Dangerous 2-Bus +
The new 2-BUS+ is a 2-space rack-unit, 16-channel analog-summing mixer, with both XLR and D-sub inputs. New innovative features include 3 separate custom audio processors to add tone and color to mixes. The ‘Harmonics’ processor is a tuned harmonic distortion generator executed in parallel-processing mode with a blend control, ‘Paralimit’ is a FET limiter on stun, also in parallel mode. Both of these processors can be applied across the stereo mix, or on a pair of stems. ‘X-Former’ inserts a pair of custom transformers on the stereo mix and has a control for core saturation. All three tone controls can be active at once, and the order of signal flow through distortion and limiting can be flipped.
The new Dangerous 2-Bus+ (…pronounced “Two Bus Plus”) is expected to be available through dealers worldwide in Q3 2015
Features:
16 channels of active analog summing circuits designed by Chris Muth
Crystal clear and wide stereo imaging and perfect center through a stunning -109dB crosstalk rejection
Enormous headroom to meet today’s converters output level (+27 dBu max input level)
Two unique colour circuits of Muth Magic: Transformer and Coherence, applicable to the sum, channels 15/16 or hard bypass
Coherence features a blend control
2 of 8 stereo pairs switchable to dual mono (1/2 & 9/10)
Expansion input for full expandability with additional summing units such as 2-BUS(+), 2-BUS LT, D-BOX(+) or simply another 2-Bus-XT
2 x DB-25 connectors for the inputs and 2 XLR stereo outputs for Main and Monitor
Output trim potentiometer
Signal present LEDs
Only components of the high quality in the signal path
Occupies only 1 RU of space
Internal Power Supply
Hand built in the USA
Remember the 2-Bus LT? The device that preserved all the blessings of DAW-based work such as total recall while removing the unpleasant side effects of digital summing in a 1RU unit that is as simple as it is uncompromising yet inexpensive?
The Dangerous Music 2-Bus-XT is the worthy heir of the 2-Bus LT which earned its merits in countless studios around the world.
Still 8 pairs of stereo channels in 1RU but it comes with the looks and sonics of his big brother, the 2-Bus+.
The extremely low cross talk and perfect stereo image provide a wide sound stage as well as a perfectly welded dead center lead vocals and knock down kicks. This results in better mixes in less time and with fewer plug-ins.
On top of all that chief designer Chris Muth has added two switchable colour circuits: a transformer and a blend knob labelled Coherence for adding harmonics. The latter can be best described as phase coherent dimensional asymmetry. Both are applicable to either the sum, channels 15/16 or can be true hard wire bypassed.
Both colour circuits differ from those in Dangerous Music’s 2-Bus+ and AD+ to give you even more choices when combining the 2-Bus-XT with one or both of those.
Two mono selectors for channel 1-2 and 9-10 and a trim poti complete the 2-Bus-XT, two XLR stereo outputs for Main and Monitor plus an Expansion Input to add other summing devices as well as the two D-Sub25 Inputs for a total of 16 Channels on the back of the unit.
Built in response to demand from a professional studio community searching for unique sonic signatures, the Dangerous design team took inspiration from the classic Baxandall shelving curves of the 60’s and 70’s and created a unique equalizer with a 21st century mastering aesthetic. The result is pure emotive expression with audiophile accuracy.“Unlike anything you have heard, but exactly like what you’ve been looking for.” -Phil Demetro, Lacquer Channel Mastering•Stepped controls throughout for repeatability and identicalstereo operation •Broad Q Shelving•7-position High Pass and Low Pass Filters--2-pole Butterworthconfiguration (12 dB/oct) •8-position High and LowFrequency Select •+/- 5dB Cut and Boost controlsin 1/2 dB steps
Simple:
Hit your choice of buttons and twist the threshold for radio-ready results
Smart Dyn Dual Slope Detection: Automatically limits peaks while stealthily compressing the average.
Auto Attack/Release: Replace "guess" with "yes" for rapid-fire results.
Transparent:
Performs like an automated fader: No more drawing vocal rides.
True Stereo Dual Detector: Traditional linking shares one detector, often resulting in a narrower stereo image.
Immaculate VCA: Virtually no distortion, even with 20dB of gain reduction.
