaking RIBBON control, which lets you morph the effect between two different settings. This makes automation for sweeps, transitions, and effect throws much more gratifying and simplified. Use a MIDI keyboard and gain control of the Ribbon via the mod wheel for a tactile advantage. Additionally, many of the H9 Series plugins offer unique performance buttons, so be on the lookout for "Freeze", "Flex", "Swirl", and the "Hot Switch."
The H910 Harmonizer was the world’s first digital effects processor. With its unique combinations of pitch shifting, modulation and delay, the H910 can be heard on countless ground-breaking works by artists from AC/DC to David Bowie to Frank Zappa. Simply put, nothing sounds quite like it. A powerful creative tool, the H910 plug-in is a faithful recreation of the original hardware. Use the H910's pitch changing ability to create specific musical intervals and perfect harmonies, spread guitars, fatten snares, apply subtle organic de-tuning to synths or add slap-back delays to vocals. At extreme settings, you can create unheard-of mechanical sounds, drone effects or robot language using self-oscillation, delay, and anti-feedback. Two is Better than One. When you purchase the H910 Harmonizer plug-in, you also receive Eventide’s exclusive H910 Dual Harmonizer. This version recreates the popular technique of running two H910 units in parallel to create lush doubling and other interesting effects.Features
NEW Keyboard and MIDI mapping - The original H910 featured a keyboard remote control which was used live by several artists including Elton John. With the H910 plug-in you can easily use MIDI to control pitch and harmonization in real-time.
NEW Envelope Follower -Engineers and producers discovered that sending a control voltage to the hardware H910 could be used to slightly (or massively) vary the pitch, creating entirely new sounds. The built-in envelope follower makes exploring these possibilities easy.
NEW OUT2 Delay Group - adds inspiring attributes to your sound.
True analog modeling of highly nonlinear electronics for faithful reproduction of the original H910's juicyness and grit.
Perform perfect pitch changes controlled manually, via MIDI or with Anti-Feedback.
Anti-Feedback modulates the pitch around unity for a subtle or wild effect.
Optional "glitching" of original H910 hardware to create unpredictable sounds as it alters pitch.
Modify pitch by musical intervals (diatonic) to harmonize vocals or solo instruments.
Delay rhythms and melodies to create everything from slap-back echoes to feedback chaos.
Create colorful, unique sound effects and drones through self-oscillation.
Individually control delay outputs and dry/wet mix.
Mix Lock allows for scrolling through presets or settings while keeping the dry/wet mix constant.
BONUS: H910 Dual
H910 Dual recreates two H910 units running in parallel to create doubling effects and other unique sounds.
H910 Dual easily fattens and thickens instruments when assigning opposite pitch ratios.
H910 Dual Stereo (cross-unit) Feedback can cause the incoming signal to shift up and then down continuously.
Building on the legacy of the H910 Harmonizer, the H949 was Eventide’s first de-glitched pitch shifter. Produced from 1979–1984, it introduced MicroPitch which used a proprietary single sideband modulation technique for precise control of small pitch shifts. The H949 also offered unique flange, reverse, and randomized pitch effects.Popularized by Jimmy Page (as the only piece of digital gear to grace his rig) and cherished by Suzanne Ciani, the H949’s full feature set is recreated in this plug-in. From basic engineering and sound sculpting tasks to demonic space robot creations, the H949 is built to inspire.Features
Multi-effects Harmonizer with de-glitching
Randomized and reversed delays
MicroPitch for small pitch intervals
Reverse pitch shift
Combination digital delay, pitch changer, and all-around special effects unit
Includes H949 Dual for stereo widening, doubling, and reverse link pitch alteration
Multiple Uses
Create perfect harmonies, custom musical intervals, or outlandish effects. Fatten snares, de-tune synths, spread guitars, and create lush vocals that glue your mix. Spice up your guitar solos with delayed reverse sweeps, morph a solo vocalist into a group of backup singers or send synths down flanged-out dub-holes to another sonic dimension.
De-glitched Pitch Change
The H949 algorithm uses a proprietary auto-correlation algorithm to make intelligent splicing decisions. The user can “dumb down” the algorithm by choosing a simple cross-fade algorithm which results in characteristic glitching.