Powerful:
Internal sidechain circuitry houses the audiophile soul of the compressor:
Bass Cut: Tightens the track without sacrificing the low end.
Sibilance Boost: Shave sibilance and shrill histrionics with zero post-compression hangover.
THE MOST ADVANCED STEREO A-D ON THE MARKET
If you thought analog-to-digital converter innovation had taken a snooze, Dangerous Music is about to wake you up with five game-changing innovations. Packed into a single rack space with our next-generation conversion for the ultimate in musicality and transparency, the CONVERT-AD+ is the most advanced stereo analog-to-digital converter on the market.
5 INNOVATIVE FEATURES YOU DIDN’T KNOW YOU NEEDED
The CONVERT-AD+ has no fewer than five—five!—features previously never seen on an analog-to-digital converter before. Smart, useful, well-executed innovations put Dangerous Music on the map, and we continue that tradition into the 21st century with the CONVERT-AD+.
INNOVATION #1—SWITCHABLE DUAL INPUTS
Simple, elegant, intelligent. With the push of a button, you can switch between any two balanced line input sources. With zero fuss, you can instantly compare different mastering chains, test your mix against a reference, or to switch between recording and mixing mode—or use the inputs in any configuration you dream up. From the largest mix rooms, to elite mastering suites, to your home studio, the switchable inputs on the CONVERT-AD+ is about to make everyone’s life a lot easier.
INNOVATION #2—PROPRIETARY CLIP GUARD TECHNOLOGY
Imagine driving straight past a cop at 110mph and showing only 55mph on the radar gun. That’s what mixing, mastering, and tracking with Clip Guard is like. The CONVERT-AD+ employs a proprietary technology that simply removes all clipping from your digital prints, but it never changes the sound—even when you’re clipping the converter on purpose for tonal artifacts. Today’s digital playback platforms (iTunes, Spotify, etc.) have filters (like highway cops) that scan for clipped masters and reject and/or attenuate them. Now you can clip your A-D converter to your heart’s content and never face the consequences.
INNOVATION #3—ZOOMABLE METERS
In most circumstances, the dynamics of a mix or master reside in the zone between the average and the peak levels. With our meter zooming technology, you can zoom in on just the top 10dB of dynamic activity, allowing you a fine-grained look at what that matters most when mixing and mastering. An incredibly helpful tool for nuanced crafting of dynamics, you’ll soon wonder how you ever lived without zoomable meters.
INNOVATION #4—SWITCHABLE TRANSFORMERS
It’s no secret that a pair of transformers at the end of a mixing or mastering chain can give your final prints added heft, character and articulation. With the CONVERT-AD+, just push a button and you’ve got a pair of Hammond transformers wired in series, ready to do that magic that transformers do. Hammond is a Canadian company with over 100 years of transformer design, and our circuit brings out all the bold colors.
INNOVATION #5—EMPHASIS CONTROL
Our analog designer Chris Muth did it again, taking his deep and esoteric knowledge of what engineers love and turning it into a simple and effective tool. When the transformers are switched in, the Emphasis kicks in a proprietary EQ/compression combo that brings a whole pallet of different colors to your mixing, mastering, and tracking work. Simply dial in the right amount, or none at all, until the smiles in the room get wider. In most cases, you’ll notice a stronger low end footprint and a gentle saturation on the mids and highs. The more you play with it, the more you’ll learn how Emphasis can improve your music.
SOUND YOU CAN TRUST AND LOVE
Previously an oxymoron, musical transparency makes perfect sense now that Dangerous Music has pushed its products to the bleeding edge of today’s technology. We deliver an open, full-bodied sound free of unwanted artifacts (transparency) with a bold and big three-dimensional sound (musicality). The result is sound that you can trust and love.
SUPERIOR DIGITAL IMPLEMENTATION
Among those who truly understand this hotly debated area of audio technology, the mantra with digital is implementation, implementation, implementation. How components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan, is what sets a converter apart – for better or worse. The Dangerous Music CONVERT-AD+ has been developed by a team of experts with deep, up-to-the-minute knowledge of the best digital and analog converter technology available today. Our implementation has even managed to get the clock working better than it’s stated specs.