Twist the Knobs
“Old-school” UI — just twist some knobs to dial in the sound you’re going for.
Double Down
This native plug-in version also includes the H949 Dual, which recreates the popular technique of running two units in parallel. Lush doubling, stereo widening, and simultaneous shifting of pitch up and down.
Depth controls the intensity of the effect. 100% adds the delayed signal to the dry signal. -100 % subtracts the dry signal from the delayed signal
Three distinct flavors of flanging. Set the Mode switch for Shallow, Deep or Wide
Manual control allows you to control the ‘comb’ effect by turning the Big Knob
Oscillator drives the flanging at a user defined rate
Envelope Follower drives the flanging based on the signal’s amplitude
Remote maps the flanging control to a mod wheel for tactile manipulation
Bounce mimics the distinctive effect of the tape machine’s capstan motor “hunting” for its proper speed when the engineer's thumb was lifted from the tape reel flange
“Side Chain” allows for triggering the Envelope Follower from any source in the mix for inter-track mingling
Exercise total control of the Oscillator with Sync and Retrig
Tame the intensity by removing low frequencies from the flanged signal with the Low Cut control
Released in 1971, the Eventide Instant Phaser began the studio effects revolution by successfully simulating tape flanging, an effect that’s been at the core of legendary albums for the last five decades. Modeled on the original hardware unit, the Instant Phaser Mk II plug-in accomplishes the same legendary sound with all the analog personality, smooth modulations, and inherent musicality. The capabilities have been expanded, and now you can even take your phaser on an excursion from the 70s far into the future with the delightfully characteristic “Age” knob. Outfitted with a complete host of control options, the Instant Phaser Mk II is out of the rack and into your plugin arsenal.Features
Add Age for component drift with time
Offers three different flavors of phasing with the Mode switch: Shallow, Deep, and Wide
Utilize one of four distinct methods to control the phasing
Depth allows you to combine the phased signal with the dry signal
Added Side Chain function allows you to trigger the Envelope Follower from a separate source in the mix for inter-track mingling
Exercise total control of the Oscillator with Sync and Retrig controls
Use Feedback control for a more pronounced sound
Includes standard gain input and output
MangledVerb is a unique effect combining reverb and distortion. Ported directly from the award-winning H9 Harmonizer, MangledVerb is capable of creating lush reverbs, ripping distortion leads and sound-sculpting musical chaos. Guitarists have used it for years to create signature sounds and now you can have it in your favorite D.A.W. MangledVerb starts with a variable pre-delay which feeds a stereo reverb into a complex distortion effect. Sonically it can range from the light friction of a bow scraping a cello string to the mayhem of a caged beast being poked with a red hot flounder.Features
Over 180 presets designed to inspire; including the original H9 presets and artist presets by Vernon Reid, Chris Carter, Richard Divine and many more.
Create out-of-this-world soundscapes by increasing the Size and Overdrive.
Use it as Mono-In/ Mono-Out, Mono-In/Stereo-Out, or Stereo-In/Stereo-Out for ultimate flexibility.
Smoothly move from Softclip distortion to Overdrive for ripping transitions.
Use the Wobble control to create spooky detuning effects.
Use The Ribbon control to easily manipulate multiple parameters in a live situation.
Program the HotSwitch to instantly change multiple parameters at once.
Use small size and short decay settings for surprising sounds.
Optimized for live use with MIDI control of The Ribbon and Tap Tempo for quick meta-control on the fly.
Use MixLock to scroll through presets while keeping the wet-dry mix constant.
The plug-in has been enhanced for experimentation and live performance and fine-tuned for your desktop, laptop or iPad. It also promises much more tweak-ability than simple pitch shifting plugins. Tone, Modulation, and Feedback controls provide territory for ear-catching production techniques. Unleash the full range of MicroPitch’s parameters and you can discover rich repeating delays, thick modulations, and tempo-synced special effects.
Two voices of pitch shifting, one from unison to -50 cents, the other from unison to +50 cents, each with up to 2 seconds of delay
Classic stereo-spreading effect
Slapback effects using longer delay times
TONE for fine-tuning the voices to fit perfectly in your mix
PITCH MIX for layering the two voices by setting the balance between each shifted delay
MOD DEPTH and RATE for a chorusing effect on each voice
FEEDBACK for pitch dive/rise effects
Intuitive UI for ease of use
Tempo for synchronized and unique delay effects
Presets based on iconic uses of the MicroPitch effect
RIBBON lets you ‘play’ the effect in real-time and provides dynamic and fluid control to morph back and forth between the settings of your choice
MIXLOCK keeps MIX control constant as you audition presets
Available for Mac and PC as VST, AAX, and AU plug-in
iOS version works as a standalone app, AudioUnit v3 plug-in, or Inter-App Audio effect
Immersed in Space
Eventide’s designed MicroPitch Immersive from the ground up for immersive, Dolby Atmos, and surround workflows. With up to 12 channels of spatialized, detuned delays, plus modulation, EQ, and crossfeed controls, MicroPitch Immersive excels in creating an immersive space with boundaries that reflect, move, diffuse, and dissolve. Whether it be adding a touch of space or creating delayed, pitch diving chaos, MicroPitch Immersive will help you architect both real and unreal immersive realities.
Immersed in History
Eventide's MicroPitch effect has long been crucial to packing a huge, detailed stereo production into just two speakers. The panned pitch and delay effect is essential for creating beautiful and wide stereo productions, often better than the real thing.
Starting out in the Eventide H910 in the mid-1970s, the MicroPitch effect has continuously evolved and advanced throughout the years, with notable appearances in the legendary H3000 and continuing to this day in the flagship H9000 and popular MicroPitch plugin. Now Eventide engineers have pushed the proven power of strategically decorrelated sound into 3 dimensions, taking your immersive mixes to a place never before possible.
MicroPitch, MetaParameters, MegaControl
The clean and intuitive interface seamlessly fits into your projects - whether it be mixing music, postproduction for film, or sound design for games. This enhanced workflow empowers you to spread, tilt, and dynamically morph MicroPitch across the width, depth, and height of your immersive mix.
Workflow Examples
Tilt the Left/Right, Front/Back, and Top/Main Detune parameters for quick and easy asymmetrical detuning and space fine tunin
EQ the Front, Top, and Rear speakers separately to sculpt the effect around the listener
Morph between two distinct settings smoothly and seamlessly - great for sound design
The Universe is Expanding
An immersive ecosystem awaits you, your creations, and your clients, and MicroPitch Immersive gets you in. The list of platforms supporting immersive is substantial, and growing:
Music: Amazon Music Unlimited, Apple Music, and Tidal.
Film and Television: Amazon Prime, AppleTV+, Disney+, Kaleidescape, Max, Netflix, and Vudu.
Games: Xbox X|S. PS5
Feature List
Powerful and flexible detuning - widen sources in 3D space, or add Feedback and turn up Crossfeed for verb-like sheen
Enhanced delay and modulation capability - create slapbacks, add movement with pitch modulation, or create exciting motion with patterned Loop Delay
Supports LCR, Quadraphonic, 5.0 - 5.1.4, and 7.0 - 7.1.4 channel layouts
Easy-to-use UI optimized for immersive workflows - same controls for all channel layouts, with no menu diving required
Transparent signal processing - effect always sounds the same across all immersive formats, and always maintains incoming spatial image integrity
Quickly set individual speaker levels using the integrated Levels section
Kill Dry, Kill Wet, and Freeze controls are great for creating drastic effects
Mix Lock allows for scrolling through presets or settings while keeping the wet/dry mix constant
Resizable GUI with Undo/Redo and A/B comparison
Comprehensive Presets Library includes over N presets
Level up your composition skills with Octavox's unique time-based diatonic harmonizer technology. Octavox is an inspiring tool that takes any incoming tones—even drums—and outputs up to eight voices based on the chosen key and timing interval. Based on technology from our flagship H8000 hardware effects processor, Octavox will take your melodies and ideas to new heights. Stack harmonies, widen instruments and create innovative rhythmic sequences. Whether you are an electronic musician, singer/songwriter or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity and productivity. Octavox controls have been designed in the most intuitive way, allowing you to quickly adjust parameters or type in values. Each of the eight voices can be independently manipulated by level, panning, delay time with feedback, and pitch, including the type of musical interval. The effect can even be sync’d to your DAW tempo for killer, melodic, rhythmic delays. Octavox has also been updated with expanded MIDI functionality. Each voice interval can be set via MIDI note, voice shift amount by MIDI Pitch Bend, and “Randomize” by MIDI Modulation Wheel.Features
Is it Live? Octavox has always allowed you set harmony intervals and reproduce voices in the key and scale you're singing in. Now new MIDI functionality allows you to change these intervals on the fly allowing you to add moving harmonies to your performance or recording.