JITTER ELIMINATION TECHNOLOGY—JET
JET is a patented clocking technology that Dangerous Music employs in order to reduce jitter to the point where it simply isn’t a factor impacting the sound of our converters. Whenever zeros and ones are flying by at incredible speeds, a solid clock and balanced data stream management system is of the utmost importance to articulate, musical, 3D impact. Do not shy away from using the CONVERT-AD+ as your studio’s master clock, a choice more and more engineers are making since becoming “converts.”
UNSURPASSED ANALOG EXCELLENCE
Our analog designer, Chris Muth, has designed the gear used on an endless list of hit records and classic reissues. Chris’s powerful, articulate, hi-fi designs dominated the big studios in New York City since the 80s, and via Dangerous his designs have become essential components in the best modern DAW-based mixing and mastering studios. When we set out to develop the CONVERT-AD+, Chris brought his relentless design philosophy and world-renowned sound to a whole new level. The entire CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound, the powerful, ultra-clear low-end, and the wide open high-end.
FEATURES
Adjustable Sample Rate lets you cycle through 6 sample rates for universal compatibility with other devices
Selectable Calibration Level cycles through three calibration levels for compatibility with other devices
Toggle between two discrete, selectable stereo inputs with two switchable stereo input paths
Clip Guard will turn off the red light LED at your destination (i.e. DAW)
Premium custom crafted digital meter with Normal and Peak Hold modes provides precise visual feedback
Zoom view lets you view only the top 10dB of your signal level, for a finer, magnified resolution
Word Clock with three Modes: Internal, External and Master
X-FORMER insert button engages some of Chris Muth’s sonic wizardry via a pair of customized HAMMOND™ transformers
EMPHASIS shelving EQ/Compressor induces 2nd order harmonic distortion to blend in a bit of mid warmth and sparkle
USB connection for Mac/PC
Comprehensive I/O
Two switchable stereo input paths
Dual AES Outputs
ADAT Optical Output
SPDIF Optical Output
SPDIF COAX output
The new Dangerous Music CONVERT-2 is an audiophile Reference Grade Stereo D/A Converter. It's the logical improvement of the now legendary DAC-ST and the further developed versions of it in D-Box and Source. And it once again raises the bar.
The CONVERT series was designed from ground up with a zero-compromise attitude. Decades of accumulated knowledge and experience combined with the Dangerous Music core philosophie "transparent, yet musical" leveraged to a truly exceptional converter: profoundly detailed, with a richly defined low end and an unparalleled clarity that holds true across the entire audio spectrum.
An important feature too rare with pure D/A-Units is the bi-directional USB-connectivity. When acting as an interface (CONVERT-2 receives the signal to be converted via USB), the other direction (meaning the USB-input) is fed by the "AES-2" Input.
Second important feature: A volume pot for directly connecting speakers. Turned fully clockwise it is taken entirely out of the signal path via a relay / switch. This is better when utilizing an external Monitor Controller like the Dangerous Music Monitor ST.
Features:
Audiophile Mastering Front End Playback Conversion
5 Digital Input Formats: USB, AES, SPDIF, ADAT, Optical SPDIF (Toslink)
Sampling Frequencies from 44.1 bis 192 kHz with automatic detection
High Definition Stereo Reference Monitoring
extremely low jitter clock that will send many dedicated studio masterclocks to retirement
USB Input for Direct DAW Connectivity
"USB digital pass through": When switched to USB the elsewise unused USB-Input receives the AES-2 Input
Compatible with Monitor ST/SR for Remote Switching
extreme precise Metering (Peakmeter) taken from the Dangerous Master
digital thru for connecting an external Metering
The new Dangerous Music CONVERT-8 is an 8-channel Audiophile Reference Grade D/A Converter. It's an 8-channel version of the also new CONVERT-2 (see there for more detail) with slightly different features.
Outfitted with ADAT and AES Inputs and D-Sub Outputs as well as AES Thru a replacement or extension of existing D/A converters is easily accomplished.
The CONVERT-8 is taylored for mix engineers, who utilize analogue summing devices such as the Dangerous D-Box and the legendary 2-Bus(+), as well as a main output device for surround setups (up to 7.1) in mixing and mastering. On top it's compatible to the Dangerous Monitor ST/SR (remote switching of sources).