8 Voices: 8-voice diatonic pitch shifter based on technology from Eventide’s flagship H8000 effects processor with panning, delay, detune, and feedback to create beautiful harmonies and sequences. Randomize function randomizes an amount of micro pitch shift resulting in simulation of natural character for each of the 8 voices.
70+ Presets: Whether you are an electronic musician, singer / songwriter, or guitarist, Octavox has got you covered with more than 70 presets to boost your creativity with unheard melodies and rhythms. Great on monophonic synths, guitar, and vocals.
Diatonic Pitch Shifter: New pitch-tracking "off" mode allows it to shine on polyphonic and rhythmic sounds. MixLock keeps the wet/dry mix of the effect static as you scroll through presets or user-defined snapshots. Key Lock does the same for the Key and Scale.
Select Key and Scale: Unique Notation Grid presents pitches on a traditional music staff with a quantized grid for placing notes over time allowing for a more musical programming experience. Color and brightness indicate pan and level for each voice.
Introduced in 1971, the Omnipressor rack unit was widely used on hit records throughout the last four decades. One of our first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same again.Features
Dynamics processing for creating otherwordly sounds
Gating, expansion, compression, limiting, and Dynamic Reversal
Intuitive interface makes it simple to operate with the use of a Function dial
Physion Mk II is a powerful, modern approach to multi-effects delivering a new dimension of sounds. It combines Eventides best-in-class Transient/Tonal separation with world-class Eventide effects, opening the door to practical mixing solutions and creative applications. Featuring the improved Structural Split™ detection from SplitEQ and a streamlined workflow designed with producers, mixers, and sound designers in mind, Physion Mk II allows you to discover new sonic horizons and smarter solutions in no time.
NEW Polyphonic pitch shifting algorithm based on Eventide’s new SIFT technology
NEW Reverse Delays with gating, ping-pong, and crystals modes
NEW Side Chain input for dynamics processors
NEW State-of-the-art Filters, taken directly from SplitEQ
NEW Resizable GUI with scrolling waveform display and easy-to-use layout – no menu diving required!
World-class, Hand-tuned Evlangen entide effects for the Transient & Tonal streams
Process Transient and Tonal Effects separately using Eventide’s Improved Structural Split™ technology
The original version of Physion will be discontinued on this date. Any customers who are Anthology XII users will automatically be able to download Physion Mk II for free.
Precision Time Align is a high precision sub-sample delay that can slide a track forward or backwards in time. It will help you get perfectly synchronized double-tracked recordings completely eliminating timing anomalies and phase issues from your mix, especially on multi-miked drums, vocals and instruments.Precision Time Align allows for synchronizing signals to microsecond accuracy, up to 1/64th of a sample. Recording drums, an electric guitar cabinet or vocals with more than one mic can be challenging. While the sound recorded from each microphone might sound good on its own, mixing them together can introduce phase anomalies like comb filtering (phased, hollow sound) or low frequency attenuation. Editing in your D.A.W. can help with time-alignment on a sample level, but Precision Time Align is 64x more efficient.Whether you wish to combine multiple tracks of a single instrument, compensate for phasing from different mics on a kick drum, or align audio segments for a tracking-only session, Precision Time Align is ideal for these critical engineering tasks.Features
Synchronize signals to microsecond accuracy, up to 1/64th of a sample.
Phase Invert button fixes mirror-image acoustical phasing.
Precise Coarse and Fine controls optimize time shift in recordings.
Perform negative delays, moving the track up in time relative to other tracks in the recording.
Four different methods for calibrating the signal to achieve perfect signal matching.
Precision Time Delay also included for use with D.A.W.s lacking delay compensation.
Much faster and more accurate workflow than trying to manually align in your D.A.W.
€99.00*
Diese Website verwendet Cookies, um eine bestmögliche Erfahrung bieten zu können. Mehr Informationen ...