The CONVERT series was designed from ground up with a zero-compromise attitude. Decades of accumulated knowledge and experience combined with the Dangerous Music core philosophie "transparent, yet musical" leveraged to a truly exceptional converter: profoundly detailed, with a richly defined low end and an unparalleled clarity that holds true across the entire audio spectrum.
Features:
Audiophile Mastering Front End Playback Conversion
5 Digitale Eingangs-Formate: USB, AES, ADAT, Optical SPDIF (Toslink)
Sampling Frequencies from 44.1 bis 192 kHz with automatic detection
High Definition Stereo Reference Monitoring for Stereo or Surround (up to 7.1)
extremely low jitter clock that will send many dedicated studio masterclocks to retirement
USB Input for Direct DAW Connectivity
Compatible with Monitor ST/SR for Remote Switching
Signal present LEDs (green: -40dB or more, red: 3 consecutive samples have clipped)
digital thru for connecting an external Metering
Dangerous Music D-Box+
The Dangerous D-BOX+ is a dramatic ground-up redesign of the award- winning controller and summing mixer that provided countless studios the superior sound and versatile control of an analog mixer, all in just one rack space. The newly designed 8-channel summing mixer and D-A stereo converter provide Dangerous Music’s bold and clear sound, while newly added features like of all major functions unleash a truly forward-looking feature set. As with all Dangerous Music products, the D-BOX+ is proudly made to exacting audiophile standards in the USA.
Features:
Newly upgraded 8-channel analog summing mixer (7+8 mono switchable) delivers enormous soundstage and superior sonic impact
Digitally controlled volume knob with precise L/R level and adjustable dim
Five analog and digital inputs at your fingertips (analog stereo, analog sum, USB, AES/SPDIF, Bluetooth)
Bluetooth wireless audio streaming
Free D-BOX+ app offers remote control of all major functions (volume, dim, talkback, I/O select, and more)
Dedicated app runs effortlessly on current macOS and Windows computers, as well as IOS and Android devices
Driverless USB audio connectivity for macOS; simple USB audio driver installation for Windows
On-board talkback mic with push-button activation (on front panel or remotely from app)
Talkback via smartphone (Bluetooth)
Dual world-class headphone amplifiers with independent source selection and level control (front panel or app)
Three independent speaker outputs (selected from front panel or from app)
Programmable speaker selector allows for dedicated mono and/or sub inclusion on all outputs
Speaker Outputs 2 and 3 trimmable (on the front panel)
Three mastering-grade digital-to-analog stereo converter for transparent, musical monitoring of digital sources (USB, AES/SPDIF, Bluetooth)
Dangerous Music’s renown audiophile-grade circuit design, components, and build quality throughout
OverviewTo survive in this modern day audio jungle, the contemporary studio must be flexible and agile; a facility that can adapt to any workflow, effortlessly. Tracking, mixing and mastering services oftentimes must be performed under one roof, utilizing every piece of outboard gear available.The Dangerous Liaison realizes this dream by providing unprecedented access to your outboard equipment. Connect up to six of your favorite units to the Liaison (more if you daisy chain, leverage a patchbay or add a Dangerous Master). Instantly audition any device or combination, change the order, dial in some parallel processing and then store these customized signal paths as presets to use again, on demand, anytime. True hard-wire bypass relays remove the gear entirely from the signal path; this includes outboard that lacks an integrated bypass or true hard-wire bypass. Mastering grade components switch instantly and silently, providing true A/B comparisons without coloration or latency. Pre and post-processing monitor outputs make it simple to audition between the original source and the treated product.You will hear the difference.
SpecificationsFrequency Response (Passive Section) +0, -0.1dB from 10Hz to 100kHzFrequency Response (Active Section) +0, -0.1dB from 10Hz to 100kHzMaximum level > +28dBuNoise floor < -94.5dBu 22Hz-22kHz bandwidthTHD+N < 0.002%IMD < 0.003%Crosstalk rejection (Passive Section) > 124dBCrosstalk rejection (Active Section) > 113dBInput Impedance: 20K OhmsOutput Impedance: 20 OhmsReplacement Fuses:USA 500mA fast blow for 120VEurope 250mA fast blow for 240VWarranty: 2 years parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications/attempted repair by unauthorized technicians.
Integrating the Power of Analog Processing in the Modern Mastering Environment
Designed by mastering engineers
Superb audio quality
Includes sum & difference processing
Integrates with the Dangerous Monitor
For years the top mastering engineers and the hottest mastering facilities have been using custom-designed tools that were not available to the rest of us. Until now. We have distilled the essence of those tools to create the Dangerous Master. The Dangerous Master will provide you with the insert loops, sum & difference processing, level offset, and stereo image width control that will turn your high-quality outboard equalizers and compressors into a truly professional mastering rig.
Hand built with top-of-the-line components
Stepped controls throughout
Incredibly clean and quiet
Built by the very same Chris Muth who designed the mastering equipment for many of New York’s top mastering engineers and studios, the Dangerous Master forms the centerpiece of a fantastic mastering system. It will tie together your choice equalizers, compressors and de-essors by providing accurate level control, easy monitoring facility, matrix processing and stereo image control, all in a compact 2 RU package.The integrated Input Monitor Offset allows you to focus on the sound of your master without being fooled by the pre- and post-process level differences.The S&M matrix is an analog sum and difference processor affording unprecedented control of stereo signals. Mastering engineers will enjoy the fact that S&M allows them to save seemingly unsalvageable tracks by altering vocal levels without touching the mix, by fixing overly wide or narrow stereo fields, or by de-essing aggressive cymbal hits while leaving the center lead untouched.Dangerous Master, combined with the Dangerous Monitor and your favorite processing gear, will provide you with what you need to turn any mix into a professional master.As with all Dangerous Music equipment, the Dangerous Master is designed by engineers, for engineers, and built by hand using the highest quality components.SpecificationsAll connections are Balanced XLR, +4dBu nominal operating level2 stereo inputs3 stereo outputs (one for monitoring)3 insert loops2nd insert capable of MS matrix operationInput and Output controls+ - 5dB in 0.5dB stepsInput Monitor Offset -2 to +8dB in 0.5dB stepsWidth control -4 to +6dB in 0.5dB stepsAttenuator accuracy0.02dB (0.01dB typical)THD+Noise in audio band0.003%IMD 60Hz + 4kHz 4:10.004%Crosstalk rejection Better than 95dB @ 1kHzHeadroom> +27dBu, +23dBu in the matrix under worst case conditionsFrequency responseBetter than 0.2dB down @ 1Hz and 100kHzNoise floor< -89dBu total energy in the audio bandWarranty: 2 years parts and labor, subject to inspection. Does not include damage incurred through abusive operation or modifications/attempted repair by unauthorized technicians
Seit Jahren nutzen Mastering Ingenieure und die besten Mastering Studios eigens angefertigte Werkzeuge die nur für das Mastering bestimmt waren – bis jetzt. Wir haben uns auf die wichtigsten technischen Funktionen konzentriert und den Dangerous Master entwickelt, eine Fortzsetzung dessen was Chris Muth für die besten Mastering Studios der Welt bereits umgesetzt hat.
Der Dangerous Master verbindet eine Auswahl von EQ‘s, Kompressoren und De- Essern mit einer akkuraten Pegel Kontrolle, einfacher Quellenanwahl, Matrixwandlung und einer Stereobasiskontrolle. Die integrierte Pegelangleichung erlaubt genaues fokussieren auf den Klang des Masters ohne von den vor und nachbearbeiteten Lautstärke-Unterschieden getäuscht zu werden.
Mehrere analoge und digitale Eingänge, unterschiedliche Konverter, das Anwählen zwischen diesen Signalen und der Vergleich im Signalweg brauchen eine komplette Lösung. Eine elegante Integration von 4 wichtigen Funktionen, die speziell darauf zugeschnitten sind, schnelle und genaue Kontrolle in absoluter Präzision zu liefern.
The ultimate DAW companionThe Dangerous Monitor ST is a remote-control accessed input source switcher/speaker switcher/cue system/talkback system /headphone amplifier all in a one rack space package.The SR is a companion expansion module, providing full 5.1 capability. You can start in stereo with the ST and expand to surround later simply by adding the SR. No redundancy or obsolescence!Configure and control your entire system from the comfort of your sweet spot.Features:Analog stepped-attenuator volume controlNo level control IC’s used – pristine, accurate and repeatable.4 input sourcesSwitch between your DAW outputs, DVD player, CD player, tape machines, etc.3 speaker outputsSwitch between up to 3 sets of monitorsProgrammable input gain offsetsAdjust for and store level offsets for different source devicesInput level compensation for –10dBV and +4dBu sourcesInstantly adjust and store gain compensation for consumer devicesInput 4 has continuously variable level offsetCompensate for commercial CD levels and perform true A/B comparisons without compromising sound quality.Programmable output level offsets Fine-tune and store offsets to achieve equal apparent loudness on all your control room speakers- SR unit has continually variable level trims for L-R rear, center and LFE.Assignable subwoofer outputChoose and store which sets of speakers you want to use with your subProgrammable subwoofer level offsetAdjust and store subwoofer levels, easily alternate between sub function and LFE functionSelectable subwoofer filteringSelect and store subwoofer filter options for each set of speakers. Switch between full bandwidth for surround mixing and bottom octave only for stereo work.Comprehensive speaker Mute and SoloEasily mute and solo speakers in any combinationFlexible stereo cue system with main and auxiliary inputsMake your performers happy with a great headphone mix or use the aux input as a Beep channel to monitor computer alert tones or click tracks on the main speakers.Onboard cue power amp40 watts of clean power for your headphonesTalkback system with dual control and dedicated slate output Give the producer his own talkback button! Easily slate tracks, or send the slate output to a powered speaker for open-air talkbackSR unit has selected source outputSend source signals to meters or any other external device
Specifications:Gain Tracking Accuracy: better than 0.05dB for 6 channelsTHD+N: 0.002%IMD: 0.003%Frequency Response: 1Hz-100kHz -0.1dBCrosstalk Rejection: >96dBNominal Input Level: +4dBu or -10dBVCrossover: -3dB @ 57Hz 18dB/octave modified Butterworth/ChebyshevHeadphone amp: 0.002% THD+NHeadroom: +25dBu to main outputs
The ultimate DAW companionThe Dangerous Monitor ST is a remote-control accessed input source switcher/speaker switcher/cue system/talkback system /headphone amplifier all in a one rack space package.The SR is a companion expansion module, providing full 5.1 capability. You can start in stereo with the ST and expand to surround later simply by adding the SR. No redundancy or obsolescence!Configure and control your entire system from the comfort of your sweet spot.Features:Analog stepped-attenuator volume controlNo level control IC’s used – pristine, accurate and repeatable.4 input sourcesSwitch between your DAW outputs, DVD player, CD player, tape machines, etc.3 speaker outputsSwitch between up to 3 sets of monitorsProgrammable input gain offsetsAdjust for and store level offsets for different source devicesInput level compensation for –10dBV and +4dBu sourcesInstantly adjust and store gain compensation for consumer devicesInput 4 has continuously variable level offsetCompensate for commercial CD levels and perform true A/B comparisons without compromising sound quality.Programmable output level offsets Fine-tune and store offsets to achieve equal apparent loudness on all your control room speakers- SR unit has continually variable level trims for L-R rear, center and LFE.Assignable subwoofer outputChoose and store which sets of speakers you want to use with your subProgrammable subwoofer level offsetAdjust and store subwoofer levels, easily alternate between sub function and LFE functionSelectable subwoofer filteringSelect and store subwoofer filter options for each set of speakers. Switch between full bandwidth for surround mixing and bottom octave only for stereo work.Comprehensive speaker Mute and SoloEasily mute and solo speakers in any combinationFlexible stereo cue system with main and auxiliary inputsMake your performers happy with a great headphone mix or use the aux input as a Beep channel to monitor computer alert tones or click tracks on the main speakers.Onboard cue power amp40 watts of clean power for your headphonesTalkback system with dual control and dedicated slate output Give the producer his own talkback button! Easily slate tracks, or send the slate output to a powered speaker for open-air talkbackSR unit has selected source outputSend source signals to meters or any other external device
Specifications:Gain Tracking Accuracy: better than 0.05dB for 6 channelsTHD+N: 0.002%IMD: 0.003%Frequency Response: 1Hz-100kHz -0.1dBCrosstalk Rejection: >96dBNominal Input Level: +4dBu or -10dBVCrossover: -3dB @ 57Hz 18dB/octave modified Butterworth/ChebyshevHeadphone amp: 0.002% THD+NHeadroom: +25dBu to main outputs
A LEGEND’S REVIVALThe Dangerous Music S&M mid-side processing matrix is revered in the mixing and mastering community—cherished by those who possess it and pursued by those who don’t.
Years after its extinction, the S&M returns to the audio wild in a limited supply. 100 units have been meticulously produced under the watchful eye of their creator, Chris Muth, each bearing his signature and an official numbered, metal credit card-style certificate of authenticity.ABOUT THE DANGEROUS S&MLegendary across the Billboard charts, the S&M cracks open a stereo track allowing the center and sides to be affected separately. Juice up the overall top end then de-ess that vocal without destroying the ethereal shimmer on the sides. Take your ‘perfect’ drum sound from a stereo pair of overheads, where the snare is too loud and resolve it in seconds with a limiter on the Sum channel. Peel back the mung from the bass so it punches hard, while never choking the guitars or heft-laden synth riffs.
The S&M will create wider and tighter landscapes with a dram of sparkle. Deploy it classically or experimentally as a most potent creation tool.Mid-side processing matrix The Dangerous Music S&M mid-side processing matrix is revered in the mixing and mastering community. Insert your favorite outboard, split your stereo into Sides and Mid get to work. Juice up the overall top end then de-ess that vocal without destroying the ethereal shimmer on the sides. Take your ‘perfect’ drum sound from a stereo pair of overheads, where the snare is too loud and resolve it in seconds with a limiter on the Sum channel. Peel back the mung from the bass so it punches hard, without choking the guitars or synths. Deploy it classically or experimentally as a most potent creation tool. Features:Mid-side processing circuits designed by Chris MuthStepped Side ControlLimited Supply of 100 unitsOccupies only 1 RU of spaceInternal Power SupplyHand built in the USASpecifications:Note: Dangerous Music, Inc. publishes actual measured specifications, not theoretical numbers derived from data sheets published by chip manufacturers.Frequency Response: Flat within 0.1dB from 1Hz - 100kHz <0.002%THD + NOISE: <0.002%IMD60 4:1: <0.002%Sum and Minus channel speration: -78dBWidth control accuracy: 0.02dBuDynamic Range: 108dBNominal operating level: +4dBuMaximum Input Level: +23dBuInput Impedance: 25K OhmsBalanced Output Impedance: 50 Ohms BalancedDimensions & Weight:Unboxed dimensions: Depth 34,3 cm, Width 48,3 cm, Height 4,3cm (1HE)Unboxed weight: 5 kgScope of DeliveryManual3-Pin IEC auto-switching AC Power, 240V (Europe)Certificate of limited edition
The Dangerous Source provides the critical link between your ears and the music. Every tracking and mixing decision hinges upon what you hear:how to locate the microphone’s sweet spot for the perfect vocal, where to place the anning to define each instrument’s space, creating the perfect marriage of kick and bass in the track…Plug in two pairs of headphones and get inspired- serious amplification to turn up your creative heat.Select any of the four sources individually or at the same time- plug your iPod into AN2 and jam along in AN1.Listen to any combination of sources from either section. For example, let the singer hear their own personal headphone mix from the AN2 input, while you engineer the real mix, coming from the USB input.There’s even a line level control room output,mirroring the speaker selector for dubbing, sampling or running xternal meters.Switch between two sets of speakers... or use one output for a subwoofer... or play them both at once to blow up the neighborhood.Built for life on the road, slide the SOURCE into your backpack and hit the streets.Features:
Portable or Rack Installable (kit optional)
2 Speakers Outputs- Can be engaged simultaneously
Headphones can Monitor Single or Multiple Sources
2 Analog Inputs: 1/8” Mini Stereo & XLR/TRS Combo Jack
2 Digital Inputs: AES/SPDIF and USB
USB IN, up to 24-bit/192kHz for Windows and Mac